Estonian producer Robert Nikolajev dives into ferric pools of ambient slop on "Transplant Rejection", his debut for Nikolaienko's ace Muscut label.
Best known for his mutant, cassette-damaged electro constructions on Montreal's Collect-Call and Anthony Naples' Incensio, Nikolajev pivots into a beatless mode on "Transplant Rejection", diverting his attention from the dancefloor to the dream state. It shouldn't be a surprise to anyone in regular contact with the reliably horizontal Muscut label, and the Talinn-based producer's contribution is a worthy addition to the catalog.
His windswept compositions are impressively lived-in and just as worn, noisy and evocative as his rhythmic material. At its best, "Transplant Rejection" sounds like a lost VHS-era B-movie soundtrack - tracks like 'Rip Lota' and 'Believer' act as a sequel to Emeralds and Oneohtrix Point Never's early synth-led psychedelia.
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Estonian producer Robert Nikolajev dives into ferric pools of ambient slop on "Transplant Rejection", his debut for Nikolaienko's ace Muscut label.
Best known for his mutant, cassette-damaged electro constructions on Montreal's Collect-Call and Anthony Naples' Incensio, Nikolajev pivots into a beatless mode on "Transplant Rejection", diverting his attention from the dancefloor to the dream state. It shouldn't be a surprise to anyone in regular contact with the reliably horizontal Muscut label, and the Talinn-based producer's contribution is a worthy addition to the catalog.
His windswept compositions are impressively lived-in and just as worn, noisy and evocative as his rhythmic material. At its best, "Transplant Rejection" sounds like a lost VHS-era B-movie soundtrack - tracks like 'Rip Lota' and 'Believer' act as a sequel to Emeralds and Oneohtrix Point Never's early synth-led psychedelia.
Estonian producer Robert Nikolajev dives into ferric pools of ambient slop on "Transplant Rejection", his debut for Nikolaienko's ace Muscut label.
Best known for his mutant, cassette-damaged electro constructions on Montreal's Collect-Call and Anthony Naples' Incensio, Nikolajev pivots into a beatless mode on "Transplant Rejection", diverting his attention from the dancefloor to the dream state. It shouldn't be a surprise to anyone in regular contact with the reliably horizontal Muscut label, and the Talinn-based producer's contribution is a worthy addition to the catalog.
His windswept compositions are impressively lived-in and just as worn, noisy and evocative as his rhythmic material. At its best, "Transplant Rejection" sounds like a lost VHS-era B-movie soundtrack - tracks like 'Rip Lota' and 'Believer' act as a sequel to Emeralds and Oneohtrix Point Never's early synth-led psychedelia.
Estonian producer Robert Nikolajev dives into ferric pools of ambient slop on "Transplant Rejection", his debut for Nikolaienko's ace Muscut label.
Best known for his mutant, cassette-damaged electro constructions on Montreal's Collect-Call and Anthony Naples' Incensio, Nikolajev pivots into a beatless mode on "Transplant Rejection", diverting his attention from the dancefloor to the dream state. It shouldn't be a surprise to anyone in regular contact with the reliably horizontal Muscut label, and the Talinn-based producer's contribution is a worthy addition to the catalog.
His windswept compositions are impressively lived-in and just as worn, noisy and evocative as his rhythmic material. At its best, "Transplant Rejection" sounds like a lost VHS-era B-movie soundtrack - tracks like 'Rip Lota' and 'Believer' act as a sequel to Emeralds and Oneohtrix Point Never's early synth-led psychedelia.