Transform / Wonder
This is really good; a first taster of Factory Floor's score to Fritz Lang’s 1927 masterpiece Metropolis; with a surprisingly assymetric take on New Beat on the A-side's Transform, and a slowed down, pulsing charmer on the flip sounding something like a more angular take on HTRK. This is the second reease on Factory Floor's own imprint H/O/D Records.
"Transform, a section inspired by Maria's transformation from human into the robot, reveals itself in a haze of accumulating ambience and scattered percussion that evolves into the heavy repetitive bass groove reassuringly stabilizes Maria's journey into metamorphosis.
The slow tempo and atmospheric wash of synths and electronics on side B 'Wonder' offering a hesitant hush contrast."
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This is really good; a first taster of Factory Floor's score to Fritz Lang’s 1927 masterpiece Metropolis; with a surprisingly assymetric take on New Beat on the A-side's Transform, and a slowed down, pulsing charmer on the flip sounding something like a more angular take on HTRK. This is the second reease on Factory Floor's own imprint H/O/D Records.
"Transform, a section inspired by Maria's transformation from human into the robot, reveals itself in a haze of accumulating ambience and scattered percussion that evolves into the heavy repetitive bass groove reassuringly stabilizes Maria's journey into metamorphosis.
The slow tempo and atmospheric wash of synths and electronics on side B 'Wonder' offering a hesitant hush contrast."
This is really good; a first taster of Factory Floor's score to Fritz Lang’s 1927 masterpiece Metropolis; with a surprisingly assymetric take on New Beat on the A-side's Transform, and a slowed down, pulsing charmer on the flip sounding something like a more angular take on HTRK. This is the second reease on Factory Floor's own imprint H/O/D Records.
"Transform, a section inspired by Maria's transformation from human into the robot, reveals itself in a haze of accumulating ambience and scattered percussion that evolves into the heavy repetitive bass groove reassuringly stabilizes Maria's journey into metamorphosis.
The slow tempo and atmospheric wash of synths and electronics on side B 'Wonder' offering a hesitant hush contrast."
This is really good; a first taster of Factory Floor's score to Fritz Lang’s 1927 masterpiece Metropolis; with a surprisingly assymetric take on New Beat on the A-side's Transform, and a slowed down, pulsing charmer on the flip sounding something like a more angular take on HTRK. This is the second reease on Factory Floor's own imprint H/O/D Records.
"Transform, a section inspired by Maria's transformation from human into the robot, reveals itself in a haze of accumulating ambience and scattered percussion that evolves into the heavy repetitive bass groove reassuringly stabilizes Maria's journey into metamorphosis.
The slow tempo and atmospheric wash of synths and electronics on side B 'Wonder' offering a hesitant hush contrast."
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This is really good; a first taster of Factory Floor's score to Fritz Lang’s 1927 masterpiece Metropolis; with a surprisingly assymetric take on New Beat on the A-side's Transform, and a slowed down, pulsing charmer on the flip sounding something like a more angular take on HTRK. This is the second reease on Factory Floor's own imprint H/O/D Records.
"Transform, a section inspired by Maria's transformation from human into the robot, reveals itself in a haze of accumulating ambience and scattered percussion that evolves into the heavy repetitive bass groove reassuringly stabilizes Maria's journey into metamorphosis.
The slow tempo and atmospheric wash of synths and electronics on side B 'Wonder' offering a hesitant hush contrast."