Tranquilizer EP’s 1 - 3 (Set)
Terre Thaemlitz’s precious 1994 debut album finally makes a vinyl appearance of sorts 30 years later, with selected cuts and additional material spread across three 12”s. It’s just timeless gear, coming with our highest recommendations if you’re into classic Mo’ Wax, The KLF’s Chill Out, Urban Tribe, Blue Lines-era Massive Attack, The Art Of Noise, DJ Sprinkles…
Tranquilizer’s mesmerising centrepiece ‘Hovering Glows’ is deployed in 3 different versions on the first EP, totalling almost half an hour of amniotic bliss. The original 9 minute depiction of crepuscular Midwest ambience and dusted dub is beloved of anyone acquainted with the album over the years, finding Terre’s feel for electro-acoustic sound sensitivity flooded with a rarified sense of deep blue soul distilled to near-perfection. It mines a similar path to Future Sound of London productions of the same era, and in its moody abstraction foreshadows 4hero’s ‘The Paranormal In 4 Forms’ that would follow a couple of years later. The OG is joined on by two alternative versions: a ‘Little Guy Mix’ that swerves the few minutes of sensuous atmospheric foreplay to slip right into the pendulous swing; and a longer ‘Vinyl Mix’ that duly opens out the intro with Terre’s unique grasp of subbass and tongue-tip atmospheric suss. Collected, they supply an extended session of beatdown ecstasy to discerning, romantic listeners who’ve awaited this release for decades, ‘cos as Comatonse fiends know, their releases always sound especially exquisite on vinyl.
The second EP adds half an hour of gorgeous, bleary-eyed dreamweaving that slots in the all-time sublime alongside The Art Of Noise’s ‘Moments In Love’, giving an afterlife to curtain closer ‘Fina’ with a previously unheard extended mix, and a gorgeous version that recalls SAW II-era AFX x Bryn Jones on a deep one. Both sides scroll right back to a nascent Terre, sensitively feeling out a sound between the tumultuous summer of ’93 and spring of ’94, in the years after Terre carved a name for herself as an influential deep house DJ in Manhattan’s queer bars and clubs. ‘Fina-Departure (Original Long Version)’ extends the balmy, beat-less scene of woozy keyboards, cicadas and swooping crop-duster planes to twice as long, with what we detect as a personal frisson of melancholy/nostalgia for the Midwest planes of Missouri, Kansas, where Terre grew up.
EP 3 is frankly unmissable if even just for the album’s opening killer ’040468’ - named for the day MLK departed - which sounds better than ever on its sumptuous vinyl cut. Semi-autobiographical and coloured with an inherently political take on ambient music, the music here can be heard to reference Terre’s background in the US Midwest via the track titles and aesthetic inference of wide open spaces at night, as in ‘2am on a Silo’, and on thru their formative journey of self-discovery in downtown NYC, where they took up residency at a queer bar playing earliest deep house to sex workers during the years of devastation from the AIDS pandemic. While that would be expounded more explicitly in their later albums as DJ Sprinkles, on ‘Tranquilizer’ it’s implied by a deep sense of melancholy and longing. We’ve long marvelled at the music here as a remarkable prototype for both booming Memphis rap instrumentals, and the mid ’00s halfstep dubstep sound, due to its sweeping subs that go all the way down, and then some, under a blanket of starlight twinkles and bluest pads.
Real special gear.
please remember that we support Terre and Comatonse Recordings' efforts to keep projects offline, minor, and acting queerly. When purchasing this item, we ask you to refrain from uploading and indiscriminate sharing in any form. <3
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Three individual 12”s previously sold separately, now available as a set for a limited time. Mastered by Terre Thaemlitz, cut by Rashad Becker.
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Terre Thaemlitz’s precious 1994 debut album finally makes a vinyl appearance of sorts 30 years later, with selected cuts and additional material spread across three 12”s. It’s just timeless gear, coming with our highest recommendations if you’re into classic Mo’ Wax, The KLF’s Chill Out, Urban Tribe, Blue Lines-era Massive Attack, The Art Of Noise, DJ Sprinkles…
Tranquilizer’s mesmerising centrepiece ‘Hovering Glows’ is deployed in 3 different versions on the first EP, totalling almost half an hour of amniotic bliss. The original 9 minute depiction of crepuscular Midwest ambience and dusted dub is beloved of anyone acquainted with the album over the years, finding Terre’s feel for electro-acoustic sound sensitivity flooded with a rarified sense of deep blue soul distilled to near-perfection. It mines a similar path to Future Sound of London productions of the same era, and in its moody abstraction foreshadows 4hero’s ‘The Paranormal In 4 Forms’ that would follow a couple of years later. The OG is joined on by two alternative versions: a ‘Little Guy Mix’ that swerves the few minutes of sensuous atmospheric foreplay to slip right into the pendulous swing; and a longer ‘Vinyl Mix’ that duly opens out the intro with Terre’s unique grasp of subbass and tongue-tip atmospheric suss. Collected, they supply an extended session of beatdown ecstasy to discerning, romantic listeners who’ve awaited this release for decades, ‘cos as Comatonse fiends know, their releases always sound especially exquisite on vinyl.
The second EP adds half an hour of gorgeous, bleary-eyed dreamweaving that slots in the all-time sublime alongside The Art Of Noise’s ‘Moments In Love’, giving an afterlife to curtain closer ‘Fina’ with a previously unheard extended mix, and a gorgeous version that recalls SAW II-era AFX x Bryn Jones on a deep one. Both sides scroll right back to a nascent Terre, sensitively feeling out a sound between the tumultuous summer of ’93 and spring of ’94, in the years after Terre carved a name for herself as an influential deep house DJ in Manhattan’s queer bars and clubs. ‘Fina-Departure (Original Long Version)’ extends the balmy, beat-less scene of woozy keyboards, cicadas and swooping crop-duster planes to twice as long, with what we detect as a personal frisson of melancholy/nostalgia for the Midwest planes of Missouri, Kansas, where Terre grew up.
EP 3 is frankly unmissable if even just for the album’s opening killer ’040468’ - named for the day MLK departed - which sounds better than ever on its sumptuous vinyl cut. Semi-autobiographical and coloured with an inherently political take on ambient music, the music here can be heard to reference Terre’s background in the US Midwest via the track titles and aesthetic inference of wide open spaces at night, as in ‘2am on a Silo’, and on thru their formative journey of self-discovery in downtown NYC, where they took up residency at a queer bar playing earliest deep house to sex workers during the years of devastation from the AIDS pandemic. While that would be expounded more explicitly in their later albums as DJ Sprinkles, on ‘Tranquilizer’ it’s implied by a deep sense of melancholy and longing. We’ve long marvelled at the music here as a remarkable prototype for both booming Memphis rap instrumentals, and the mid ’00s halfstep dubstep sound, due to its sweeping subs that go all the way down, and then some, under a blanket of starlight twinkles and bluest pads.
Real special gear.
please remember that we support Terre and Comatonse Recordings' efforts to keep projects offline, minor, and acting queerly. When purchasing this item, we ask you to refrain from uploading and indiscriminate sharing in any form. <3