Towards the Center of Time and Surrounded by Spirits
Explorative techno producer PvH comes home to roost on Belgium’s Vlek with a powerful set of modular synth-chiselled club music and noise experiments.
‘Towards the Center of Time and Surrounded by Spirits’ marks more than 10 years since his previous album, ‘Life Performance’, over which time he’s been busy in the Sendai duo with Yves De Mey, and minted the live project SYNC. with Atom™. Now based in Ho Chi Minh City, Van Hoesen maintains umbilical links to Belgium quite literally with this release on Brussels-based Vlek, but also in his music’s potent concentration of flavour and a peculiar Belgian taste for tart, futuristic sonification, as heard in its early electronics, and thru to the new beat phenomenon that triggered a hugely influential techno movement in the ‘90s.
The nine cuts of ‘Towards the Center of Time and Surrounded by Spirits’ find PvH just-about harnessing - and then succumbing to - a clinamen toward chaos within his fleet-hooved and insistent grooves. They spell out a finely controlled course from jaw-bending acidic gurn tones in ‘Eeica’ to all-out cosmic/oceanic noise abstraction in ‘Twilight Static Dilemma’.
His gravelly bilge pumper ‘Time to Regress’ is a drily witty throwback to the minimal techno style concocted for his class run of 12”s on Time To Express, and ’Schemerzone / Voor JMH Berckmans’ feels wickedly distorted by a sort of dark garage-techno torque a la Blawan, leading to the shearign noise abstract ‘Disco Discourse Disaster’. He’s back in the techno saddle for a galloping workhorse ‘Ebbinghaus Shuffle’, whilst ‘Theme From a Late Checkout’ comes on frothier, darker, stout as a Gouden Carolus, before the noise bias pulls him into warped chromatic wormholes on ‘Nirvana Short Circuit / Listening to Cells’, and ultimately the crushing metallic designs of his killer closer.
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Explorative techno producer PvH comes home to roost on Belgium’s Vlek with a powerful set of modular synth-chiselled club music and noise experiments.
‘Towards the Center of Time and Surrounded by Spirits’ marks more than 10 years since his previous album, ‘Life Performance’, over which time he’s been busy in the Sendai duo with Yves De Mey, and minted the live project SYNC. with Atom™. Now based in Ho Chi Minh City, Van Hoesen maintains umbilical links to Belgium quite literally with this release on Brussels-based Vlek, but also in his music’s potent concentration of flavour and a peculiar Belgian taste for tart, futuristic sonification, as heard in its early electronics, and thru to the new beat phenomenon that triggered a hugely influential techno movement in the ‘90s.
The nine cuts of ‘Towards the Center of Time and Surrounded by Spirits’ find PvH just-about harnessing - and then succumbing to - a clinamen toward chaos within his fleet-hooved and insistent grooves. They spell out a finely controlled course from jaw-bending acidic gurn tones in ‘Eeica’ to all-out cosmic/oceanic noise abstraction in ‘Twilight Static Dilemma’.
His gravelly bilge pumper ‘Time to Regress’ is a drily witty throwback to the minimal techno style concocted for his class run of 12”s on Time To Express, and ’Schemerzone / Voor JMH Berckmans’ feels wickedly distorted by a sort of dark garage-techno torque a la Blawan, leading to the shearign noise abstract ‘Disco Discourse Disaster’. He’s back in the techno saddle for a galloping workhorse ‘Ebbinghaus Shuffle’, whilst ‘Theme From a Late Checkout’ comes on frothier, darker, stout as a Gouden Carolus, before the noise bias pulls him into warped chromatic wormholes on ‘Nirvana Short Circuit / Listening to Cells’, and ultimately the crushing metallic designs of his killer closer.
Explorative techno producer PvH comes home to roost on Belgium’s Vlek with a powerful set of modular synth-chiselled club music and noise experiments.
‘Towards the Center of Time and Surrounded by Spirits’ marks more than 10 years since his previous album, ‘Life Performance’, over which time he’s been busy in the Sendai duo with Yves De Mey, and minted the live project SYNC. with Atom™. Now based in Ho Chi Minh City, Van Hoesen maintains umbilical links to Belgium quite literally with this release on Brussels-based Vlek, but also in his music’s potent concentration of flavour and a peculiar Belgian taste for tart, futuristic sonification, as heard in its early electronics, and thru to the new beat phenomenon that triggered a hugely influential techno movement in the ‘90s.
The nine cuts of ‘Towards the Center of Time and Surrounded by Spirits’ find PvH just-about harnessing - and then succumbing to - a clinamen toward chaos within his fleet-hooved and insistent grooves. They spell out a finely controlled course from jaw-bending acidic gurn tones in ‘Eeica’ to all-out cosmic/oceanic noise abstraction in ‘Twilight Static Dilemma’.
His gravelly bilge pumper ‘Time to Regress’ is a drily witty throwback to the minimal techno style concocted for his class run of 12”s on Time To Express, and ’Schemerzone / Voor JMH Berckmans’ feels wickedly distorted by a sort of dark garage-techno torque a la Blawan, leading to the shearign noise abstract ‘Disco Discourse Disaster’. He’s back in the techno saddle for a galloping workhorse ‘Ebbinghaus Shuffle’, whilst ‘Theme From a Late Checkout’ comes on frothier, darker, stout as a Gouden Carolus, before the noise bias pulls him into warped chromatic wormholes on ‘Nirvana Short Circuit / Listening to Cells’, and ultimately the crushing metallic designs of his killer closer.
Explorative techno producer PvH comes home to roost on Belgium’s Vlek with a powerful set of modular synth-chiselled club music and noise experiments.
‘Towards the Center of Time and Surrounded by Spirits’ marks more than 10 years since his previous album, ‘Life Performance’, over which time he’s been busy in the Sendai duo with Yves De Mey, and minted the live project SYNC. with Atom™. Now based in Ho Chi Minh City, Van Hoesen maintains umbilical links to Belgium quite literally with this release on Brussels-based Vlek, but also in his music’s potent concentration of flavour and a peculiar Belgian taste for tart, futuristic sonification, as heard in its early electronics, and thru to the new beat phenomenon that triggered a hugely influential techno movement in the ‘90s.
The nine cuts of ‘Towards the Center of Time and Surrounded by Spirits’ find PvH just-about harnessing - and then succumbing to - a clinamen toward chaos within his fleet-hooved and insistent grooves. They spell out a finely controlled course from jaw-bending acidic gurn tones in ‘Eeica’ to all-out cosmic/oceanic noise abstraction in ‘Twilight Static Dilemma’.
His gravelly bilge pumper ‘Time to Regress’ is a drily witty throwback to the minimal techno style concocted for his class run of 12”s on Time To Express, and ’Schemerzone / Voor JMH Berckmans’ feels wickedly distorted by a sort of dark garage-techno torque a la Blawan, leading to the shearign noise abstract ‘Disco Discourse Disaster’. He’s back in the techno saddle for a galloping workhorse ‘Ebbinghaus Shuffle’, whilst ‘Theme From a Late Checkout’ comes on frothier, darker, stout as a Gouden Carolus, before the noise bias pulls him into warped chromatic wormholes on ‘Nirvana Short Circuit / Listening to Cells’, and ultimately the crushing metallic designs of his killer closer.
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Explorative techno producer PvH comes home to roost on Belgium’s Vlek with a powerful set of modular synth-chiselled club music and noise experiments.
‘Towards the Center of Time and Surrounded by Spirits’ marks more than 10 years since his previous album, ‘Life Performance’, over which time he’s been busy in the Sendai duo with Yves De Mey, and minted the live project SYNC. with Atom™. Now based in Ho Chi Minh City, Van Hoesen maintains umbilical links to Belgium quite literally with this release on Brussels-based Vlek, but also in his music’s potent concentration of flavour and a peculiar Belgian taste for tart, futuristic sonification, as heard in its early electronics, and thru to the new beat phenomenon that triggered a hugely influential techno movement in the ‘90s.
The nine cuts of ‘Towards the Center of Time and Surrounded by Spirits’ find PvH just-about harnessing - and then succumbing to - a clinamen toward chaos within his fleet-hooved and insistent grooves. They spell out a finely controlled course from jaw-bending acidic gurn tones in ‘Eeica’ to all-out cosmic/oceanic noise abstraction in ‘Twilight Static Dilemma’.
His gravelly bilge pumper ‘Time to Regress’ is a drily witty throwback to the minimal techno style concocted for his class run of 12”s on Time To Express, and ’Schemerzone / Voor JMH Berckmans’ feels wickedly distorted by a sort of dark garage-techno torque a la Blawan, leading to the shearign noise abstract ‘Disco Discourse Disaster’. He’s back in the techno saddle for a galloping workhorse ‘Ebbinghaus Shuffle’, whilst ‘Theme From a Late Checkout’ comes on frothier, darker, stout as a Gouden Carolus, before the noise bias pulls him into warped chromatic wormholes on ‘Nirvana Short Circuit / Listening to Cells’, and ultimately the crushing metallic designs of his killer closer.