Touching Bass map South London’s rich hip hop, jazz and psych soul scene, and its rhizomic links to the US, thru crucial nodes such as Wu-Lu, Hejira, AshTreJinkins, Nala Sinephro, DJ Harrison, Clever Austin, and many more
Since 2017’s introductory comp, and over countless dances and NTS shows, Touching Bass has become a leading standard bearer of classic and contemporary Black Atlantic styles. ’Soon Come’ is their celebratory statement of solidarity and intent that acts as a class primer on the label in ’22, with as many tracks spanning interrelated, intercontinental vibes, Split between “day” and “night” sessions, the results imagine something like a glorious day/night out zigzagging wormholes between secret bars and clubs in Peckham, Chicago and NYC.
There’s a whole world to immerse in here. Dawning with the groggy downbeat rap of ROG & Brother Portrait’s ‘The Lighthouse’, it stretches far out from Roy Ayers-ian sunny day soul by Warp’s Wu-Lu, to the lower case folk soul of Hejira and a shimmering vignette by Nala Sinephro x Lyle Barton, with supremely woozy jazz-soul gems by Ego Ella May in ‘Miss U’, and keiyaA’s ‘Camille’s Daughter’, to name a few.
Night follows day with equally high quality on offer. Cowrie’s smudged broken beat soul brings the dusk before Arnheim turns on the deep jazz house flex, and Melo-Zed trade in punk psych funk chops beside a sizzling disco-funk workout by Stones Throw’s DJ Harrison, and AshTreJinkins psychedelic UKG ace ’Sunshine2point0’, with Ben Haucke’s mutant 2000 broken beat wriggler giving way to slower, soul jams by Beaux, Eun & Demae, and the crack of dawn feel to ‘Dïs & Dissolve’ by Molinaro.
View more
Touching Bass map South London’s rich hip hop, jazz and psych soul scene, and its rhizomic links to the US, thru crucial nodes such as Wu-Lu, Hejira, AshTreJinkins, Nala Sinephro, DJ Harrison, Clever Austin, and many more
Since 2017’s introductory comp, and over countless dances and NTS shows, Touching Bass has become a leading standard bearer of classic and contemporary Black Atlantic styles. ’Soon Come’ is their celebratory statement of solidarity and intent that acts as a class primer on the label in ’22, with as many tracks spanning interrelated, intercontinental vibes, Split between “day” and “night” sessions, the results imagine something like a glorious day/night out zigzagging wormholes between secret bars and clubs in Peckham, Chicago and NYC.
There’s a whole world to immerse in here. Dawning with the groggy downbeat rap of ROG & Brother Portrait’s ‘The Lighthouse’, it stretches far out from Roy Ayers-ian sunny day soul by Warp’s Wu-Lu, to the lower case folk soul of Hejira and a shimmering vignette by Nala Sinephro x Lyle Barton, with supremely woozy jazz-soul gems by Ego Ella May in ‘Miss U’, and keiyaA’s ‘Camille’s Daughter’, to name a few.
Night follows day with equally high quality on offer. Cowrie’s smudged broken beat soul brings the dusk before Arnheim turns on the deep jazz house flex, and Melo-Zed trade in punk psych funk chops beside a sizzling disco-funk workout by Stones Throw’s DJ Harrison, and AshTreJinkins psychedelic UKG ace ’Sunshine2point0’, with Ben Haucke’s mutant 2000 broken beat wriggler giving way to slower, soul jams by Beaux, Eun & Demae, and the crack of dawn feel to ‘Dïs & Dissolve’ by Molinaro.
Touching Bass map South London’s rich hip hop, jazz and psych soul scene, and its rhizomic links to the US, thru crucial nodes such as Wu-Lu, Hejira, AshTreJinkins, Nala Sinephro, DJ Harrison, Clever Austin, and many more
Since 2017’s introductory comp, and over countless dances and NTS shows, Touching Bass has become a leading standard bearer of classic and contemporary Black Atlantic styles. ’Soon Come’ is their celebratory statement of solidarity and intent that acts as a class primer on the label in ’22, with as many tracks spanning interrelated, intercontinental vibes, Split between “day” and “night” sessions, the results imagine something like a glorious day/night out zigzagging wormholes between secret bars and clubs in Peckham, Chicago and NYC.
There’s a whole world to immerse in here. Dawning with the groggy downbeat rap of ROG & Brother Portrait’s ‘The Lighthouse’, it stretches far out from Roy Ayers-ian sunny day soul by Warp’s Wu-Lu, to the lower case folk soul of Hejira and a shimmering vignette by Nala Sinephro x Lyle Barton, with supremely woozy jazz-soul gems by Ego Ella May in ‘Miss U’, and keiyaA’s ‘Camille’s Daughter’, to name a few.
Night follows day with equally high quality on offer. Cowrie’s smudged broken beat soul brings the dusk before Arnheim turns on the deep jazz house flex, and Melo-Zed trade in punk psych funk chops beside a sizzling disco-funk workout by Stones Throw’s DJ Harrison, and AshTreJinkins psychedelic UKG ace ’Sunshine2point0’, with Ben Haucke’s mutant 2000 broken beat wriggler giving way to slower, soul jams by Beaux, Eun & Demae, and the crack of dawn feel to ‘Dïs & Dissolve’ by Molinaro.
Touching Bass map South London’s rich hip hop, jazz and psych soul scene, and its rhizomic links to the US, thru crucial nodes such as Wu-Lu, Hejira, AshTreJinkins, Nala Sinephro, DJ Harrison, Clever Austin, and many more
Since 2017’s introductory comp, and over countless dances and NTS shows, Touching Bass has become a leading standard bearer of classic and contemporary Black Atlantic styles. ’Soon Come’ is their celebratory statement of solidarity and intent that acts as a class primer on the label in ’22, with as many tracks spanning interrelated, intercontinental vibes, Split between “day” and “night” sessions, the results imagine something like a glorious day/night out zigzagging wormholes between secret bars and clubs in Peckham, Chicago and NYC.
There’s a whole world to immerse in here. Dawning with the groggy downbeat rap of ROG & Brother Portrait’s ‘The Lighthouse’, it stretches far out from Roy Ayers-ian sunny day soul by Warp’s Wu-Lu, to the lower case folk soul of Hejira and a shimmering vignette by Nala Sinephro x Lyle Barton, with supremely woozy jazz-soul gems by Ego Ella May in ‘Miss U’, and keiyaA’s ‘Camille’s Daughter’, to name a few.
Night follows day with equally high quality on offer. Cowrie’s smudged broken beat soul brings the dusk before Arnheim turns on the deep jazz house flex, and Melo-Zed trade in punk psych funk chops beside a sizzling disco-funk workout by Stones Throw’s DJ Harrison, and AshTreJinkins psychedelic UKG ace ’Sunshine2point0’, with Ben Haucke’s mutant 2000 broken beat wriggler giving way to slower, soul jams by Beaux, Eun & Demae, and the crack of dawn feel to ‘Dïs & Dissolve’ by Molinaro.
Gatefold Sleeve + Printed Tracklist Insert. LP1 on Orange Vinyl, LP2 on Blue Vinyl.
Out of Stock
Touching Bass map South London’s rich hip hop, jazz and psych soul scene, and its rhizomic links to the US, thru crucial nodes such as Wu-Lu, Hejira, AshTreJinkins, Nala Sinephro, DJ Harrison, Clever Austin, and many more
Since 2017’s introductory comp, and over countless dances and NTS shows, Touching Bass has become a leading standard bearer of classic and contemporary Black Atlantic styles. ’Soon Come’ is their celebratory statement of solidarity and intent that acts as a class primer on the label in ’22, with as many tracks spanning interrelated, intercontinental vibes, Split between “day” and “night” sessions, the results imagine something like a glorious day/night out zigzagging wormholes between secret bars and clubs in Peckham, Chicago and NYC.
There’s a whole world to immerse in here. Dawning with the groggy downbeat rap of ROG & Brother Portrait’s ‘The Lighthouse’, it stretches far out from Roy Ayers-ian sunny day soul by Warp’s Wu-Lu, to the lower case folk soul of Hejira and a shimmering vignette by Nala Sinephro x Lyle Barton, with supremely woozy jazz-soul gems by Ego Ella May in ‘Miss U’, and keiyaA’s ‘Camille’s Daughter’, to name a few.
Night follows day with equally high quality on offer. Cowrie’s smudged broken beat soul brings the dusk before Arnheim turns on the deep jazz house flex, and Melo-Zed trade in punk psych funk chops beside a sizzling disco-funk workout by Stones Throw’s DJ Harrison, and AshTreJinkins psychedelic UKG ace ’Sunshine2point0’, with Ben Haucke’s mutant 2000 broken beat wriggler giving way to slower, soul jams by Beaux, Eun & Demae, and the crack of dawn feel to ‘Dïs & Dissolve’ by Molinaro.