FFT gets acquainted with his ambient side in a fine debut album showcase for his clinical minimalist sound design chops after sides with TTT and his Super Hexagon Records
Leaving his beats aside but retaining the smooth contours and padded basses of his previous releases, ‘Total Self-Fulfilment’ renders an absorbingly reflective 35 mins of sferic tones and sublimated bass, luring us in with the barely-there pads of the title track and slowly revealing a tactile approach to loud/quiet dynamics between the choral swarm of ‘Six’ and the Enya down a well plunge of ‘Grey Area’, while recalling Stephan Mathieu or Akira Rabelais in the textured thizz of ‘Awaken’, and seductive ghost choir of ‘A Single Second’ with its almost visual levels of sculpted subbass pressure.
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FFT gets acquainted with his ambient side in a fine debut album showcase for his clinical minimalist sound design chops after sides with TTT and his Super Hexagon Records
Leaving his beats aside but retaining the smooth contours and padded basses of his previous releases, ‘Total Self-Fulfilment’ renders an absorbingly reflective 35 mins of sferic tones and sublimated bass, luring us in with the barely-there pads of the title track and slowly revealing a tactile approach to loud/quiet dynamics between the choral swarm of ‘Six’ and the Enya down a well plunge of ‘Grey Area’, while recalling Stephan Mathieu or Akira Rabelais in the textured thizz of ‘Awaken’, and seductive ghost choir of ‘A Single Second’ with its almost visual levels of sculpted subbass pressure.
FFT gets acquainted with his ambient side in a fine debut album showcase for his clinical minimalist sound design chops after sides with TTT and his Super Hexagon Records
Leaving his beats aside but retaining the smooth contours and padded basses of his previous releases, ‘Total Self-Fulfilment’ renders an absorbingly reflective 35 mins of sferic tones and sublimated bass, luring us in with the barely-there pads of the title track and slowly revealing a tactile approach to loud/quiet dynamics between the choral swarm of ‘Six’ and the Enya down a well plunge of ‘Grey Area’, while recalling Stephan Mathieu or Akira Rabelais in the textured thizz of ‘Awaken’, and seductive ghost choir of ‘A Single Second’ with its almost visual levels of sculpted subbass pressure.
FFT gets acquainted with his ambient side in a fine debut album showcase for his clinical minimalist sound design chops after sides with TTT and his Super Hexagon Records
Leaving his beats aside but retaining the smooth contours and padded basses of his previous releases, ‘Total Self-Fulfilment’ renders an absorbingly reflective 35 mins of sferic tones and sublimated bass, luring us in with the barely-there pads of the title track and slowly revealing a tactile approach to loud/quiet dynamics between the choral swarm of ‘Six’ and the Enya down a well plunge of ‘Grey Area’, while recalling Stephan Mathieu or Akira Rabelais in the textured thizz of ‘Awaken’, and seductive ghost choir of ‘A Single Second’ with its almost visual levels of sculpted subbass pressure.
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FFT gets acquainted with his ambient side in a fine debut album showcase for his clinical minimalist sound design chops after sides with TTT and his Super Hexagon Records
Leaving his beats aside but retaining the smooth contours and padded basses of his previous releases, ‘Total Self-Fulfilment’ renders an absorbingly reflective 35 mins of sferic tones and sublimated bass, luring us in with the barely-there pads of the title track and slowly revealing a tactile approach to loud/quiet dynamics between the choral swarm of ‘Six’ and the Enya down a well plunge of ‘Grey Area’, while recalling Stephan Mathieu or Akira Rabelais in the textured thizz of ‘Awaken’, and seductive ghost choir of ‘A Single Second’ with its almost visual levels of sculpted subbass pressure.