Joy Orbison makes up for five years of no solo releases by starting his own label, Toss Portal, with a brace of four sticky, bouncing UK techno experiments.
It’s hardly like he’s been asleep for the last five years - he’s kept his workrate up both in collaboration with Boddika on SunkLo, and with Herron as CO/R - but the last we him solo was on Ellipsis way back in 2012, so you can consider this one a tad overdue.
We can hear traces of the SunkLo sounds riddled all over the Toss Portal EP, but it’s also possible to see where Boddika’s Breaks-ier styles were holding him back, as the reticulated funk of Rid cuts loose with a proper feminine pressure that recalls his earliest Joy O work, while the grumbling, cranky Walworth Window morphs with a more messed-up, kinkier appeal of his own, and Rite Ov even introduces a lilting reggae vocal, Main Street or Rhythm & Sound style, on a sloshing steppers groove.
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Joy Orbison makes up for five years of no solo releases by starting his own label, Toss Portal, with a brace of four sticky, bouncing UK techno experiments.
It’s hardly like he’s been asleep for the last five years - he’s kept his workrate up both in collaboration with Boddika on SunkLo, and with Herron as CO/R - but the last we him solo was on Ellipsis way back in 2012, so you can consider this one a tad overdue.
We can hear traces of the SunkLo sounds riddled all over the Toss Portal EP, but it’s also possible to see where Boddika’s Breaks-ier styles were holding him back, as the reticulated funk of Rid cuts loose with a proper feminine pressure that recalls his earliest Joy O work, while the grumbling, cranky Walworth Window morphs with a more messed-up, kinkier appeal of his own, and Rite Ov even introduces a lilting reggae vocal, Main Street or Rhythm & Sound style, on a sloshing steppers groove.
Joy Orbison makes up for five years of no solo releases by starting his own label, Toss Portal, with a brace of four sticky, bouncing UK techno experiments.
It’s hardly like he’s been asleep for the last five years - he’s kept his workrate up both in collaboration with Boddika on SunkLo, and with Herron as CO/R - but the last we him solo was on Ellipsis way back in 2012, so you can consider this one a tad overdue.
We can hear traces of the SunkLo sounds riddled all over the Toss Portal EP, but it’s also possible to see where Boddika’s Breaks-ier styles were holding him back, as the reticulated funk of Rid cuts loose with a proper feminine pressure that recalls his earliest Joy O work, while the grumbling, cranky Walworth Window morphs with a more messed-up, kinkier appeal of his own, and Rite Ov even introduces a lilting reggae vocal, Main Street or Rhythm & Sound style, on a sloshing steppers groove.
Joy Orbison makes up for five years of no solo releases by starting his own label, Toss Portal, with a brace of four sticky, bouncing UK techno experiments.
It’s hardly like he’s been asleep for the last five years - he’s kept his workrate up both in collaboration with Boddika on SunkLo, and with Herron as CO/R - but the last we him solo was on Ellipsis way back in 2012, so you can consider this one a tad overdue.
We can hear traces of the SunkLo sounds riddled all over the Toss Portal EP, but it’s also possible to see where Boddika’s Breaks-ier styles were holding him back, as the reticulated funk of Rid cuts loose with a proper feminine pressure that recalls his earliest Joy O work, while the grumbling, cranky Walworth Window morphs with a more messed-up, kinkier appeal of his own, and Rite Ov even introduces a lilting reggae vocal, Main Street or Rhythm & Sound style, on a sloshing steppers groove.
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Joy Orbison makes up for five years of no solo releases by starting his own label, Toss Portal, with a brace of four sticky, bouncing UK techno experiments.
It’s hardly like he’s been asleep for the last five years - he’s kept his workrate up both in collaboration with Boddika on SunkLo, and with Herron as CO/R - but the last we him solo was on Ellipsis way back in 2012, so you can consider this one a tad overdue.
We can hear traces of the SunkLo sounds riddled all over the Toss Portal EP, but it’s also possible to see where Boddika’s Breaks-ier styles were holding him back, as the reticulated funk of Rid cuts loose with a proper feminine pressure that recalls his earliest Joy O work, while the grumbling, cranky Walworth Window morphs with a more messed-up, kinkier appeal of his own, and Rite Ov even introduces a lilting reggae vocal, Main Street or Rhythm & Sound style, on a sloshing steppers groove.