Otik snakes around up-to-the-minute UK bass and warehouse styles on a reticulated debut with Blackdown’s Keysound, including the bossman’s own, stripped down refit
The originals are dead strong, rolling out from the scaly, iridescent top line and gritty slosh of ‘Top Ten’ into a sort of pop ’n lock industrial-electro motion on ‘Latex’, before relieving the rugged tension thru radiant pads and slowed-down, stepping jungle breaks in ‘Notion’, and a deep blue, swampy trotter named ‘True Level’.
On the refit, Blackdown slips the 130bpm rolige of ‘Top Ten’ down the rabbithole with dextrous, non-linear dynamics and a nimbly psychedelic appeal.
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Otik snakes around up-to-the-minute UK bass and warehouse styles on a reticulated debut with Blackdown’s Keysound, including the bossman’s own, stripped down refit
The originals are dead strong, rolling out from the scaly, iridescent top line and gritty slosh of ‘Top Ten’ into a sort of pop ’n lock industrial-electro motion on ‘Latex’, before relieving the rugged tension thru radiant pads and slowed-down, stepping jungle breaks in ‘Notion’, and a deep blue, swampy trotter named ‘True Level’.
On the refit, Blackdown slips the 130bpm rolige of ‘Top Ten’ down the rabbithole with dextrous, non-linear dynamics and a nimbly psychedelic appeal.
Otik snakes around up-to-the-minute UK bass and warehouse styles on a reticulated debut with Blackdown’s Keysound, including the bossman’s own, stripped down refit
The originals are dead strong, rolling out from the scaly, iridescent top line and gritty slosh of ‘Top Ten’ into a sort of pop ’n lock industrial-electro motion on ‘Latex’, before relieving the rugged tension thru radiant pads and slowed-down, stepping jungle breaks in ‘Notion’, and a deep blue, swampy trotter named ‘True Level’.
On the refit, Blackdown slips the 130bpm rolige of ‘Top Ten’ down the rabbithole with dextrous, non-linear dynamics and a nimbly psychedelic appeal.
Otik snakes around up-to-the-minute UK bass and warehouse styles on a reticulated debut with Blackdown’s Keysound, including the bossman’s own, stripped down refit
The originals are dead strong, rolling out from the scaly, iridescent top line and gritty slosh of ‘Top Ten’ into a sort of pop ’n lock industrial-electro motion on ‘Latex’, before relieving the rugged tension thru radiant pads and slowed-down, stepping jungle breaks in ‘Notion’, and a deep blue, swampy trotter named ‘True Level’.
On the refit, Blackdown slips the 130bpm rolige of ‘Top Ten’ down the rabbithole with dextrous, non-linear dynamics and a nimbly psychedelic appeal.
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Otik snakes around up-to-the-minute UK bass and warehouse styles on a reticulated debut with Blackdown’s Keysound, including the bossman’s own, stripped down refit
The originals are dead strong, rolling out from the scaly, iridescent top line and gritty slosh of ‘Top Ten’ into a sort of pop ’n lock industrial-electro motion on ‘Latex’, before relieving the rugged tension thru radiant pads and slowed-down, stepping jungle breaks in ‘Notion’, and a deep blue, swampy trotter named ‘True Level’.
On the refit, Blackdown slips the 130bpm rolige of ‘Top Ten’ down the rabbithole with dextrous, non-linear dynamics and a nimbly psychedelic appeal.