Numero Group continue their 90 Day Men reissue campaign with this 2003 single, that fleshes out the title track with two additional slow-burning post-hardcore grinders.
Chicago four-piece 90 Day Men might not be as well known as some of their contemporaries but they're a cult phenomenon, not least because their bassist Robert Lowe ended up metamorphosing into Lichens a few years later. 'Too Late or Too Dead' is a great reminder of why they're so highly regarded by those in the know: it's a jerky take on whatever post-hardcore may or may not have been, led by staccato piano stabs, marching band drums and the kind of sci-fi guitar FX that Radiohead might be better known for pulling out of a hat.
The other two tracks continue the themes - 'Harlequin's Chassis' is weightless and joyful with angelic chorals, and 'Eyes in the Road' submerges the band's sound in Seefeel-esque liquid electronix.
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Numero Group continue their 90 Day Men reissue campaign with this 2003 single, that fleshes out the title track with two additional slow-burning post-hardcore grinders.
Chicago four-piece 90 Day Men might not be as well known as some of their contemporaries but they're a cult phenomenon, not least because their bassist Robert Lowe ended up metamorphosing into Lichens a few years later. 'Too Late or Too Dead' is a great reminder of why they're so highly regarded by those in the know: it's a jerky take on whatever post-hardcore may or may not have been, led by staccato piano stabs, marching band drums and the kind of sci-fi guitar FX that Radiohead might be better known for pulling out of a hat.
The other two tracks continue the themes - 'Harlequin's Chassis' is weightless and joyful with angelic chorals, and 'Eyes in the Road' submerges the band's sound in Seefeel-esque liquid electronix.
Numero Group continue their 90 Day Men reissue campaign with this 2003 single, that fleshes out the title track with two additional slow-burning post-hardcore grinders.
Chicago four-piece 90 Day Men might not be as well known as some of their contemporaries but they're a cult phenomenon, not least because their bassist Robert Lowe ended up metamorphosing into Lichens a few years later. 'Too Late or Too Dead' is a great reminder of why they're so highly regarded by those in the know: it's a jerky take on whatever post-hardcore may or may not have been, led by staccato piano stabs, marching band drums and the kind of sci-fi guitar FX that Radiohead might be better known for pulling out of a hat.
The other two tracks continue the themes - 'Harlequin's Chassis' is weightless and joyful with angelic chorals, and 'Eyes in the Road' submerges the band's sound in Seefeel-esque liquid electronix.
Numero Group continue their 90 Day Men reissue campaign with this 2003 single, that fleshes out the title track with two additional slow-burning post-hardcore grinders.
Chicago four-piece 90 Day Men might not be as well known as some of their contemporaries but they're a cult phenomenon, not least because their bassist Robert Lowe ended up metamorphosing into Lichens a few years later. 'Too Late or Too Dead' is a great reminder of why they're so highly regarded by those in the know: it's a jerky take on whatever post-hardcore may or may not have been, led by staccato piano stabs, marching band drums and the kind of sci-fi guitar FX that Radiohead might be better known for pulling out of a hat.
The other two tracks continue the themes - 'Harlequin's Chassis' is weightless and joyful with angelic chorals, and 'Eyes in the Road' submerges the band's sound in Seefeel-esque liquid electronix.