Leonid Lipelis on an over-easy, acidic deep house tip, featuring fruitiest keys by Eugene Piankov
Not Lipelis’ first L.I.E.S. rodeo - he’s appeared in a few guides since their early days - ‘TMO X Piankov’ is however, one his ruddiest, laying it on thick with Piankov’s keyboard solos over lagging deep house bassline for nine minutes in ‘Goes D Jam’, and simmering the vibe to a colder, early hours warehouse strut in ‘Bright Jam’. while recalling oodles of sleazy 100% Silk cuts and flashbacks to being in the wrong room at Manchester parties in ‘Goes C Jam’, before pulling it back from the brink with a fine slug of slo-mo, Analord-esque acid creepiness in ’107 Dark Jam’.
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Leonid Lipelis on an over-easy, acidic deep house tip, featuring fruitiest keys by Eugene Piankov
Not Lipelis’ first L.I.E.S. rodeo - he’s appeared in a few guides since their early days - ‘TMO X Piankov’ is however, one his ruddiest, laying it on thick with Piankov’s keyboard solos over lagging deep house bassline for nine minutes in ‘Goes D Jam’, and simmering the vibe to a colder, early hours warehouse strut in ‘Bright Jam’. while recalling oodles of sleazy 100% Silk cuts and flashbacks to being in the wrong room at Manchester parties in ‘Goes C Jam’, before pulling it back from the brink with a fine slug of slo-mo, Analord-esque acid creepiness in ’107 Dark Jam’.
Leonid Lipelis on an over-easy, acidic deep house tip, featuring fruitiest keys by Eugene Piankov
Not Lipelis’ first L.I.E.S. rodeo - he’s appeared in a few guides since their early days - ‘TMO X Piankov’ is however, one his ruddiest, laying it on thick with Piankov’s keyboard solos over lagging deep house bassline for nine minutes in ‘Goes D Jam’, and simmering the vibe to a colder, early hours warehouse strut in ‘Bright Jam’. while recalling oodles of sleazy 100% Silk cuts and flashbacks to being in the wrong room at Manchester parties in ‘Goes C Jam’, before pulling it back from the brink with a fine slug of slo-mo, Analord-esque acid creepiness in ’107 Dark Jam’.
Leonid Lipelis on an over-easy, acidic deep house tip, featuring fruitiest keys by Eugene Piankov
Not Lipelis’ first L.I.E.S. rodeo - he’s appeared in a few guides since their early days - ‘TMO X Piankov’ is however, one his ruddiest, laying it on thick with Piankov’s keyboard solos over lagging deep house bassline for nine minutes in ‘Goes D Jam’, and simmering the vibe to a colder, early hours warehouse strut in ‘Bright Jam’. while recalling oodles of sleazy 100% Silk cuts and flashbacks to being in the wrong room at Manchester parties in ‘Goes C Jam’, before pulling it back from the brink with a fine slug of slo-mo, Analord-esque acid creepiness in ’107 Dark Jam’.
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Leonid Lipelis on an over-easy, acidic deep house tip, featuring fruitiest keys by Eugene Piankov
Not Lipelis’ first L.I.E.S. rodeo - he’s appeared in a few guides since their early days - ‘TMO X Piankov’ is however, one his ruddiest, laying it on thick with Piankov’s keyboard solos over lagging deep house bassline for nine minutes in ‘Goes D Jam’, and simmering the vibe to a colder, early hours warehouse strut in ‘Bright Jam’. while recalling oodles of sleazy 100% Silk cuts and flashbacks to being in the wrong room at Manchester parties in ‘Goes C Jam’, before pulling it back from the brink with a fine slug of slo-mo, Analord-esque acid creepiness in ’107 Dark Jam’.