Boddika and Kid Drama’s cult Instra:mental celebrate the 50th Nonplus release with a sophomore album of sorts, comprising half sought-after material from their 2008-2010 Autonomic phase, plus four previously unreleased cuts in the same vein
‘Timelines’ revolves both cuts from Instra:mental’s 2008 single for Darkestral, namely the clipped tech-step torque and lush pads of ‘Pacific Heights’ and the cubist rhythmelodics of ‘Sakura’, alongside two further gems from 2009/2010 in the hair-kissing romance of ‘Photograph’ from the ‘Sepia Tones’ EP, and the needlepoint arps of ‘End Credits’, which was previously only available on a 1-sided 10”, and hits right between the eyes of Jan Hammer and Tangerine Dream’s ‘Love On A Real Train’ vibe.
The other four reprise the Autonomic sci fi romance of their seminal phase, firstly coming off like the minimal D&B answer to Chris & Cosey in ‘Auto Love’, then making clear nods to classic Coil as much as late ‘80s electro-soul in ‘Elsewhere’, while ‘Encke Gap’ trips on an acidic drip tang, and ‘More Than’ catches a breezier IDM/electronica style akin to dBridge or Synkro styles.
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Boddika and Kid Drama’s cult Instra:mental celebrate the 50th Nonplus release with a sophomore album of sorts, comprising half sought-after material from their 2008-2010 Autonomic phase, plus four previously unreleased cuts in the same vein
‘Timelines’ revolves both cuts from Instra:mental’s 2008 single for Darkestral, namely the clipped tech-step torque and lush pads of ‘Pacific Heights’ and the cubist rhythmelodics of ‘Sakura’, alongside two further gems from 2009/2010 in the hair-kissing romance of ‘Photograph’ from the ‘Sepia Tones’ EP, and the needlepoint arps of ‘End Credits’, which was previously only available on a 1-sided 10”, and hits right between the eyes of Jan Hammer and Tangerine Dream’s ‘Love On A Real Train’ vibe.
The other four reprise the Autonomic sci fi romance of their seminal phase, firstly coming off like the minimal D&B answer to Chris & Cosey in ‘Auto Love’, then making clear nods to classic Coil as much as late ‘80s electro-soul in ‘Elsewhere’, while ‘Encke Gap’ trips on an acidic drip tang, and ‘More Than’ catches a breezier IDM/electronica style akin to dBridge or Synkro styles.
Boddika and Kid Drama’s cult Instra:mental celebrate the 50th Nonplus release with a sophomore album of sorts, comprising half sought-after material from their 2008-2010 Autonomic phase, plus four previously unreleased cuts in the same vein
‘Timelines’ revolves both cuts from Instra:mental’s 2008 single for Darkestral, namely the clipped tech-step torque and lush pads of ‘Pacific Heights’ and the cubist rhythmelodics of ‘Sakura’, alongside two further gems from 2009/2010 in the hair-kissing romance of ‘Photograph’ from the ‘Sepia Tones’ EP, and the needlepoint arps of ‘End Credits’, which was previously only available on a 1-sided 10”, and hits right between the eyes of Jan Hammer and Tangerine Dream’s ‘Love On A Real Train’ vibe.
The other four reprise the Autonomic sci fi romance of their seminal phase, firstly coming off like the minimal D&B answer to Chris & Cosey in ‘Auto Love’, then making clear nods to classic Coil as much as late ‘80s electro-soul in ‘Elsewhere’, while ‘Encke Gap’ trips on an acidic drip tang, and ‘More Than’ catches a breezier IDM/electronica style akin to dBridge or Synkro styles.
Boddika and Kid Drama’s cult Instra:mental celebrate the 50th Nonplus release with a sophomore album of sorts, comprising half sought-after material from their 2008-2010 Autonomic phase, plus four previously unreleased cuts in the same vein
‘Timelines’ revolves both cuts from Instra:mental’s 2008 single for Darkestral, namely the clipped tech-step torque and lush pads of ‘Pacific Heights’ and the cubist rhythmelodics of ‘Sakura’, alongside two further gems from 2009/2010 in the hair-kissing romance of ‘Photograph’ from the ‘Sepia Tones’ EP, and the needlepoint arps of ‘End Credits’, which was previously only available on a 1-sided 10”, and hits right between the eyes of Jan Hammer and Tangerine Dream’s ‘Love On A Real Train’ vibe.
The other four reprise the Autonomic sci fi romance of their seminal phase, firstly coming off like the minimal D&B answer to Chris & Cosey in ‘Auto Love’, then making clear nods to classic Coil as much as late ‘80s electro-soul in ‘Elsewhere’, while ‘Encke Gap’ trips on an acidic drip tang, and ‘More Than’ catches a breezier IDM/electronica style akin to dBridge or Synkro styles.