ACR’s London spar Mossambi fucks with hyperpop club forms in a way akin to 96 Back’s recent album or Two Shell wile-outs on a batch of ace piquant screwballs for All Centre.
Melodic vocaloid sprites frolic across all four cuts of ‘Time to Quit Music’, variously shivering and harmonising within intricate arrangements of fractured yet mercurial 2-step and half step lurch, and loosely junglist ballistics. It’s the sort of stuff that will spice up any forward facing club and deliver shock to the more regressive ‘floors, nervously touting a fizzed up 2-step set pf footwork in ’TiSAM’ gelled around pitching vox and shearing synths, whilst the title tune crystallises and splinters around a buckled half step ornamented by iridescent vocal starbursts, and ‘LLPS’ snaps to a darker thrust with killer throaty vocal processing and higher register Two Shell type antics that set up the final piece of madness like something that scuttled away from AG Cook’s studio during a D&B exercise before they could catch it.
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ACR’s London spar Mossambi fucks with hyperpop club forms in a way akin to 96 Back’s recent album or Two Shell wile-outs on a batch of ace piquant screwballs for All Centre.
Melodic vocaloid sprites frolic across all four cuts of ‘Time to Quit Music’, variously shivering and harmonising within intricate arrangements of fractured yet mercurial 2-step and half step lurch, and loosely junglist ballistics. It’s the sort of stuff that will spice up any forward facing club and deliver shock to the more regressive ‘floors, nervously touting a fizzed up 2-step set pf footwork in ’TiSAM’ gelled around pitching vox and shearing synths, whilst the title tune crystallises and splinters around a buckled half step ornamented by iridescent vocal starbursts, and ‘LLPS’ snaps to a darker thrust with killer throaty vocal processing and higher register Two Shell type antics that set up the final piece of madness like something that scuttled away from AG Cook’s studio during a D&B exercise before they could catch it.
ACR’s London spar Mossambi fucks with hyperpop club forms in a way akin to 96 Back’s recent album or Two Shell wile-outs on a batch of ace piquant screwballs for All Centre.
Melodic vocaloid sprites frolic across all four cuts of ‘Time to Quit Music’, variously shivering and harmonising within intricate arrangements of fractured yet mercurial 2-step and half step lurch, and loosely junglist ballistics. It’s the sort of stuff that will spice up any forward facing club and deliver shock to the more regressive ‘floors, nervously touting a fizzed up 2-step set pf footwork in ’TiSAM’ gelled around pitching vox and shearing synths, whilst the title tune crystallises and splinters around a buckled half step ornamented by iridescent vocal starbursts, and ‘LLPS’ snaps to a darker thrust with killer throaty vocal processing and higher register Two Shell type antics that set up the final piece of madness like something that scuttled away from AG Cook’s studio during a D&B exercise before they could catch it.
ACR’s London spar Mossambi fucks with hyperpop club forms in a way akin to 96 Back’s recent album or Two Shell wile-outs on a batch of ace piquant screwballs for All Centre.
Melodic vocaloid sprites frolic across all four cuts of ‘Time to Quit Music’, variously shivering and harmonising within intricate arrangements of fractured yet mercurial 2-step and half step lurch, and loosely junglist ballistics. It’s the sort of stuff that will spice up any forward facing club and deliver shock to the more regressive ‘floors, nervously touting a fizzed up 2-step set pf footwork in ’TiSAM’ gelled around pitching vox and shearing synths, whilst the title tune crystallises and splinters around a buckled half step ornamented by iridescent vocal starbursts, and ‘LLPS’ snaps to a darker thrust with killer throaty vocal processing and higher register Two Shell type antics that set up the final piece of madness like something that scuttled away from AG Cook’s studio during a D&B exercise before they could catch it.