Time Decays All Things
Original UKF mutator Danny Native flashes his hardcore jungle and D&B grill on a cantankerous new album, his first in six years, ripe for fans of Refreshers, Tim Reaper, Alpha Omega, Rufige Kru, Digital
As one of the wickedest to emerge during the UKF era with his crucial ‘The Rass Out EP’, as played by everyone from Cooly G to DJ Miles and Ben UFO, Altered Natives most effectively firmed up the sound’s place in the hardcore continuum with his use of sparking breaks and and restless rudeness descended from OG ‘90s rave. On ‘Time Decays Everything’ he fully indulges a fondness for that pivotal ‘90s phase with an exploration of 150bpm+ hardcore and jungle spun in his own image, replete with a wit and parry that also defend his work in broken beats/UKF.
It’s there in the title and pressure of ‘Ladies Rave Tent’, and likewise the choppy 4Hero junglism of ‘Real Soundbwoy’ or the Rufige Kru-styled deployment of hoovers and precision-tooled snare rattle on ‘Is There Anyone There’, and anywhere you care to look across the album, for that matter. If we’re playing faves, the helter skelter pressure of ‘Experienced’ is bang on the money for levels pf warp-speed ’93 zing, and he proves equally adept at riding the wave to millennial D&B a la early ‘00s Digital or Colin Lindo’s Alpha Omega in ‘Petrol Bath’ and ‘Tribes of the Moon’, saving a darkside sting in the tail for the title tune.
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Original UKF mutator Danny Native flashes his hardcore jungle and D&B grill on a cantankerous new album, his first in six years, ripe for fans of Refreshers, Tim Reaper, Alpha Omega, Rufige Kru, Digital
As one of the wickedest to emerge during the UKF era with his crucial ‘The Rass Out EP’, as played by everyone from Cooly G to DJ Miles and Ben UFO, Altered Natives most effectively firmed up the sound’s place in the hardcore continuum with his use of sparking breaks and and restless rudeness descended from OG ‘90s rave. On ‘Time Decays Everything’ he fully indulges a fondness for that pivotal ‘90s phase with an exploration of 150bpm+ hardcore and jungle spun in his own image, replete with a wit and parry that also defend his work in broken beats/UKF.
It’s there in the title and pressure of ‘Ladies Rave Tent’, and likewise the choppy 4Hero junglism of ‘Real Soundbwoy’ or the Rufige Kru-styled deployment of hoovers and precision-tooled snare rattle on ‘Is There Anyone There’, and anywhere you care to look across the album, for that matter. If we’re playing faves, the helter skelter pressure of ‘Experienced’ is bang on the money for levels pf warp-speed ’93 zing, and he proves equally adept at riding the wave to millennial D&B a la early ‘00s Digital or Colin Lindo’s Alpha Omega in ‘Petrol Bath’ and ‘Tribes of the Moon’, saving a darkside sting in the tail for the title tune.
Original UKF mutator Danny Native flashes his hardcore jungle and D&B grill on a cantankerous new album, his first in six years, ripe for fans of Refreshers, Tim Reaper, Alpha Omega, Rufige Kru, Digital
As one of the wickedest to emerge during the UKF era with his crucial ‘The Rass Out EP’, as played by everyone from Cooly G to DJ Miles and Ben UFO, Altered Natives most effectively firmed up the sound’s place in the hardcore continuum with his use of sparking breaks and and restless rudeness descended from OG ‘90s rave. On ‘Time Decays Everything’ he fully indulges a fondness for that pivotal ‘90s phase with an exploration of 150bpm+ hardcore and jungle spun in his own image, replete with a wit and parry that also defend his work in broken beats/UKF.
It’s there in the title and pressure of ‘Ladies Rave Tent’, and likewise the choppy 4Hero junglism of ‘Real Soundbwoy’ or the Rufige Kru-styled deployment of hoovers and precision-tooled snare rattle on ‘Is There Anyone There’, and anywhere you care to look across the album, for that matter. If we’re playing faves, the helter skelter pressure of ‘Experienced’ is bang on the money for levels pf warp-speed ’93 zing, and he proves equally adept at riding the wave to millennial D&B a la early ‘00s Digital or Colin Lindo’s Alpha Omega in ‘Petrol Bath’ and ‘Tribes of the Moon’, saving a darkside sting in the tail for the title tune.
Original UKF mutator Danny Native flashes his hardcore jungle and D&B grill on a cantankerous new album, his first in six years, ripe for fans of Refreshers, Tim Reaper, Alpha Omega, Rufige Kru, Digital
As one of the wickedest to emerge during the UKF era with his crucial ‘The Rass Out EP’, as played by everyone from Cooly G to DJ Miles and Ben UFO, Altered Natives most effectively firmed up the sound’s place in the hardcore continuum with his use of sparking breaks and and restless rudeness descended from OG ‘90s rave. On ‘Time Decays Everything’ he fully indulges a fondness for that pivotal ‘90s phase with an exploration of 150bpm+ hardcore and jungle spun in his own image, replete with a wit and parry that also defend his work in broken beats/UKF.
It’s there in the title and pressure of ‘Ladies Rave Tent’, and likewise the choppy 4Hero junglism of ‘Real Soundbwoy’ or the Rufige Kru-styled deployment of hoovers and precision-tooled snare rattle on ‘Is There Anyone There’, and anywhere you care to look across the album, for that matter. If we’re playing faves, the helter skelter pressure of ‘Experienced’ is bang on the money for levels pf warp-speed ’93 zing, and he proves equally adept at riding the wave to millennial D&B a la early ‘00s Digital or Colin Lindo’s Alpha Omega in ‘Petrol Bath’ and ‘Tribes of the Moon’, saving a darkside sting in the tail for the title tune.