Arch isolationist Thomas Köner thaws out with Tiento de la Luz, the follow-up to his icier Tiento de las Nieves album, also for Denovali Records, as well as 2015’s A/V mini-opera The Futurist Manifesto, and an amazing, frequncy-massaged remix of Ricardo Donoso.
“A tiento is a form of keyboard music that originated in Spain in the mid-15th century. Thomas Köner's first encounter with this musical genre goes back to a commission from Frankfurter Gesellschaft für Neue Musik, for which he chose to do an interpretation of Antonio Cabezon’s "Tiento del primer tono" (1570). He rearranged and performed the work with gongs, piano, and live electronics in 2012. "Tiento de la Luz" is Köner's second tiento, succeeds "Tiento de las Nieves" (2014) and precedes the upcoming "Tiento de la Oscuridad". While "Tiento de las Nieves" is a work for solo performer and live electronics, the instrumentation of "Tiento de la Luz" is expanded: in addition to Köner's distinct live electronics, there are two piano parts, percussion, and viola da gamba.”
View more
Arch isolationist Thomas Köner thaws out with Tiento de la Luz, the follow-up to his icier Tiento de las Nieves album, also for Denovali Records, as well as 2015’s A/V mini-opera The Futurist Manifesto, and an amazing, frequncy-massaged remix of Ricardo Donoso.
“A tiento is a form of keyboard music that originated in Spain in the mid-15th century. Thomas Köner's first encounter with this musical genre goes back to a commission from Frankfurter Gesellschaft für Neue Musik, for which he chose to do an interpretation of Antonio Cabezon’s "Tiento del primer tono" (1570). He rearranged and performed the work with gongs, piano, and live electronics in 2012. "Tiento de la Luz" is Köner's second tiento, succeeds "Tiento de las Nieves" (2014) and precedes the upcoming "Tiento de la Oscuridad". While "Tiento de las Nieves" is a work for solo performer and live electronics, the instrumentation of "Tiento de la Luz" is expanded: in addition to Köner's distinct live electronics, there are two piano parts, percussion, and viola da gamba.”
Arch isolationist Thomas Köner thaws out with Tiento de la Luz, the follow-up to his icier Tiento de las Nieves album, also for Denovali Records, as well as 2015’s A/V mini-opera The Futurist Manifesto, and an amazing, frequncy-massaged remix of Ricardo Donoso.
“A tiento is a form of keyboard music that originated in Spain in the mid-15th century. Thomas Köner's first encounter with this musical genre goes back to a commission from Frankfurter Gesellschaft für Neue Musik, for which he chose to do an interpretation of Antonio Cabezon’s "Tiento del primer tono" (1570). He rearranged and performed the work with gongs, piano, and live electronics in 2012. "Tiento de la Luz" is Köner's second tiento, succeeds "Tiento de las Nieves" (2014) and precedes the upcoming "Tiento de la Oscuridad". While "Tiento de las Nieves" is a work for solo performer and live electronics, the instrumentation of "Tiento de la Luz" is expanded: in addition to Köner's distinct live electronics, there are two piano parts, percussion, and viola da gamba.”
Arch isolationist Thomas Köner thaws out with Tiento de la Luz, the follow-up to his icier Tiento de las Nieves album, also for Denovali Records, as well as 2015’s A/V mini-opera The Futurist Manifesto, and an amazing, frequncy-massaged remix of Ricardo Donoso.
“A tiento is a form of keyboard music that originated in Spain in the mid-15th century. Thomas Köner's first encounter with this musical genre goes back to a commission from Frankfurter Gesellschaft für Neue Musik, for which he chose to do an interpretation of Antonio Cabezon’s "Tiento del primer tono" (1570). He rearranged and performed the work with gongs, piano, and live electronics in 2012. "Tiento de la Luz" is Köner's second tiento, succeeds "Tiento de las Nieves" (2014) and precedes the upcoming "Tiento de la Oscuridad". While "Tiento de las Nieves" is a work for solo performer and live electronics, the instrumentation of "Tiento de la Luz" is expanded: in addition to Köner's distinct live electronics, there are two piano parts, percussion, and viola da gamba.”
**180g vinyl in a gatefold sleeve - includes digital download code redeemable from the label**
Out of Stock
Arch isolationist Thomas Köner thaws out with Tiento de la Luz, the follow-up to his icier Tiento de las Nieves album, also for Denovali Records, as well as 2015’s A/V mini-opera The Futurist Manifesto, and an amazing, frequncy-massaged remix of Ricardo Donoso.
“A tiento is a form of keyboard music that originated in Spain in the mid-15th century. Thomas Köner's first encounter with this musical genre goes back to a commission from Frankfurter Gesellschaft für Neue Musik, for which he chose to do an interpretation of Antonio Cabezon’s "Tiento del primer tono" (1570). He rearranged and performed the work with gongs, piano, and live electronics in 2012. "Tiento de la Luz" is Köner's second tiento, succeeds "Tiento de las Nieves" (2014) and precedes the upcoming "Tiento de la Oscuridad". While "Tiento de las Nieves" is a work for solo performer and live electronics, the instrumentation of "Tiento de la Luz" is expanded: in addition to Köner's distinct live electronics, there are two piano parts, percussion, and viola da gamba.”
Out of Stock
Arch isolationist Thomas Köner thaws out with Tiento de la Luz, the follow-up to his icier Tiento de las Nieves album, also for Denovali Records, as well as 2015’s A/V mini-opera The Futurist Manifesto, and an amazing, frequncy-massaged remix of Ricardo Donoso.
“A tiento is a form of keyboard music that originated in Spain in the mid-15th century. Thomas Köner's first encounter with this musical genre goes back to a commission from Frankfurter Gesellschaft für Neue Musik, for which he chose to do an interpretation of Antonio Cabezon’s "Tiento del primer tono" (1570). He rearranged and performed the work with gongs, piano, and live electronics in 2012. "Tiento de la Luz" is Köner's second tiento, succeeds "Tiento de las Nieves" (2014) and precedes the upcoming "Tiento de la Oscuridad". While "Tiento de las Nieves" is a work for solo performer and live electronics, the instrumentation of "Tiento de la Luz" is expanded: in addition to Köner's distinct live electronics, there are two piano parts, percussion, and viola da gamba.”