Boomkat Product Review:
Argentinian saxophonist Sergia Merce appears to flicker in and out of consciousness in ‘Three Dimensions of the Spirit,’ a spellbinding deep dive into microtonal and prepared Tenor saxophones.
Conservatory trained Merce plays with the Berlin-Buenos Aires Quintet and Haiti groups, and has previously collaborated on record with another master of spittle-inflected microtones, Lucio Capece. This is his 2nd recording for Edition Wandelweiser Records after 2016’s ‘Be Nothing.’
Until we got used to his steez by the end of titular opener, ’One Dimensional’, we genuinely weren’t sure if the CD was cutting out or if he suffered from a form of Narcolepsy or self-induced hypoxia (shortage of oxygen to the brain) from his concentrated tekkers. But, no, the piece actually makes use of those lacunæ as ear-palate cleansers in between his strangely harmonised musical sections, each returning similar to the previous part, but always different, beckoning the ear to make out the difference. ‘The Same Morning’ follows at a similarly slow pace, this time stressing queered overtones and beating frequencies after each fade out and in, until he’s hitting some really tweaky nerves, before ‘Ondular De La Espera’ completes the suite with a real test of physical endurance, as Merce somehow sustains his beating frequencies and tremulous overtones for 27 minutes.