Boomkat Product Review:
Breathtaking new studio album from The Necks, saddling up for a glorious route taking in fast flowing polyrhythms and revelatory soundscapes - really one of their strongest in a flawless catalogue that now spans 30 years and with a closing track that once again taps into that Talk Talk thing they do so well...
The now legendary trio have always charted their own path thru the backwoods and wilds of jazz, krautrock and avant terrain, but ‘Three’ sees them head off across topographies that were previously only glimpsed on the horizon. In proper beginning, middle and end sections, they thrillingly cultivate and hack thru dense, lush new worlds of psychedelic sound before arriving at a third-eye dilating interzone, and relieving the psychic tension in a tranquil, bucolic final passage, leaving its participants ravished and refreshed.
Effectively 30 years in the making, if we take in their entire run from 1989’s classic ‘Sex’, via 1994’s ‘Aquatic’ and the singular roil of 2018’s ‘Body’, the triad of finely sculpted works in ‘Three’ are the ultimate combination of the instrumental intuition that binds Tony Buck, Chris Abrahams, and Lloyd Swanton, perfectly accentuated by studio processing from Tim Whitten (engineer) and Doug Henderson (master) that portrays their efforts in the best possible, impossible light and studio magick with frankly astonishing, practically psilocybic results.
It’s genuinely difficult to think of another band who could come up this sort of album after three decades together and for it not to sound like they were playing to hoary fans or trying to recapture something. From the barefoot scramble and cascading rush of ‘Bloom’ to the cavernous wonder of ‘Lovelock’ and bluesy resolution in the marshy delta sprawl of ‘Further’ The Necks effortlessly keep their sound flowing into oceanic, hypnotic grace.