Exceptional hi-tech steppers and rollers from Paradon’t - the Black Forest-based duo of Florian Meyer (Don’t DJ) and Volker Weismann (Paraklang) - debuting with a distinctive take on experimental tribal techno for Disk, a new arm of the Diskant label. A very strong look for fans of Photek, Shackleton Pessimist, N.M.O., Cut Hands!
In hot pursuit of a polyrhythmic swerve that transcends techno, D&B, African tribal practice - all that good stuff - the Thrd Mpct EP delivers some of the sickest syncopation we’ve heard since Soul Jazz’s Voodoo Drums sets on both sides of this record.
Up top on Chunwangk Kyuh Hay (thru mpct) they unwind a venomous, reticulated roller coming off like Photek meets Optical at Shackleton’s hut - all wooden drums and noxious atmospheres pregnant with a lethal sense of dread designed to keep dancers well on their toes.
Down below, N Bun Kan Kan (bad rm) pushes farther into a noisy grey area with slithering, salty electronics setting a scratchy course for polymetric patterns pivoting off crisp woodblocks and shards of electronics, kinda like N.M.O. upping the ante for a fierce game of Kabaddi, then Gonyungk Wadt (mtrx) comes off like Marcus Schmickler rinsed out by Rashad Becker.
This is one mean platter, we’re telling ya!
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Exceptional hi-tech steppers and rollers from Paradon’t - the Black Forest-based duo of Florian Meyer (Don’t DJ) and Volker Weismann (Paraklang) - debuting with a distinctive take on experimental tribal techno for Disk, a new arm of the Diskant label. A very strong look for fans of Photek, Shackleton Pessimist, N.M.O., Cut Hands!
In hot pursuit of a polyrhythmic swerve that transcends techno, D&B, African tribal practice - all that good stuff - the Thrd Mpct EP delivers some of the sickest syncopation we’ve heard since Soul Jazz’s Voodoo Drums sets on both sides of this record.
Up top on Chunwangk Kyuh Hay (thru mpct) they unwind a venomous, reticulated roller coming off like Photek meets Optical at Shackleton’s hut - all wooden drums and noxious atmospheres pregnant with a lethal sense of dread designed to keep dancers well on their toes.
Down below, N Bun Kan Kan (bad rm) pushes farther into a noisy grey area with slithering, salty electronics setting a scratchy course for polymetric patterns pivoting off crisp woodblocks and shards of electronics, kinda like N.M.O. upping the ante for a fierce game of Kabaddi, then Gonyungk Wadt (mtrx) comes off like Marcus Schmickler rinsed out by Rashad Becker.
This is one mean platter, we’re telling ya!
Exceptional hi-tech steppers and rollers from Paradon’t - the Black Forest-based duo of Florian Meyer (Don’t DJ) and Volker Weismann (Paraklang) - debuting with a distinctive take on experimental tribal techno for Disk, a new arm of the Diskant label. A very strong look for fans of Photek, Shackleton Pessimist, N.M.O., Cut Hands!
In hot pursuit of a polyrhythmic swerve that transcends techno, D&B, African tribal practice - all that good stuff - the Thrd Mpct EP delivers some of the sickest syncopation we’ve heard since Soul Jazz’s Voodoo Drums sets on both sides of this record.
Up top on Chunwangk Kyuh Hay (thru mpct) they unwind a venomous, reticulated roller coming off like Photek meets Optical at Shackleton’s hut - all wooden drums and noxious atmospheres pregnant with a lethal sense of dread designed to keep dancers well on their toes.
Down below, N Bun Kan Kan (bad rm) pushes farther into a noisy grey area with slithering, salty electronics setting a scratchy course for polymetric patterns pivoting off crisp woodblocks and shards of electronics, kinda like N.M.O. upping the ante for a fierce game of Kabaddi, then Gonyungk Wadt (mtrx) comes off like Marcus Schmickler rinsed out by Rashad Becker.
This is one mean platter, we’re telling ya!
Exceptional hi-tech steppers and rollers from Paradon’t - the Black Forest-based duo of Florian Meyer (Don’t DJ) and Volker Weismann (Paraklang) - debuting with a distinctive take on experimental tribal techno for Disk, a new arm of the Diskant label. A very strong look for fans of Photek, Shackleton Pessimist, N.M.O., Cut Hands!
In hot pursuit of a polyrhythmic swerve that transcends techno, D&B, African tribal practice - all that good stuff - the Thrd Mpct EP delivers some of the sickest syncopation we’ve heard since Soul Jazz’s Voodoo Drums sets on both sides of this record.
Up top on Chunwangk Kyuh Hay (thru mpct) they unwind a venomous, reticulated roller coming off like Photek meets Optical at Shackleton’s hut - all wooden drums and noxious atmospheres pregnant with a lethal sense of dread designed to keep dancers well on their toes.
Down below, N Bun Kan Kan (bad rm) pushes farther into a noisy grey area with slithering, salty electronics setting a scratchy course for polymetric patterns pivoting off crisp woodblocks and shards of electronics, kinda like N.M.O. upping the ante for a fierce game of Kabaddi, then Gonyungk Wadt (mtrx) comes off like Marcus Schmickler rinsed out by Rashad Becker.
This is one mean platter, we’re telling ya!
Back in stock - Mastered by Paraklang. Cut at D&M, Berlin. Housed in offset, spray-painted jacket and Japanese poly liner. Edition of 500
Out of Stock
Exceptional hi-tech steppers and rollers from Paradon’t - the Black Forest-based duo of Florian Meyer (Don’t DJ) and Volker Weismann (Paraklang) - debuting with a distinctive take on experimental tribal techno for Disk, a new arm of the Diskant label. A very strong look for fans of Photek, Shackleton Pessimist, N.M.O., Cut Hands!
In hot pursuit of a polyrhythmic swerve that transcends techno, D&B, African tribal practice - all that good stuff - the Thrd Mpct EP delivers some of the sickest syncopation we’ve heard since Soul Jazz’s Voodoo Drums sets on both sides of this record.
Up top on Chunwangk Kyuh Hay (thru mpct) they unwind a venomous, reticulated roller coming off like Photek meets Optical at Shackleton’s hut - all wooden drums and noxious atmospheres pregnant with a lethal sense of dread designed to keep dancers well on their toes.
Down below, N Bun Kan Kan (bad rm) pushes farther into a noisy grey area with slithering, salty electronics setting a scratchy course for polymetric patterns pivoting off crisp woodblocks and shards of electronics, kinda like N.M.O. upping the ante for a fierce game of Kabaddi, then Gonyungk Wadt (mtrx) comes off like Marcus Schmickler rinsed out by Rashad Becker.
This is one mean platter, we’re telling ya!