They Can Never Burn the Stars
Aaron Turner’s Sige unleash the gripping solo debut of Chloe Anderson Thompson, a Cree, Canadian sound artist channelling stories and spirits of First Nations culture via abstract synthesis
Based in Brooklyn, Chloe is an interdisciplinary artist and sound designer, working with audi software and acoustic instruments across the fields of music production, performance, TV and film. ‘They Can Never Burn the Stars’ is her first solo release, a haunting six track suite exploring sculpted drone and spectral dynamics that, in her own words, “seeks to create connection by guiding audience participants through these augmented experiences.” Under a title inspired by a story shared with her family by the Sicaugu Oyate people, Chloe’s “soundings” as she terms them, attempt to speak to an truth of spirit, manifest in her range of reverberating spaces suffused with a deeply sense of presence.
They variously touch on dread-filled (‘Improv’) to Ligeti-esque (‘Pulse Ocean’), and more demonic, unsettling (‘Nocturne Voice’), but also more reflective states of mind (‘An Exchange’), at times recalling Mica Levi’s electro-acoustic pieces from the Mono’ OST (‘Glass Bits’), with 15 minutes of ultra-subtle subharmonic drone in ’Touch Modality’ that close the album and leave us in no doubt to her convictions.
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Aaron Turner’s Sige unleash the gripping solo debut of Chloe Anderson Thompson, a Cree, Canadian sound artist channelling stories and spirits of First Nations culture via abstract synthesis
Based in Brooklyn, Chloe is an interdisciplinary artist and sound designer, working with audi software and acoustic instruments across the fields of music production, performance, TV and film. ‘They Can Never Burn the Stars’ is her first solo release, a haunting six track suite exploring sculpted drone and spectral dynamics that, in her own words, “seeks to create connection by guiding audience participants through these augmented experiences.” Under a title inspired by a story shared with her family by the Sicaugu Oyate people, Chloe’s “soundings” as she terms them, attempt to speak to an truth of spirit, manifest in her range of reverberating spaces suffused with a deeply sense of presence.
They variously touch on dread-filled (‘Improv’) to Ligeti-esque (‘Pulse Ocean’), and more demonic, unsettling (‘Nocturne Voice’), but also more reflective states of mind (‘An Exchange’), at times recalling Mica Levi’s electro-acoustic pieces from the Mono’ OST (‘Glass Bits’), with 15 minutes of ultra-subtle subharmonic drone in ’Touch Modality’ that close the album and leave us in no doubt to her convictions.
Aaron Turner’s Sige unleash the gripping solo debut of Chloe Anderson Thompson, a Cree, Canadian sound artist channelling stories and spirits of First Nations culture via abstract synthesis
Based in Brooklyn, Chloe is an interdisciplinary artist and sound designer, working with audi software and acoustic instruments across the fields of music production, performance, TV and film. ‘They Can Never Burn the Stars’ is her first solo release, a haunting six track suite exploring sculpted drone and spectral dynamics that, in her own words, “seeks to create connection by guiding audience participants through these augmented experiences.” Under a title inspired by a story shared with her family by the Sicaugu Oyate people, Chloe’s “soundings” as she terms them, attempt to speak to an truth of spirit, manifest in her range of reverberating spaces suffused with a deeply sense of presence.
They variously touch on dread-filled (‘Improv’) to Ligeti-esque (‘Pulse Ocean’), and more demonic, unsettling (‘Nocturne Voice’), but also more reflective states of mind (‘An Exchange’), at times recalling Mica Levi’s electro-acoustic pieces from the Mono’ OST (‘Glass Bits’), with 15 minutes of ultra-subtle subharmonic drone in ’Touch Modality’ that close the album and leave us in no doubt to her convictions.
Aaron Turner’s Sige unleash the gripping solo debut of Chloe Anderson Thompson, a Cree, Canadian sound artist channelling stories and spirits of First Nations culture via abstract synthesis
Based in Brooklyn, Chloe is an interdisciplinary artist and sound designer, working with audi software and acoustic instruments across the fields of music production, performance, TV and film. ‘They Can Never Burn the Stars’ is her first solo release, a haunting six track suite exploring sculpted drone and spectral dynamics that, in her own words, “seeks to create connection by guiding audience participants through these augmented experiences.” Under a title inspired by a story shared with her family by the Sicaugu Oyate people, Chloe’s “soundings” as she terms them, attempt to speak to an truth of spirit, manifest in her range of reverberating spaces suffused with a deeply sense of presence.
They variously touch on dread-filled (‘Improv’) to Ligeti-esque (‘Pulse Ocean’), and more demonic, unsettling (‘Nocturne Voice’), but also more reflective states of mind (‘An Exchange’), at times recalling Mica Levi’s electro-acoustic pieces from the Mono’ OST (‘Glass Bits’), with 15 minutes of ultra-subtle subharmonic drone in ’Touch Modality’ that close the album and leave us in no doubt to her convictions.