Last heard in collaboration with Mika Vainio (R.I.P.), Franck Vigroux strikes cold and solo in a stark 4-track EP taking in crushing noise, devilish drum programming and cavernous spatial designs
’Théorème’ describes a tension between opposing forces of dark and light, industrial and pastoral, synthetic and real. On the A-side he comes like a heavyweight slugger with the sparring boom/smack and jabbing noise of ‘Carré’ giving way to a roof-razing metal guitar sculpture, ‘VX90’.
Flipside, he works those sparring kick/clap syncopations with a cannier sleight of hand in the electro-step pointillism of ‘TT’, comparable with Vainio of classic Alva Noto, while ‘Nord’ appears to transition from wide open, skeletal pulses into synthesised vision of lush, crystalline cave systems.
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Last heard in collaboration with Mika Vainio (R.I.P.), Franck Vigroux strikes cold and solo in a stark 4-track EP taking in crushing noise, devilish drum programming and cavernous spatial designs
’Théorème’ describes a tension between opposing forces of dark and light, industrial and pastoral, synthetic and real. On the A-side he comes like a heavyweight slugger with the sparring boom/smack and jabbing noise of ‘Carré’ giving way to a roof-razing metal guitar sculpture, ‘VX90’.
Flipside, he works those sparring kick/clap syncopations with a cannier sleight of hand in the electro-step pointillism of ‘TT’, comparable with Vainio of classic Alva Noto, while ‘Nord’ appears to transition from wide open, skeletal pulses into synthesised vision of lush, crystalline cave systems.
Last heard in collaboration with Mika Vainio (R.I.P.), Franck Vigroux strikes cold and solo in a stark 4-track EP taking in crushing noise, devilish drum programming and cavernous spatial designs
’Théorème’ describes a tension between opposing forces of dark and light, industrial and pastoral, synthetic and real. On the A-side he comes like a heavyweight slugger with the sparring boom/smack and jabbing noise of ‘Carré’ giving way to a roof-razing metal guitar sculpture, ‘VX90’.
Flipside, he works those sparring kick/clap syncopations with a cannier sleight of hand in the electro-step pointillism of ‘TT’, comparable with Vainio of classic Alva Noto, while ‘Nord’ appears to transition from wide open, skeletal pulses into synthesised vision of lush, crystalline cave systems.
Last heard in collaboration with Mika Vainio (R.I.P.), Franck Vigroux strikes cold and solo in a stark 4-track EP taking in crushing noise, devilish drum programming and cavernous spatial designs
’Théorème’ describes a tension between opposing forces of dark and light, industrial and pastoral, synthetic and real. On the A-side he comes like a heavyweight slugger with the sparring boom/smack and jabbing noise of ‘Carré’ giving way to a roof-razing metal guitar sculpture, ‘VX90’.
Flipside, he works those sparring kick/clap syncopations with a cannier sleight of hand in the electro-step pointillism of ‘TT’, comparable with Vainio of classic Alva Noto, while ‘Nord’ appears to transition from wide open, skeletal pulses into synthesised vision of lush, crystalline cave systems.
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Last heard in collaboration with Mika Vainio (R.I.P.), Franck Vigroux strikes cold and solo in a stark 4-track EP taking in crushing noise, devilish drum programming and cavernous spatial designs
’Théorème’ describes a tension between opposing forces of dark and light, industrial and pastoral, synthetic and real. On the A-side he comes like a heavyweight slugger with the sparring boom/smack and jabbing noise of ‘Carré’ giving way to a roof-razing metal guitar sculpture, ‘VX90’.
Flipside, he works those sparring kick/clap syncopations with a cannier sleight of hand in the electro-step pointillism of ‘TT’, comparable with Vainio of classic Alva Noto, while ‘Nord’ appears to transition from wide open, skeletal pulses into synthesised vision of lush, crystalline cave systems.