The Video Collection
For fxck’s sake, Ste Spandex mind-dumps his debut album on Cerberus Future Technologies: the home-baked label home to his myriad, nefarious disco activities involving Licking Mirrors, The Zest and Montauk Boys (which could get you locked up in some countries if done at the same time).
The Video Collection follows Spandexedrine’s pair of EP’s for Red Laser Records, and one for Tusk Wax, with 17 tracks harvested from recording sessions at The Brown House and The Boneyard over the last 5 years, including a handful of guest vocals by his bae Sarah Bates and pal Crispy Duck.
Huffing influence from Detroit, Chicago, New York and Brescia, as well as the last 30 years of Manchester club/disco history, he turns gold into potent crud, most often improvised on banks of vintage (read: a bit knackered) hardware and all recorded direct to VHS - Jamal Moss style - for that crudest, shabby chic crunch.
That said, these are some of the smartest, punchiest cuts in his special medicine cabinet, roving from the Italo/dub techno hybrid of Mother Tiger, thru strapping EBM torque in Untitled, to bandy-legged cosmic dub in Orgone Matrix Material and with two highlights in the aforementioned vocal pieces, namely the DMT-affected whorl of Ducky’s First Blast, and particularly Sarah’s spot on the chugging boogie flare, Got To Give The People (Album edit).
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For fxck’s sake, Ste Spandex mind-dumps his debut album on Cerberus Future Technologies: the home-baked label home to his myriad, nefarious disco activities involving Licking Mirrors, The Zest and Montauk Boys (which could get you locked up in some countries if done at the same time).
The Video Collection follows Spandexedrine’s pair of EP’s for Red Laser Records, and one for Tusk Wax, with 17 tracks harvested from recording sessions at The Brown House and The Boneyard over the last 5 years, including a handful of guest vocals by his bae Sarah Bates and pal Crispy Duck.
Huffing influence from Detroit, Chicago, New York and Brescia, as well as the last 30 years of Manchester club/disco history, he turns gold into potent crud, most often improvised on banks of vintage (read: a bit knackered) hardware and all recorded direct to VHS - Jamal Moss style - for that crudest, shabby chic crunch.
That said, these are some of the smartest, punchiest cuts in his special medicine cabinet, roving from the Italo/dub techno hybrid of Mother Tiger, thru strapping EBM torque in Untitled, to bandy-legged cosmic dub in Orgone Matrix Material and with two highlights in the aforementioned vocal pieces, namely the DMT-affected whorl of Ducky’s First Blast, and particularly Sarah’s spot on the chugging boogie flare, Got To Give The People (Album edit).
For fxck’s sake, Ste Spandex mind-dumps his debut album on Cerberus Future Technologies: the home-baked label home to his myriad, nefarious disco activities involving Licking Mirrors, The Zest and Montauk Boys (which could get you locked up in some countries if done at the same time).
The Video Collection follows Spandexedrine’s pair of EP’s for Red Laser Records, and one for Tusk Wax, with 17 tracks harvested from recording sessions at The Brown House and The Boneyard over the last 5 years, including a handful of guest vocals by his bae Sarah Bates and pal Crispy Duck.
Huffing influence from Detroit, Chicago, New York and Brescia, as well as the last 30 years of Manchester club/disco history, he turns gold into potent crud, most often improvised on banks of vintage (read: a bit knackered) hardware and all recorded direct to VHS - Jamal Moss style - for that crudest, shabby chic crunch.
That said, these are some of the smartest, punchiest cuts in his special medicine cabinet, roving from the Italo/dub techno hybrid of Mother Tiger, thru strapping EBM torque in Untitled, to bandy-legged cosmic dub in Orgone Matrix Material and with two highlights in the aforementioned vocal pieces, namely the DMT-affected whorl of Ducky’s First Blast, and particularly Sarah’s spot on the chugging boogie flare, Got To Give The People (Album edit).
For fxck’s sake, Ste Spandex mind-dumps his debut album on Cerberus Future Technologies: the home-baked label home to his myriad, nefarious disco activities involving Licking Mirrors, The Zest and Montauk Boys (which could get you locked up in some countries if done at the same time).
The Video Collection follows Spandexedrine’s pair of EP’s for Red Laser Records, and one for Tusk Wax, with 17 tracks harvested from recording sessions at The Brown House and The Boneyard over the last 5 years, including a handful of guest vocals by his bae Sarah Bates and pal Crispy Duck.
Huffing influence from Detroit, Chicago, New York and Brescia, as well as the last 30 years of Manchester club/disco history, he turns gold into potent crud, most often improvised on banks of vintage (read: a bit knackered) hardware and all recorded direct to VHS - Jamal Moss style - for that crudest, shabby chic crunch.
That said, these are some of the smartest, punchiest cuts in his special medicine cabinet, roving from the Italo/dub techno hybrid of Mother Tiger, thru strapping EBM torque in Untitled, to bandy-legged cosmic dub in Orgone Matrix Material and with two highlights in the aforementioned vocal pieces, namely the DMT-affected whorl of Ducky’s First Blast, and particularly Sarah’s spot on the chugging boogie flare, Got To Give The People (Album edit).
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Pink C97 tape. Includes download code
For fxck’s sake, Ste Spandex mind-dumps his debut album on Cerberus Future Technologies: the home-baked label home to his myriad, nefarious disco activities involving Licking Mirrors, The Zest and Montauk Boys (which could get you locked up in some countries if done at the same time).
The Video Collection follows Spandexedrine’s pair of EP’s for Red Laser Records, and one for Tusk Wax, with 17 tracks harvested from recording sessions at The Brown House and The Boneyard over the last 5 years, including a handful of guest vocals by his bae Sarah Bates and pal Crispy Duck.
Huffing influence from Detroit, Chicago, New York and Brescia, as well as the last 30 years of Manchester club/disco history, he turns gold into potent crud, most often improvised on banks of vintage (read: a bit knackered) hardware and all recorded direct to VHS - Jamal Moss style - for that crudest, shabby chic crunch.
That said, these are some of the smartest, punchiest cuts in his special medicine cabinet, roving from the Italo/dub techno hybrid of Mother Tiger, thru strapping EBM torque in Untitled, to bandy-legged cosmic dub in Orgone Matrix Material and with two highlights in the aforementioned vocal pieces, namely the DMT-affected whorl of Ducky’s First Blast, and particularly Sarah’s spot on the chugging boogie flare, Got To Give The People (Album edit).