Necessary vinyl reissue of Molly Nilsson’s hard-to-find 2013 debut for Night School - a filigree, lo-fi blend of aloof vocals with naif, nagging pop chops in most beguiling manner
“The Travels represents a signpost in the continuing journey that is the songs of Berlin-based artist Molly Nilsson.
Journeys offer change - the possibility of renewal - and accordingly on The Travels Molly Nilsson’s resonant voice is found curling around a new sense of optimism and wide-eyed discovery that was only alluded to in her previous work. Songs like “Dear Life” might be spiked with a barbed sense of the dejected, but the presiding feeling is one of optimism, of being in love with life despite a shield of cynicism. “Dirty Fingers” brings a melancholy recognisable from previous work but with an incessant beat and ecstatic underpinning it becomes apparent that a new force is at play here. In case the listener missed it, “The Power Ballad” brings an endearing, sincerity to proceedings that also offers a tantalising question: can you be sceptical about love but still be bewitched?
On her 5th long-player, Nilsson’s perspective is challenged and manipulated by changes in environment and psychological space: like any other traveller the protagonist brings their own set of values and emotional states and new places, colouring them with a wash of subjectivity. Like any other traveller Molly Nilsson reacts to her environment and shares her unique version of it to other people.
Based loosely on Marco Polo’s “Travels” and reading like a map of the protagonist’s geographical and inner journey, The Travels reveals new places and new emotions that are never the same to the beholder. Nilsson’s art is in turning this subjectivity into a cloak that almost anyone can don for the trip.”
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Clear vinyl. Includes lyric sheet insert and download code
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Necessary vinyl reissue of Molly Nilsson’s hard-to-find 2013 debut for Night School - a filigree, lo-fi blend of aloof vocals with naif, nagging pop chops in most beguiling manner
“The Travels represents a signpost in the continuing journey that is the songs of Berlin-based artist Molly Nilsson.
Journeys offer change - the possibility of renewal - and accordingly on The Travels Molly Nilsson’s resonant voice is found curling around a new sense of optimism and wide-eyed discovery that was only alluded to in her previous work. Songs like “Dear Life” might be spiked with a barbed sense of the dejected, but the presiding feeling is one of optimism, of being in love with life despite a shield of cynicism. “Dirty Fingers” brings a melancholy recognisable from previous work but with an incessant beat and ecstatic underpinning it becomes apparent that a new force is at play here. In case the listener missed it, “The Power Ballad” brings an endearing, sincerity to proceedings that also offers a tantalising question: can you be sceptical about love but still be bewitched?
On her 5th long-player, Nilsson’s perspective is challenged and manipulated by changes in environment and psychological space: like any other traveller the protagonist brings their own set of values and emotional states and new places, colouring them with a wash of subjectivity. Like any other traveller Molly Nilsson reacts to her environment and shares her unique version of it to other people.
Based loosely on Marco Polo’s “Travels” and reading like a map of the protagonist’s geographical and inner journey, The Travels reveals new places and new emotions that are never the same to the beholder. Nilsson’s art is in turning this subjectivity into a cloak that almost anyone can don for the trip.”
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Necessary vinyl reissue of Molly Nilsson’s hard-to-find 2013 debut for Night School - a filigree, lo-fi blend of aloof vocals with naif, nagging pop chops in most beguiling manner
“The Travels represents a signpost in the continuing journey that is the songs of Berlin-based artist Molly Nilsson.
Journeys offer change - the possibility of renewal - and accordingly on The Travels Molly Nilsson’s resonant voice is found curling around a new sense of optimism and wide-eyed discovery that was only alluded to in her previous work. Songs like “Dear Life” might be spiked with a barbed sense of the dejected, but the presiding feeling is one of optimism, of being in love with life despite a shield of cynicism. “Dirty Fingers” brings a melancholy recognisable from previous work but with an incessant beat and ecstatic underpinning it becomes apparent that a new force is at play here. In case the listener missed it, “The Power Ballad” brings an endearing, sincerity to proceedings that also offers a tantalising question: can you be sceptical about love but still be bewitched?
On her 5th long-player, Nilsson’s perspective is challenged and manipulated by changes in environment and psychological space: like any other traveller the protagonist brings their own set of values and emotional states and new places, colouring them with a wash of subjectivity. Like any other traveller Molly Nilsson reacts to her environment and shares her unique version of it to other people.
Based loosely on Marco Polo’s “Travels” and reading like a map of the protagonist’s geographical and inner journey, The Travels reveals new places and new emotions that are never the same to the beholder. Nilsson’s art is in turning this subjectivity into a cloak that almost anyone can don for the trip.”