The Suzanne Langille Songbook
Myriad, notable blues, folk and avant-rock torch carriers engage Suzanne Langille’s oneiric nocturnes - usually heard accompanied by non pareil guitarist Loren Mazzacane Connors - across an in-depth and enchanting 2xCD highlighting her songs’ range and timeless appeal.
An overdue spotlight is shone on Langille’s solo work with this utterly absorbing set of covers, reworks and originals sifted from her more than 30 years of recordings, more often made with life and creative partner Loren Connors. Whilst her work is understandably usually considered in relief of her work with Connors, it patently holds to the light here within others’ hands and voices, from the likes of Kim Gordon & Bill Nace’s mean imitation on ‘Strong & Foolish Heart’, to Heather Leigh’s channelling of her ghostly country figure in ‘Old John’, to Jim O’Rourke’s creaking, warbling reset of ‘End of My Days’, along with original works by Suzanne & Loren that remind to the real thing in the spectral jazz-blues shimmer of a ‘Dream Ballad’ evoking comparison with Scott Walker.
Suzanne & Loren also light up other gems on board, proving a smoky mutability in free jazz quartet with Daniel Carter & William Hooker on ‘I Wish I Didn’t Dream’, and the martial tension of ‘It Will Only Continue’, whilst Byron Coley fills her role as narrator to the noir of ‘Nothing at All’. There is a clear highlight registered with Sarah Davachi & Sean McCann’s quivering slow music sublimation of ‘Return to the Waterfall’, and likewise Laura Ortman connects with the widescreen yet intimate American romance of Suzanne’s work most dearly in the decelerated drone folk of ‘Grip My Hand’, and it resonates similarly with Alison Farrell, another US folk outlier who imbues her own soul on ‘Millie’s Not Afraid’.
View more
Myriad, notable blues, folk and avant-rock torch carriers engage Suzanne Langille’s oneiric nocturnes - usually heard accompanied by non pareil guitarist Loren Mazzacane Connors - across an in-depth and enchanting 2xCD highlighting her songs’ range and timeless appeal.
An overdue spotlight is shone on Langille’s solo work with this utterly absorbing set of covers, reworks and originals sifted from her more than 30 years of recordings, more often made with life and creative partner Loren Connors. Whilst her work is understandably usually considered in relief of her work with Connors, it patently holds to the light here within others’ hands and voices, from the likes of Kim Gordon & Bill Nace’s mean imitation on ‘Strong & Foolish Heart’, to Heather Leigh’s channelling of her ghostly country figure in ‘Old John’, to Jim O’Rourke’s creaking, warbling reset of ‘End of My Days’, along with original works by Suzanne & Loren that remind to the real thing in the spectral jazz-blues shimmer of a ‘Dream Ballad’ evoking comparison with Scott Walker.
Suzanne & Loren also light up other gems on board, proving a smoky mutability in free jazz quartet with Daniel Carter & William Hooker on ‘I Wish I Didn’t Dream’, and the martial tension of ‘It Will Only Continue’, whilst Byron Coley fills her role as narrator to the noir of ‘Nothing at All’. There is a clear highlight registered with Sarah Davachi & Sean McCann’s quivering slow music sublimation of ‘Return to the Waterfall’, and likewise Laura Ortman connects with the widescreen yet intimate American romance of Suzanne’s work most dearly in the decelerated drone folk of ‘Grip My Hand’, and it resonates similarly with Alison Farrell, another US folk outlier who imbues her own soul on ‘Millie’s Not Afraid’.
Myriad, notable blues, folk and avant-rock torch carriers engage Suzanne Langille’s oneiric nocturnes - usually heard accompanied by non pareil guitarist Loren Mazzacane Connors - across an in-depth and enchanting 2xCD highlighting her songs’ range and timeless appeal.
An overdue spotlight is shone on Langille’s solo work with this utterly absorbing set of covers, reworks and originals sifted from her more than 30 years of recordings, more often made with life and creative partner Loren Connors. Whilst her work is understandably usually considered in relief of her work with Connors, it patently holds to the light here within others’ hands and voices, from the likes of Kim Gordon & Bill Nace’s mean imitation on ‘Strong & Foolish Heart’, to Heather Leigh’s channelling of her ghostly country figure in ‘Old John’, to Jim O’Rourke’s creaking, warbling reset of ‘End of My Days’, along with original works by Suzanne & Loren that remind to the real thing in the spectral jazz-blues shimmer of a ‘Dream Ballad’ evoking comparison with Scott Walker.
Suzanne & Loren also light up other gems on board, proving a smoky mutability in free jazz quartet with Daniel Carter & William Hooker on ‘I Wish I Didn’t Dream’, and the martial tension of ‘It Will Only Continue’, whilst Byron Coley fills her role as narrator to the noir of ‘Nothing at All’. There is a clear highlight registered with Sarah Davachi & Sean McCann’s quivering slow music sublimation of ‘Return to the Waterfall’, and likewise Laura Ortman connects with the widescreen yet intimate American romance of Suzanne’s work most dearly in the decelerated drone folk of ‘Grip My Hand’, and it resonates similarly with Alison Farrell, another US folk outlier who imbues her own soul on ‘Millie’s Not Afraid’.
Myriad, notable blues, folk and avant-rock torch carriers engage Suzanne Langille’s oneiric nocturnes - usually heard accompanied by non pareil guitarist Loren Mazzacane Connors - across an in-depth and enchanting 2xCD highlighting her songs’ range and timeless appeal.
An overdue spotlight is shone on Langille’s solo work with this utterly absorbing set of covers, reworks and originals sifted from her more than 30 years of recordings, more often made with life and creative partner Loren Connors. Whilst her work is understandably usually considered in relief of her work with Connors, it patently holds to the light here within others’ hands and voices, from the likes of Kim Gordon & Bill Nace’s mean imitation on ‘Strong & Foolish Heart’, to Heather Leigh’s channelling of her ghostly country figure in ‘Old John’, to Jim O’Rourke’s creaking, warbling reset of ‘End of My Days’, along with original works by Suzanne & Loren that remind to the real thing in the spectral jazz-blues shimmer of a ‘Dream Ballad’ evoking comparison with Scott Walker.
Suzanne & Loren also light up other gems on board, proving a smoky mutability in free jazz quartet with Daniel Carter & William Hooker on ‘I Wish I Didn’t Dream’, and the martial tension of ‘It Will Only Continue’, whilst Byron Coley fills her role as narrator to the noir of ‘Nothing at All’. There is a clear highlight registered with Sarah Davachi & Sean McCann’s quivering slow music sublimation of ‘Return to the Waterfall’, and likewise Laura Ortman connects with the widescreen yet intimate American romance of Suzanne’s work most dearly in the decelerated drone folk of ‘Grip My Hand’, and it resonates similarly with Alison Farrell, another US folk outlier who imbues her own soul on ‘Millie’s Not Afraid’.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Myriad, notable blues, folk and avant-rock torch carriers engage Suzanne Langille’s oneiric nocturnes - usually heard accompanied by non pareil guitarist Loren Mazzacane Connors - across an in-depth and enchanting 2xCD highlighting her songs’ range and timeless appeal.
An overdue spotlight is shone on Langille’s solo work with this utterly absorbing set of covers, reworks and originals sifted from her more than 30 years of recordings, more often made with life and creative partner Loren Connors. Whilst her work is understandably usually considered in relief of her work with Connors, it patently holds to the light here within others’ hands and voices, from the likes of Kim Gordon & Bill Nace’s mean imitation on ‘Strong & Foolish Heart’, to Heather Leigh’s channelling of her ghostly country figure in ‘Old John’, to Jim O’Rourke’s creaking, warbling reset of ‘End of My Days’, along with original works by Suzanne & Loren that remind to the real thing in the spectral jazz-blues shimmer of a ‘Dream Ballad’ evoking comparison with Scott Walker.
Suzanne & Loren also light up other gems on board, proving a smoky mutability in free jazz quartet with Daniel Carter & William Hooker on ‘I Wish I Didn’t Dream’, and the martial tension of ‘It Will Only Continue’, whilst Byron Coley fills her role as narrator to the noir of ‘Nothing at All’. There is a clear highlight registered with Sarah Davachi & Sean McCann’s quivering slow music sublimation of ‘Return to the Waterfall’, and likewise Laura Ortman connects with the widescreen yet intimate American romance of Suzanne’s work most dearly in the decelerated drone folk of ‘Grip My Hand’, and it resonates similarly with Alison Farrell, another US folk outlier who imbues her own soul on ‘Millie’s Not Afraid’.