The Shittest Sounds U Don't Ever Want 2 Hear...Vol 1
Chicago’s cosmic lifeforce Jamal Moss dispenses a dozen heady box bangers and uneasy cosmic soundscapes restored from VHS tape for the first in a new 3-part series featuring some of the deadliest, most angular productions in a now decades-long career full of endless twists and turns, always inimitable, forever exploring.
Making his first move of 2022, Jamal comes with 70 minutes of saturated and demented harmonies alongside rawly restless machine rhythms on the 12 tracks of ‘The Shittest Sounds U Don’t Ever Want 2 Hear...' after turning out albums for Mills’ Axis and and his own private labels in the past year alone. Nobody does it quite like the Hieroglyphic Being, and these tracks are another proper testament - were it needed - to his infinite, psychedelic club energy, carrying on with a helpless velocity and always finding new ways of expressing his African roots in a free flow of astral, rhytharmelodic goodness that links works by Sun Ra to Ornette Coleman, thru influence from Jamal’s antecedents and mentors, Ron Hardy and Adonis.
If you paid any attention to these pages or the fringes of club music over the last 20 years, no doubt you’ll already know the score with Jamal’s prolific oeuvre, which stands among the greatest and arguably most under-acknowledged of all time. This latest batch once again opens the sluice gates of his studio for a jacking but steeply hypnotic session that does not let up with the mesmerising traction, harnessing and tempering his psychosexual thrust in myriad variations on a theme.
Of course it’s all dominated by the jak, with standouts in the warm gush of ‘This is from the Radiance’ the heat-‘em-up chord vamps of ‘Thanks 4 the Tracks U Lost’, or the glorious drive of ‘All God’s Children’, but it also makes ample room for his more offbeat urges, found at their most vital in the kick-less 10 minute glyder ‘A Hybrid Choice’, before pushing into panoramic soundscapes on the gorgeous highlight ‘A Dream Within A Dream’, and keeping it out there with the Laraaji-meets-Tangerine Dream-like ‘Color Out of Spaces’, and the Ra-goggled futurist organ ata-vision of ‘Before the Black Sabbath’.
Crazy to think of the sheer volume and quality of deranged bangers and spiritual jackers already gifted to the world by the Hieroglyphic Being, 'The Shittest Sounds U Don’t Ever Want 2 Hear…’ is quite obviously exactly what we wanna hear right now - newcomers and seasoned heads alike, your time.
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Chicago’s cosmic lifeforce Jamal Moss dispenses a dozen heady box bangers and uneasy cosmic soundscapes restored from VHS tape for the first in a new 3-part series featuring some of the deadliest, most angular productions in a now decades-long career full of endless twists and turns, always inimitable, forever exploring.
Making his first move of 2022, Jamal comes with 70 minutes of saturated and demented harmonies alongside rawly restless machine rhythms on the 12 tracks of ‘The Shittest Sounds U Don’t Ever Want 2 Hear...' after turning out albums for Mills’ Axis and and his own private labels in the past year alone. Nobody does it quite like the Hieroglyphic Being, and these tracks are another proper testament - were it needed - to his infinite, psychedelic club energy, carrying on with a helpless velocity and always finding new ways of expressing his African roots in a free flow of astral, rhytharmelodic goodness that links works by Sun Ra to Ornette Coleman, thru influence from Jamal’s antecedents and mentors, Ron Hardy and Adonis.
If you paid any attention to these pages or the fringes of club music over the last 20 years, no doubt you’ll already know the score with Jamal’s prolific oeuvre, which stands among the greatest and arguably most under-acknowledged of all time. This latest batch once again opens the sluice gates of his studio for a jacking but steeply hypnotic session that does not let up with the mesmerising traction, harnessing and tempering his psychosexual thrust in myriad variations on a theme.
Of course it’s all dominated by the jak, with standouts in the warm gush of ‘This is from the Radiance’ the heat-‘em-up chord vamps of ‘Thanks 4 the Tracks U Lost’, or the glorious drive of ‘All God’s Children’, but it also makes ample room for his more offbeat urges, found at their most vital in the kick-less 10 minute glyder ‘A Hybrid Choice’, before pushing into panoramic soundscapes on the gorgeous highlight ‘A Dream Within A Dream’, and keeping it out there with the Laraaji-meets-Tangerine Dream-like ‘Color Out of Spaces’, and the Ra-goggled futurist organ ata-vision of ‘Before the Black Sabbath’.
Crazy to think of the sheer volume and quality of deranged bangers and spiritual jackers already gifted to the world by the Hieroglyphic Being, 'The Shittest Sounds U Don’t Ever Want 2 Hear…’ is quite obviously exactly what we wanna hear right now - newcomers and seasoned heads alike, your time.
Chicago’s cosmic lifeforce Jamal Moss dispenses a dozen heady box bangers and uneasy cosmic soundscapes restored from VHS tape for the first in a new 3-part series featuring some of the deadliest, most angular productions in a now decades-long career full of endless twists and turns, always inimitable, forever exploring.
Making his first move of 2022, Jamal comes with 70 minutes of saturated and demented harmonies alongside rawly restless machine rhythms on the 12 tracks of ‘The Shittest Sounds U Don’t Ever Want 2 Hear...' after turning out albums for Mills’ Axis and and his own private labels in the past year alone. Nobody does it quite like the Hieroglyphic Being, and these tracks are another proper testament - were it needed - to his infinite, psychedelic club energy, carrying on with a helpless velocity and always finding new ways of expressing his African roots in a free flow of astral, rhytharmelodic goodness that links works by Sun Ra to Ornette Coleman, thru influence from Jamal’s antecedents and mentors, Ron Hardy and Adonis.
If you paid any attention to these pages or the fringes of club music over the last 20 years, no doubt you’ll already know the score with Jamal’s prolific oeuvre, which stands among the greatest and arguably most under-acknowledged of all time. This latest batch once again opens the sluice gates of his studio for a jacking but steeply hypnotic session that does not let up with the mesmerising traction, harnessing and tempering his psychosexual thrust in myriad variations on a theme.
Of course it’s all dominated by the jak, with standouts in the warm gush of ‘This is from the Radiance’ the heat-‘em-up chord vamps of ‘Thanks 4 the Tracks U Lost’, or the glorious drive of ‘All God’s Children’, but it also makes ample room for his more offbeat urges, found at their most vital in the kick-less 10 minute glyder ‘A Hybrid Choice’, before pushing into panoramic soundscapes on the gorgeous highlight ‘A Dream Within A Dream’, and keeping it out there with the Laraaji-meets-Tangerine Dream-like ‘Color Out of Spaces’, and the Ra-goggled futurist organ ata-vision of ‘Before the Black Sabbath’.
Crazy to think of the sheer volume and quality of deranged bangers and spiritual jackers already gifted to the world by the Hieroglyphic Being, 'The Shittest Sounds U Don’t Ever Want 2 Hear…’ is quite obviously exactly what we wanna hear right now - newcomers and seasoned heads alike, your time.
Chicago’s cosmic lifeforce Jamal Moss dispenses a dozen heady box bangers and uneasy cosmic soundscapes restored from VHS tape for the first in a new 3-part series featuring some of the deadliest, most angular productions in a now decades-long career full of endless twists and turns, always inimitable, forever exploring.
Making his first move of 2022, Jamal comes with 70 minutes of saturated and demented harmonies alongside rawly restless machine rhythms on the 12 tracks of ‘The Shittest Sounds U Don’t Ever Want 2 Hear...' after turning out albums for Mills’ Axis and and his own private labels in the past year alone. Nobody does it quite like the Hieroglyphic Being, and these tracks are another proper testament - were it needed - to his infinite, psychedelic club energy, carrying on with a helpless velocity and always finding new ways of expressing his African roots in a free flow of astral, rhytharmelodic goodness that links works by Sun Ra to Ornette Coleman, thru influence from Jamal’s antecedents and mentors, Ron Hardy and Adonis.
If you paid any attention to these pages or the fringes of club music over the last 20 years, no doubt you’ll already know the score with Jamal’s prolific oeuvre, which stands among the greatest and arguably most under-acknowledged of all time. This latest batch once again opens the sluice gates of his studio for a jacking but steeply hypnotic session that does not let up with the mesmerising traction, harnessing and tempering his psychosexual thrust in myriad variations on a theme.
Of course it’s all dominated by the jak, with standouts in the warm gush of ‘This is from the Radiance’ the heat-‘em-up chord vamps of ‘Thanks 4 the Tracks U Lost’, or the glorious drive of ‘All God’s Children’, but it also makes ample room for his more offbeat urges, found at their most vital in the kick-less 10 minute glyder ‘A Hybrid Choice’, before pushing into panoramic soundscapes on the gorgeous highlight ‘A Dream Within A Dream’, and keeping it out there with the Laraaji-meets-Tangerine Dream-like ‘Color Out of Spaces’, and the Ra-goggled futurist organ ata-vision of ‘Before the Black Sabbath’.
Crazy to think of the sheer volume and quality of deranged bangers and spiritual jackers already gifted to the world by the Hieroglyphic Being, 'The Shittest Sounds U Don’t Ever Want 2 Hear…’ is quite obviously exactly what we wanna hear right now - newcomers and seasoned heads alike, your time.
Edition of 150 copies, original material restored from VHS tape by Jamal Moss, includes a download of the album dropped to your account. First in a series of 3 releases.
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Chicago’s cosmic lifeforce Jamal Moss dispenses a dozen heady box bangers and uneasy cosmic soundscapes restored from VHS tape for the first in a new 3-part series featuring some of the deadliest, most angular productions in a now decades-long career full of endless twists and turns, always inimitable, forever exploring.
Making his first move of 2022, Jamal comes with 70 minutes of saturated and demented harmonies alongside rawly restless machine rhythms on the 12 tracks of ‘The Shittest Sounds U Don’t Ever Want 2 Hear...' after turning out albums for Mills’ Axis and and his own private labels in the past year alone. Nobody does it quite like the Hieroglyphic Being, and these tracks are another proper testament - were it needed - to his infinite, psychedelic club energy, carrying on with a helpless velocity and always finding new ways of expressing his African roots in a free flow of astral, rhytharmelodic goodness that links works by Sun Ra to Ornette Coleman, thru influence from Jamal’s antecedents and mentors, Ron Hardy and Adonis.
If you paid any attention to these pages or the fringes of club music over the last 20 years, no doubt you’ll already know the score with Jamal’s prolific oeuvre, which stands among the greatest and arguably most under-acknowledged of all time. This latest batch once again opens the sluice gates of his studio for a jacking but steeply hypnotic session that does not let up with the mesmerising traction, harnessing and tempering his psychosexual thrust in myriad variations on a theme.
Of course it’s all dominated by the jak, with standouts in the warm gush of ‘This is from the Radiance’ the heat-‘em-up chord vamps of ‘Thanks 4 the Tracks U Lost’, or the glorious drive of ‘All God’s Children’, but it also makes ample room for his more offbeat urges, found at their most vital in the kick-less 10 minute glyder ‘A Hybrid Choice’, before pushing into panoramic soundscapes on the gorgeous highlight ‘A Dream Within A Dream’, and keeping it out there with the Laraaji-meets-Tangerine Dream-like ‘Color Out of Spaces’, and the Ra-goggled futurist organ ata-vision of ‘Before the Black Sabbath’.
Crazy to think of the sheer volume and quality of deranged bangers and spiritual jackers already gifted to the world by the Hieroglyphic Being, 'The Shittest Sounds U Don’t Ever Want 2 Hear…’ is quite obviously exactly what we wanna hear right now - newcomers and seasoned heads alike, your time.