Boomkat Product Review:
Jimmy Tamborello returns with the first of two albums this year, a dusty suite of sketches inspired by library music, early electronics and discarded acid folk.
Shaping electronic music for two decades, Tamborello has exerted an outsized influence on both pop and the landscape beyond. "The Seas Tree Sees" follows his recent run of more experimental excursions on Leaving Records, whispering from the shadows instead of shouting from the rafters. A humble, pleasingly low-key set of productions, it's intended to sit in contrast to Tamborello's more pop-poised work (like The Postal Service's 2003 smash "Give Up"), phasing through foggy moods and atmospheres rather than bright, bubbly riffs and hooks.
It almost reminds us of early To Rococo Rot, assembled from gently-coaxed samples of Rhodes piano, xylophone, vocoder and synth, and spiced with subtle field recordings and sympathetic static. Tamborello notes that he wanted the album to sound like something you'd find in a thrift store, so when a vocoder-heavy cover version of Kate Wolf's '70s folk song 'The Lilac and the Apple' appears, everything falls into place. A musical comfort blanket.