Boomkat Product Review:
Ryuichi Sakamoto & Alva Noto’s soundtrack to Alejandro G Iñárrritu’s The Revenant is one of the most haunting we’ve heard in years. It should be filed in that rarest category - OSTs which are both inseparable from the imagery they drive, and which also stand tall on their own...
Following Iñárrritu’s use of Sakamoto’s music in Babel (2006), the Japanese composer was commissioned to write this full score but, owing to the fact that he was was in recovery from throat cancer, he opted to bring regular collaborator Carsten Nicolai (Alva Noto)on board alongside The National’s Bryce Dessner to realise the vast scale of the project.
They’ve doubtless done a sterling job, exemplifying a minimalist mantra of saying-it-without-saying-it where so many other composers tend to erect huge emotive signposts reading “FEEL SAD…. NOW” or “ROOOOMANCE!!!!!”.
Whether frosting Emmanuel Lubezki’s widescreen cinematography with a nail-biting timbre, or looming behind the close-ups on a ravaged Di Caprio, the effect of Sakamoto’s sweeping string gestures and Alva Noto’s electronic auroras is beautifully, subtly intangible yet breathtaking.