Herbert presents the funky results of a seven day workshop in the carpentry of the Deutsche Opera Berlin
Working under a typically egalitarian politics, Herbert invited anyone interested to bring their own instruments, voices, dogs and mates to make music over seven days structured around various stages of the process. DJs, politicians, musicians and theorists took part in the creation of the three tracks showcased here, ranging from the jiggly house of ‘Day Three’ to the rustling action and discordant keys of ‘Day Five’, and what sounds like a very lazy, hazy ‘Day Seven.’
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Herbert presents the funky results of a seven day workshop in the carpentry of the Deutsche Opera Berlin
Working under a typically egalitarian politics, Herbert invited anyone interested to bring their own instruments, voices, dogs and mates to make music over seven days structured around various stages of the process. DJs, politicians, musicians and theorists took part in the creation of the three tracks showcased here, ranging from the jiggly house of ‘Day Three’ to the rustling action and discordant keys of ‘Day Five’, and what sounds like a very lazy, hazy ‘Day Seven.’
Herbert presents the funky results of a seven day workshop in the carpentry of the Deutsche Opera Berlin
Working under a typically egalitarian politics, Herbert invited anyone interested to bring their own instruments, voices, dogs and mates to make music over seven days structured around various stages of the process. DJs, politicians, musicians and theorists took part in the creation of the three tracks showcased here, ranging from the jiggly house of ‘Day Three’ to the rustling action and discordant keys of ‘Day Five’, and what sounds like a very lazy, hazy ‘Day Seven.’
Herbert presents the funky results of a seven day workshop in the carpentry of the Deutsche Opera Berlin
Working under a typically egalitarian politics, Herbert invited anyone interested to bring their own instruments, voices, dogs and mates to make music over seven days structured around various stages of the process. DJs, politicians, musicians and theorists took part in the creation of the three tracks showcased here, ranging from the jiggly house of ‘Day Three’ to the rustling action and discordant keys of ‘Day Five’, and what sounds like a very lazy, hazy ‘Day Seven.’
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Herbert presents the funky results of a seven day workshop in the carpentry of the Deutsche Opera Berlin
Working under a typically egalitarian politics, Herbert invited anyone interested to bring their own instruments, voices, dogs and mates to make music over seven days structured around various stages of the process. DJs, politicians, musicians and theorists took part in the creation of the three tracks showcased here, ranging from the jiggly house of ‘Day Three’ to the rustling action and discordant keys of ‘Day Five’, and what sounds like a very lazy, hazy ‘Day Seven.’