‘The Possessor Possesses Nothing’ is the steely, cinematic, sci-fi-styled new album by Sheela Rahman’s Xosar. It’s her 2nd (or 5th, if including self-released LPs) album and her most impressive, muscular and noisily psychedelic blend of Italo, techno, and industrial music
Since the start of this decade Xosar has toured the houses of Rush Hour, Pinkman, and Black Opal before arriving with Bedouin Records. She clearly feels comfortable in her new home to test out a more abrasive and even apocalyptic sound, resulting in some mighty highlights between her EBM girder ‘Heavens Gate’, the epic synth themes of ‘Transmogrification’ and ‘The Video’, and the wind tunnel disco drag of ‘Fantasmagoria’ and ‘Vibration Acceleration’, or the virulent writhe and hardcore pressure of ‘Pikachu Police State’.
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‘The Possessor Possesses Nothing’ is the steely, cinematic, sci-fi-styled new album by Sheela Rahman’s Xosar. It’s her 2nd (or 5th, if including self-released LPs) album and her most impressive, muscular and noisily psychedelic blend of Italo, techno, and industrial music
Since the start of this decade Xosar has toured the houses of Rush Hour, Pinkman, and Black Opal before arriving with Bedouin Records. She clearly feels comfortable in her new home to test out a more abrasive and even apocalyptic sound, resulting in some mighty highlights between her EBM girder ‘Heavens Gate’, the epic synth themes of ‘Transmogrification’ and ‘The Video’, and the wind tunnel disco drag of ‘Fantasmagoria’ and ‘Vibration Acceleration’, or the virulent writhe and hardcore pressure of ‘Pikachu Police State’.
‘The Possessor Possesses Nothing’ is the steely, cinematic, sci-fi-styled new album by Sheela Rahman’s Xosar. It’s her 2nd (or 5th, if including self-released LPs) album and her most impressive, muscular and noisily psychedelic blend of Italo, techno, and industrial music
Since the start of this decade Xosar has toured the houses of Rush Hour, Pinkman, and Black Opal before arriving with Bedouin Records. She clearly feels comfortable in her new home to test out a more abrasive and even apocalyptic sound, resulting in some mighty highlights between her EBM girder ‘Heavens Gate’, the epic synth themes of ‘Transmogrification’ and ‘The Video’, and the wind tunnel disco drag of ‘Fantasmagoria’ and ‘Vibration Acceleration’, or the virulent writhe and hardcore pressure of ‘Pikachu Police State’.
‘The Possessor Possesses Nothing’ is the steely, cinematic, sci-fi-styled new album by Sheela Rahman’s Xosar. It’s her 2nd (or 5th, if including self-released LPs) album and her most impressive, muscular and noisily psychedelic blend of Italo, techno, and industrial music
Since the start of this decade Xosar has toured the houses of Rush Hour, Pinkman, and Black Opal before arriving with Bedouin Records. She clearly feels comfortable in her new home to test out a more abrasive and even apocalyptic sound, resulting in some mighty highlights between her EBM girder ‘Heavens Gate’, the epic synth themes of ‘Transmogrification’ and ‘The Video’, and the wind tunnel disco drag of ‘Fantasmagoria’ and ‘Vibration Acceleration’, or the virulent writhe and hardcore pressure of ‘Pikachu Police State’.
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‘The Possessor Possesses Nothing’ is the steely, cinematic, sci-fi-styled new album by Sheela Rahman’s Xosar. It’s her 2nd (or 5th, if including self-released LPs) album and her most impressive, muscular and noisily psychedelic blend of Italo, techno, and industrial music
Since the start of this decade Xosar has toured the houses of Rush Hour, Pinkman, and Black Opal before arriving with Bedouin Records. She clearly feels comfortable in her new home to test out a more abrasive and even apocalyptic sound, resulting in some mighty highlights between her EBM girder ‘Heavens Gate’, the epic synth themes of ‘Transmogrification’ and ‘The Video’, and the wind tunnel disco drag of ‘Fantasmagoria’ and ‘Vibration Acceleration’, or the virulent writhe and hardcore pressure of ‘Pikachu Police State’.