Burnt Friedman
The Pestle
Boomkat Product Review:
Unique rhythm trips from pivotal Berlin player, Burnt Friedmann, following the vectors of his Masque / Penuche 12” for Risqué onto the Paris-based Latency label with six cuts hovering between the dance and bedroom ‘floors.
These tracks feel more smudged and ruffer ‘round the edges than the majority of his output to date for Nonplace, seeking out textured electronic noise and delivering some of the sharpest, technoid drum patterns in his entire catalogue.
We’re not too sure what the dates in the titles refer to - one might assume they’re newly finished sketches started in that year, but we’re really not sure. They start out fuzzy and jazz-wise with he gauzy dollop of 2011 Monkhide, and tentatively find firmer shape with the asymmetric dub fractions and keening neo-classical motifs of 2010 The Pestle, before spinning off the razor-clipped 2-step mechanics of 1999 Nerfs D’Acier, which ends up at something like a 2.1 step.
The biggest highlight, however, is 1996 Intrication, a spellbinding display of whirring trills diffused with mercurial FX and worth the admission alone for the DJs, while the more chiming, tender ambient and drone structures of 1994 Sorcier and 1993 Day In Rho certainly justify our theory about the dates.
No doubt the best we’ve heard from this artist in some time. Tip!
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Boomkat Product Review:
Unique rhythm trips from pivotal Berlin player, Burnt Friedmann, following the vectors of his Masque / Penuche 12” for Risqué onto the Paris-based Latency label with six cuts hovering between the dance and bedroom ‘floors.
These tracks feel more smudged and ruffer ‘round the edges than the majority of his output to date for Nonplace, seeking out textured electronic noise and delivering some of the sharpest, technoid drum patterns in his entire catalogue.
We’re not too sure what the dates in the titles refer to - one might assume they’re newly finished sketches started in that year, but we’re really not sure. They start out fuzzy and jazz-wise with he gauzy dollop of 2011 Monkhide, and tentatively find firmer shape with the asymmetric dub fractions and keening neo-classical motifs of 2010 The Pestle, before spinning off the razor-clipped 2-step mechanics of 1999 Nerfs D’Acier, which ends up at something like a 2.1 step.
The biggest highlight, however, is 1996 Intrication, a spellbinding display of whirring trills diffused with mercurial FX and worth the admission alone for the DJs, while the more chiming, tender ambient and drone structures of 1994 Sorcier and 1993 Day In Rho certainly justify our theory about the dates.
No doubt the best we’ve heard from this artist in some time. Tip!
Boomkat Product Review:
Unique rhythm trips from pivotal Berlin player, Burnt Friedmann, following the vectors of his Masque / Penuche 12” for Risqué onto the Paris-based Latency label with six cuts hovering between the dance and bedroom ‘floors.
These tracks feel more smudged and ruffer ‘round the edges than the majority of his output to date for Nonplace, seeking out textured electronic noise and delivering some of the sharpest, technoid drum patterns in his entire catalogue.
We’re not too sure what the dates in the titles refer to - one might assume they’re newly finished sketches started in that year, but we’re really not sure. They start out fuzzy and jazz-wise with he gauzy dollop of 2011 Monkhide, and tentatively find firmer shape with the asymmetric dub fractions and keening neo-classical motifs of 2010 The Pestle, before spinning off the razor-clipped 2-step mechanics of 1999 Nerfs D’Acier, which ends up at something like a 2.1 step.
The biggest highlight, however, is 1996 Intrication, a spellbinding display of whirring trills diffused with mercurial FX and worth the admission alone for the DJs, while the more chiming, tender ambient and drone structures of 1994 Sorcier and 1993 Day In Rho certainly justify our theory about the dates.
No doubt the best we’ve heard from this artist in some time. Tip!
Boomkat Product Review:
Unique rhythm trips from pivotal Berlin player, Burnt Friedmann, following the vectors of his Masque / Penuche 12” for Risqué onto the Paris-based Latency label with six cuts hovering between the dance and bedroom ‘floors.
These tracks feel more smudged and ruffer ‘round the edges than the majority of his output to date for Nonplace, seeking out textured electronic noise and delivering some of the sharpest, technoid drum patterns in his entire catalogue.
We’re not too sure what the dates in the titles refer to - one might assume they’re newly finished sketches started in that year, but we’re really not sure. They start out fuzzy and jazz-wise with he gauzy dollop of 2011 Monkhide, and tentatively find firmer shape with the asymmetric dub fractions and keening neo-classical motifs of 2010 The Pestle, before spinning off the razor-clipped 2-step mechanics of 1999 Nerfs D’Acier, which ends up at something like a 2.1 step.
The biggest highlight, however, is 1996 Intrication, a spellbinding display of whirring trills diffused with mercurial FX and worth the admission alone for the DJs, while the more chiming, tender ambient and drone structures of 1994 Sorcier and 1993 Day In Rho certainly justify our theory about the dates.
No doubt the best we’ve heard from this artist in some time. Tip!
180g vinyl housed in hand screen-printed jacket
Out of Stock
Boomkat Product Review:
Unique rhythm trips from pivotal Berlin player, Burnt Friedmann, following the vectors of his Masque / Penuche 12” for Risqué onto the Paris-based Latency label with six cuts hovering between the dance and bedroom ‘floors.
These tracks feel more smudged and ruffer ‘round the edges than the majority of his output to date for Nonplace, seeking out textured electronic noise and delivering some of the sharpest, technoid drum patterns in his entire catalogue.
We’re not too sure what the dates in the titles refer to - one might assume they’re newly finished sketches started in that year, but we’re really not sure. They start out fuzzy and jazz-wise with he gauzy dollop of 2011 Monkhide, and tentatively find firmer shape with the asymmetric dub fractions and keening neo-classical motifs of 2010 The Pestle, before spinning off the razor-clipped 2-step mechanics of 1999 Nerfs D’Acier, which ends up at something like a 2.1 step.
The biggest highlight, however, is 1996 Intrication, a spellbinding display of whirring trills diffused with mercurial FX and worth the admission alone for the DJs, while the more chiming, tender ambient and drone structures of 1994 Sorcier and 1993 Day In Rho certainly justify our theory about the dates.
No doubt the best we’ve heard from this artist in some time. Tip!
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