After the heat-hazy sensuality of Sideral (2014), which appeared on John Talbot’s DJ-Kicks selek, he remerges with Axel Boman as Talaboman for a textured, coolly buzzing debut LP of modern balearic grooves on R&S.
The Night Land catches both at their esoteric and psychedelic best, gently luring the listener into a crepuscular zone of lilting and chugging tribal percussion layered with a lattice of bird calls and hovering electronic drones in Midnattssol, which sets the scene for a magical narrative taking in E.M.A.K.-style electro waltz, Safe Changes, and the skanking Samsa before sweating out the salty melodies of Six Million Ways, and arriving at the Album’s pinnacle, an absorbingly lo-fi and trance-eyed beauty called Loser’s Hymn, then keeping everything percolated, aerated thru the kosmiche new age optimism of Brutal Chugga Chugga (which isn’t actually brutal at all), and the Ghost Box-compatible charms of Dins el Llit.
View more
After the heat-hazy sensuality of Sideral (2014), which appeared on John Talbot’s DJ-Kicks selek, he remerges with Axel Boman as Talaboman for a textured, coolly buzzing debut LP of modern balearic grooves on R&S.
The Night Land catches both at their esoteric and psychedelic best, gently luring the listener into a crepuscular zone of lilting and chugging tribal percussion layered with a lattice of bird calls and hovering electronic drones in Midnattssol, which sets the scene for a magical narrative taking in E.M.A.K.-style electro waltz, Safe Changes, and the skanking Samsa before sweating out the salty melodies of Six Million Ways, and arriving at the Album’s pinnacle, an absorbingly lo-fi and trance-eyed beauty called Loser’s Hymn, then keeping everything percolated, aerated thru the kosmiche new age optimism of Brutal Chugga Chugga (which isn’t actually brutal at all), and the Ghost Box-compatible charms of Dins el Llit.
After the heat-hazy sensuality of Sideral (2014), which appeared on John Talbot’s DJ-Kicks selek, he remerges with Axel Boman as Talaboman for a textured, coolly buzzing debut LP of modern balearic grooves on R&S.
The Night Land catches both at their esoteric and psychedelic best, gently luring the listener into a crepuscular zone of lilting and chugging tribal percussion layered with a lattice of bird calls and hovering electronic drones in Midnattssol, which sets the scene for a magical narrative taking in E.M.A.K.-style electro waltz, Safe Changes, and the skanking Samsa before sweating out the salty melodies of Six Million Ways, and arriving at the Album’s pinnacle, an absorbingly lo-fi and trance-eyed beauty called Loser’s Hymn, then keeping everything percolated, aerated thru the kosmiche new age optimism of Brutal Chugga Chugga (which isn’t actually brutal at all), and the Ghost Box-compatible charms of Dins el Llit.
After the heat-hazy sensuality of Sideral (2014), which appeared on John Talbot’s DJ-Kicks selek, he remerges with Axel Boman as Talaboman for a textured, coolly buzzing debut LP of modern balearic grooves on R&S.
The Night Land catches both at their esoteric and psychedelic best, gently luring the listener into a crepuscular zone of lilting and chugging tribal percussion layered with a lattice of bird calls and hovering electronic drones in Midnattssol, which sets the scene for a magical narrative taking in E.M.A.K.-style electro waltz, Safe Changes, and the skanking Samsa before sweating out the salty melodies of Six Million Ways, and arriving at the Album’s pinnacle, an absorbingly lo-fi and trance-eyed beauty called Loser’s Hymn, then keeping everything percolated, aerated thru the kosmiche new age optimism of Brutal Chugga Chugga (which isn’t actually brutal at all), and the Ghost Box-compatible charms of Dins el Llit.