High grade weaponry from Neville Watson, retuning his style with exhilarating, inexorable effect on his 2nd album and debut outing for DBA
While highly regarded as an upholder of old skool production values and style, Watson makes a break for the future with the technoid harvest of ‘The Midnight Orchard’, which contains the most abstract and driving gear we’ve ever heard from him.
He spends the first couple of tracks massaging your grey meat and matter with proper sci-fi modular spangles and tension-raising arps before locking in for the ride with ‘Anarcho Midnight’, a seriously powerful, offset roiler that will see a lot of play around our way, along with the album’s other big highlights, such as the pendulous, minimalist rinse of ‘Twin Tub’, the furiously wired gnash of ‘Dee Sides’, and the blinding hydraulics of ‘4am In The Trees’.
Together with its numerous black hole abstractions and lush moments like ‘We Own The Night’, this album is arguably one of the strongest techno-related LPs of the year, bar none.
View more
High grade weaponry from Neville Watson, retuning his style with exhilarating, inexorable effect on his 2nd album and debut outing for DBA
While highly regarded as an upholder of old skool production values and style, Watson makes a break for the future with the technoid harvest of ‘The Midnight Orchard’, which contains the most abstract and driving gear we’ve ever heard from him.
He spends the first couple of tracks massaging your grey meat and matter with proper sci-fi modular spangles and tension-raising arps before locking in for the ride with ‘Anarcho Midnight’, a seriously powerful, offset roiler that will see a lot of play around our way, along with the album’s other big highlights, such as the pendulous, minimalist rinse of ‘Twin Tub’, the furiously wired gnash of ‘Dee Sides’, and the blinding hydraulics of ‘4am In The Trees’.
Together with its numerous black hole abstractions and lush moments like ‘We Own The Night’, this album is arguably one of the strongest techno-related LPs of the year, bar none.
High grade weaponry from Neville Watson, retuning his style with exhilarating, inexorable effect on his 2nd album and debut outing for DBA
While highly regarded as an upholder of old skool production values and style, Watson makes a break for the future with the technoid harvest of ‘The Midnight Orchard’, which contains the most abstract and driving gear we’ve ever heard from him.
He spends the first couple of tracks massaging your grey meat and matter with proper sci-fi modular spangles and tension-raising arps before locking in for the ride with ‘Anarcho Midnight’, a seriously powerful, offset roiler that will see a lot of play around our way, along with the album’s other big highlights, such as the pendulous, minimalist rinse of ‘Twin Tub’, the furiously wired gnash of ‘Dee Sides’, and the blinding hydraulics of ‘4am In The Trees’.
Together with its numerous black hole abstractions and lush moments like ‘We Own The Night’, this album is arguably one of the strongest techno-related LPs of the year, bar none.
High grade weaponry from Neville Watson, retuning his style with exhilarating, inexorable effect on his 2nd album and debut outing for DBA
While highly regarded as an upholder of old skool production values and style, Watson makes a break for the future with the technoid harvest of ‘The Midnight Orchard’, which contains the most abstract and driving gear we’ve ever heard from him.
He spends the first couple of tracks massaging your grey meat and matter with proper sci-fi modular spangles and tension-raising arps before locking in for the ride with ‘Anarcho Midnight’, a seriously powerful, offset roiler that will see a lot of play around our way, along with the album’s other big highlights, such as the pendulous, minimalist rinse of ‘Twin Tub’, the furiously wired gnash of ‘Dee Sides’, and the blinding hydraulics of ‘4am In The Trees’.
Together with its numerous black hole abstractions and lush moments like ‘We Own The Night’, this album is arguably one of the strongest techno-related LPs of the year, bar none.
Available To Order (Estimated Shipping between 3-7 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
High grade weaponry from Neville Watson, retuning his style with exhilarating, inexorable effect on his 2nd album and debut outing for DBA
While highly regarded as an upholder of old skool production values and style, Watson makes a break for the future with the technoid harvest of ‘The Midnight Orchard’, which contains the most abstract and driving gear we’ve ever heard from him.
He spends the first couple of tracks massaging your grey meat and matter with proper sci-fi modular spangles and tension-raising arps before locking in for the ride with ‘Anarcho Midnight’, a seriously powerful, offset roiler that will see a lot of play around our way, along with the album’s other big highlights, such as the pendulous, minimalist rinse of ‘Twin Tub’, the furiously wired gnash of ‘Dee Sides’, and the blinding hydraulics of ‘4am In The Trees’.
Together with its numerous black hole abstractions and lush moments like ‘We Own The Night’, this album is arguably one of the strongest techno-related LPs of the year, bar none.