The Many Hands Of God
MOMA Ready aka Gallery S feels the jungle fever in typically tenacious style for his hotly touted label, House of Altr
Pitched a year on from his debut under this alias, Gallery S’ 2nd batch bruks out around the 160bpm sound barrier in nine choppy, dextrous workouts that aren’t simply a reenactment of the ‘90s style, but rather a crafty new iteration spliced with influence from Juke/Footwork as much as deep house and jazz.
He mostly favours a nimble style of choppage recalling mid ‘90s Bukem styles, replete with plush pads, samples and atmospheres, but he’s at best when doing things you wouldn’t necessarily hear in an old skool cut, like with the strangely tangled breaks of ‘The Mastermind Effect’, or with the precision pinched flex of ‘Goddess Veil’, with other standouts in the breakbeat origami of ‘Future Parallel’, and a superb depth charge titled ‘Many Hands’ vividly recalling Colin Lindo’s classic Alpha Omega cuts on Reinforced.
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MOMA Ready aka Gallery S feels the jungle fever in typically tenacious style for his hotly touted label, House of Altr
Pitched a year on from his debut under this alias, Gallery S’ 2nd batch bruks out around the 160bpm sound barrier in nine choppy, dextrous workouts that aren’t simply a reenactment of the ‘90s style, but rather a crafty new iteration spliced with influence from Juke/Footwork as much as deep house and jazz.
He mostly favours a nimble style of choppage recalling mid ‘90s Bukem styles, replete with plush pads, samples and atmospheres, but he’s at best when doing things you wouldn’t necessarily hear in an old skool cut, like with the strangely tangled breaks of ‘The Mastermind Effect’, or with the precision pinched flex of ‘Goddess Veil’, with other standouts in the breakbeat origami of ‘Future Parallel’, and a superb depth charge titled ‘Many Hands’ vividly recalling Colin Lindo’s classic Alpha Omega cuts on Reinforced.
MOMA Ready aka Gallery S feels the jungle fever in typically tenacious style for his hotly touted label, House of Altr
Pitched a year on from his debut under this alias, Gallery S’ 2nd batch bruks out around the 160bpm sound barrier in nine choppy, dextrous workouts that aren’t simply a reenactment of the ‘90s style, but rather a crafty new iteration spliced with influence from Juke/Footwork as much as deep house and jazz.
He mostly favours a nimble style of choppage recalling mid ‘90s Bukem styles, replete with plush pads, samples and atmospheres, but he’s at best when doing things you wouldn’t necessarily hear in an old skool cut, like with the strangely tangled breaks of ‘The Mastermind Effect’, or with the precision pinched flex of ‘Goddess Veil’, with other standouts in the breakbeat origami of ‘Future Parallel’, and a superb depth charge titled ‘Many Hands’ vividly recalling Colin Lindo’s classic Alpha Omega cuts on Reinforced.
MOMA Ready aka Gallery S feels the jungle fever in typically tenacious style for his hotly touted label, House of Altr
Pitched a year on from his debut under this alias, Gallery S’ 2nd batch bruks out around the 160bpm sound barrier in nine choppy, dextrous workouts that aren’t simply a reenactment of the ‘90s style, but rather a crafty new iteration spliced with influence from Juke/Footwork as much as deep house and jazz.
He mostly favours a nimble style of choppage recalling mid ‘90s Bukem styles, replete with plush pads, samples and atmospheres, but he’s at best when doing things you wouldn’t necessarily hear in an old skool cut, like with the strangely tangled breaks of ‘The Mastermind Effect’, or with the precision pinched flex of ‘Goddess Veil’, with other standouts in the breakbeat origami of ‘Future Parallel’, and a superb depth charge titled ‘Many Hands’ vividly recalling Colin Lindo’s classic Alpha Omega cuts on Reinforced.