The Living World's Demands
Punjabi-American sitar player, vocalist and ambient musician Ami Dang returns to Leaving Records for another fractured fusion of North Indian classical music and edgy euphoric pop. Somewhere between Grimes, Björk and arushi jain.
While Ami Dang's Leaving debut "Parted Plains" showcased her experimental side with a suite of electronic ambient tracks that fused Indian elements with synthesized bleeps and textures, 2020's Galdre Visions project linked her with Diva Dompe, Nailah Hunter and Olive Ardizoni (aka Green House) and explored the outer realms of pop. "The Living World's Demands" unifies her wide range of interests, showcasing both her production skills, sitar playing, and vocals (in English and Punjabi). The songs are poppy, but never shy from their South Asian inspirations.
Dang's vocals are the key here - she studied voice and sitar in New Deli and Maryland, and her classical training gives her an edge. It's an unexpected mix of sounds, but makes sense on Leaving Records, who have been searching for the malleable and permeable membrane between global genres for years now. If you've been uninspired by Björk's recent forays into gabber and mushroom logic, this record should re-invigorate the senses.
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Punjabi-American sitar player, vocalist and ambient musician Ami Dang returns to Leaving Records for another fractured fusion of North Indian classical music and edgy euphoric pop. Somewhere between Grimes, Björk and arushi jain.
While Ami Dang's Leaving debut "Parted Plains" showcased her experimental side with a suite of electronic ambient tracks that fused Indian elements with synthesized bleeps and textures, 2020's Galdre Visions project linked her with Diva Dompe, Nailah Hunter and Olive Ardizoni (aka Green House) and explored the outer realms of pop. "The Living World's Demands" unifies her wide range of interests, showcasing both her production skills, sitar playing, and vocals (in English and Punjabi). The songs are poppy, but never shy from their South Asian inspirations.
Dang's vocals are the key here - she studied voice and sitar in New Deli and Maryland, and her classical training gives her an edge. It's an unexpected mix of sounds, but makes sense on Leaving Records, who have been searching for the malleable and permeable membrane between global genres for years now. If you've been uninspired by Björk's recent forays into gabber and mushroom logic, this record should re-invigorate the senses.
Punjabi-American sitar player, vocalist and ambient musician Ami Dang returns to Leaving Records for another fractured fusion of North Indian classical music and edgy euphoric pop. Somewhere between Grimes, Björk and arushi jain.
While Ami Dang's Leaving debut "Parted Plains" showcased her experimental side with a suite of electronic ambient tracks that fused Indian elements with synthesized bleeps and textures, 2020's Galdre Visions project linked her with Diva Dompe, Nailah Hunter and Olive Ardizoni (aka Green House) and explored the outer realms of pop. "The Living World's Demands" unifies her wide range of interests, showcasing both her production skills, sitar playing, and vocals (in English and Punjabi). The songs are poppy, but never shy from their South Asian inspirations.
Dang's vocals are the key here - she studied voice and sitar in New Deli and Maryland, and her classical training gives her an edge. It's an unexpected mix of sounds, but makes sense on Leaving Records, who have been searching for the malleable and permeable membrane between global genres for years now. If you've been uninspired by Björk's recent forays into gabber and mushroom logic, this record should re-invigorate the senses.
Punjabi-American sitar player, vocalist and ambient musician Ami Dang returns to Leaving Records for another fractured fusion of North Indian classical music and edgy euphoric pop. Somewhere between Grimes, Björk and arushi jain.
While Ami Dang's Leaving debut "Parted Plains" showcased her experimental side with a suite of electronic ambient tracks that fused Indian elements with synthesized bleeps and textures, 2020's Galdre Visions project linked her with Diva Dompe, Nailah Hunter and Olive Ardizoni (aka Green House) and explored the outer realms of pop. "The Living World's Demands" unifies her wide range of interests, showcasing both her production skills, sitar playing, and vocals (in English and Punjabi). The songs are poppy, but never shy from their South Asian inspirations.
Dang's vocals are the key here - she studied voice and sitar in New Deli and Maryland, and her classical training gives her an edge. It's an unexpected mix of sounds, but makes sense on Leaving Records, who have been searching for the malleable and permeable membrane between global genres for years now. If you've been uninspired by Björk's recent forays into gabber and mushroom logic, this record should re-invigorate the senses.
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Punjabi-American sitar player, vocalist and ambient musician Ami Dang returns to Leaving Records for another fractured fusion of North Indian classical music and edgy euphoric pop. Somewhere between Grimes, Björk and arushi jain.
While Ami Dang's Leaving debut "Parted Plains" showcased her experimental side with a suite of electronic ambient tracks that fused Indian elements with synthesized bleeps and textures, 2020's Galdre Visions project linked her with Diva Dompe, Nailah Hunter and Olive Ardizoni (aka Green House) and explored the outer realms of pop. "The Living World's Demands" unifies her wide range of interests, showcasing both her production skills, sitar playing, and vocals (in English and Punjabi). The songs are poppy, but never shy from their South Asian inspirations.
Dang's vocals are the key here - she studied voice and sitar in New Deli and Maryland, and her classical training gives her an edge. It's an unexpected mix of sounds, but makes sense on Leaving Records, who have been searching for the malleable and permeable membrane between global genres for years now. If you've been uninspired by Björk's recent forays into gabber and mushroom logic, this record should re-invigorate the senses.