Boomkat Product Review:
First original Kode 9 trax since 2015! The Hyperdub boss makes up for lost time with two sharp shots of mutant juke chicanery at the front of 2021
To be fair he’s not been quiet over the intervening years, issuing everything from remixes of classic computer game music to rare dubs off his Katasonix label (run with Mark Fisher), but ‘The Jackpot EP’ firmly makes up for a lack of new solo gear with two upfront and elusive workouts that read the pulse of the times.
His title cut is a full frontal raver, channelling 30 years of futurist dancefloor energy into a bucking form of ghetto-tech that rolls off-the-bone between slamming 4/4 and drill-style swag, twysted with shearing chromatic synths. However, ‘Rona City Blues’ is the one for us, applying vapourized synth thizz to skeletal percussion and heart-racing subs in a wickedly tense, but barely there, mutation of early footwork-juke and the up-to-the-second styles also explored by Rian Treanor or 33EMYBW.