Boomkat Product Review:
Oblique, intense and spirit-gnawing electro-acoustic exercises from The Skull Defekts founder / Ideal head honcho Joachim Nordwall, presenting a brilliantly stark album of direct and gnarly Machine energy that comes highly recommended if you're into anything from Pan Sonic to Alessandro Cortini, Deathprod or Emptyset. So good.
Working with a bunch of tone generators fed thru a massive wall of amps at Elementstudion in Gothenburg, Nordwall isolates and fearlessly homes in on the recording space’s resonant frequencies until you can physically feel the room grinding, whining and shuddering in the kind of spasms that arch the spine and set your back teeth on edge. And he does it relentlessly for the whole record.
It’s what Nordwall in December, 2016 described as “…my ideal black. A place I enjoy to place myself in” and, by turns, appears to be a place we enjoy inhabiting, too. There’s really a lot to be said for the unadulterated pleasure of sustained atonal assaults, and feeling like you’re about to be asphyxiated from the sheer pressure of it all.
The only steady variable in this elemental organism is the sense of rhythm; a metric, pulsing heave that keeps each piece’s tangibly immense weight pushing forward from the crack’d slap of a drum that pins The Ideal Black into place, to the quasi-step lurch of Great Mind of Fire, thru the Alessandro Cortini-Like impulse of Extreme Solution for a Simple Problem to the palsied, cog-ground rattle of System For Psychic Expansion and Black Out at its nether limits.
In the rarest way, thanks to Joachim’s direct approach, the mixing of Linus Andersson, and Heba Kadry’s master at Timeless Mastering, Bushwick, The Ideal Black is about as close as you’ll hear to a 1-to-1 representation of pure, crushing tonal terror. A character-building exercise strongly tipped if you like the biting point sounds of: Kevin Drumm, Alessandro Cortini, Emptyset, Gottfried Michael Koenig