The Hidden Side
Dark Entries sift farther B-sides and unreleased gold from the early years of Belgium’s brilliant but sorely overlooked EBM and cold wave pioneers, siblings Jean-Marc & Pierre Pauly aka Parade Ground - RIYL Eyeless In Gaza, early DIJ, Front 242, New Order
Marching back to the label following the key early entry of ‘Golden Years’ in 2011, this 2nd Parade Ground survey rakes a certain seam of formative, mid ‘80s Belgian brilliance that has become a staple of the darkwave and body music make-up. Deriving from chance meeting with Front 242’s Daniel B and Patrick Codenys in ’82, the brothers Pauly would seed some of EBM and coldwave synth-pop’s most infectious hooks and program the muscle memory for decades to come, making many of their B-sides just as valuable as the lead trax of others.
‘The Hidden Side’ reveals the charms of 12”s that had slipped into obscurity for one reason or another - price, scarcity, whatever - hailing the sort of new wave pop melodrama comparable to Eyeless in Gaza on ‘Riddle in the Stained Window’ and ‘When the Fever Stops’, from their debut 7” of 1983, or icy man-machine jags that split the difference between New Order and Dopplereffekt in the likes of ‘This Luxury’ and ’The Net’ from 1984’s ‘Man in a Trance’ 12”.
Aside the sharp-elbowed reminders of their off-peak aces, the set also hustles two exclusive aces, namely the noisy freakout ‘Looking Througg Keyholes’ that pushes their fangs deep into the red with killer bassline and venomous distortion, and the angular perks of ‘Marble Mind’, a strong showcase of Jean-Marc’s expressive voice for the ages.
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Dark Entries sift farther B-sides and unreleased gold from the early years of Belgium’s brilliant but sorely overlooked EBM and cold wave pioneers, siblings Jean-Marc & Pierre Pauly aka Parade Ground - RIYL Eyeless In Gaza, early DIJ, Front 242, New Order
Marching back to the label following the key early entry of ‘Golden Years’ in 2011, this 2nd Parade Ground survey rakes a certain seam of formative, mid ‘80s Belgian brilliance that has become a staple of the darkwave and body music make-up. Deriving from chance meeting with Front 242’s Daniel B and Patrick Codenys in ’82, the brothers Pauly would seed some of EBM and coldwave synth-pop’s most infectious hooks and program the muscle memory for decades to come, making many of their B-sides just as valuable as the lead trax of others.
‘The Hidden Side’ reveals the charms of 12”s that had slipped into obscurity for one reason or another - price, scarcity, whatever - hailing the sort of new wave pop melodrama comparable to Eyeless in Gaza on ‘Riddle in the Stained Window’ and ‘When the Fever Stops’, from their debut 7” of 1983, or icy man-machine jags that split the difference between New Order and Dopplereffekt in the likes of ‘This Luxury’ and ’The Net’ from 1984’s ‘Man in a Trance’ 12”.
Aside the sharp-elbowed reminders of their off-peak aces, the set also hustles two exclusive aces, namely the noisy freakout ‘Looking Througg Keyholes’ that pushes their fangs deep into the red with killer bassline and venomous distortion, and the angular perks of ‘Marble Mind’, a strong showcase of Jean-Marc’s expressive voice for the ages.
Dark Entries sift farther B-sides and unreleased gold from the early years of Belgium’s brilliant but sorely overlooked EBM and cold wave pioneers, siblings Jean-Marc & Pierre Pauly aka Parade Ground - RIYL Eyeless In Gaza, early DIJ, Front 242, New Order
Marching back to the label following the key early entry of ‘Golden Years’ in 2011, this 2nd Parade Ground survey rakes a certain seam of formative, mid ‘80s Belgian brilliance that has become a staple of the darkwave and body music make-up. Deriving from chance meeting with Front 242’s Daniel B and Patrick Codenys in ’82, the brothers Pauly would seed some of EBM and coldwave synth-pop’s most infectious hooks and program the muscle memory for decades to come, making many of their B-sides just as valuable as the lead trax of others.
‘The Hidden Side’ reveals the charms of 12”s that had slipped into obscurity for one reason or another - price, scarcity, whatever - hailing the sort of new wave pop melodrama comparable to Eyeless in Gaza on ‘Riddle in the Stained Window’ and ‘When the Fever Stops’, from their debut 7” of 1983, or icy man-machine jags that split the difference between New Order and Dopplereffekt in the likes of ‘This Luxury’ and ’The Net’ from 1984’s ‘Man in a Trance’ 12”.
Aside the sharp-elbowed reminders of their off-peak aces, the set also hustles two exclusive aces, namely the noisy freakout ‘Looking Througg Keyholes’ that pushes their fangs deep into the red with killer bassline and venomous distortion, and the angular perks of ‘Marble Mind’, a strong showcase of Jean-Marc’s expressive voice for the ages.
Dark Entries sift farther B-sides and unreleased gold from the early years of Belgium’s brilliant but sorely overlooked EBM and cold wave pioneers, siblings Jean-Marc & Pierre Pauly aka Parade Ground - RIYL Eyeless In Gaza, early DIJ, Front 242, New Order
Marching back to the label following the key early entry of ‘Golden Years’ in 2011, this 2nd Parade Ground survey rakes a certain seam of formative, mid ‘80s Belgian brilliance that has become a staple of the darkwave and body music make-up. Deriving from chance meeting with Front 242’s Daniel B and Patrick Codenys in ’82, the brothers Pauly would seed some of EBM and coldwave synth-pop’s most infectious hooks and program the muscle memory for decades to come, making many of their B-sides just as valuable as the lead trax of others.
‘The Hidden Side’ reveals the charms of 12”s that had slipped into obscurity for one reason or another - price, scarcity, whatever - hailing the sort of new wave pop melodrama comparable to Eyeless in Gaza on ‘Riddle in the Stained Window’ and ‘When the Fever Stops’, from their debut 7” of 1983, or icy man-machine jags that split the difference between New Order and Dopplereffekt in the likes of ‘This Luxury’ and ’The Net’ from 1984’s ‘Man in a Trance’ 12”.
Aside the sharp-elbowed reminders of their off-peak aces, the set also hustles two exclusive aces, namely the noisy freakout ‘Looking Througg Keyholes’ that pushes their fangs deep into the red with killer bassline and venomous distortion, and the angular perks of ‘Marble Mind’, a strong showcase of Jean-Marc’s expressive voice for the ages.
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Dark Entries sift farther B-sides and unreleased gold from the early years of Belgium’s brilliant but sorely overlooked EBM and cold wave pioneers, siblings Jean-Marc & Pierre Pauly aka Parade Ground - RIYL Eyeless In Gaza, early DIJ, Front 242, New Order
Marching back to the label following the key early entry of ‘Golden Years’ in 2011, this 2nd Parade Ground survey rakes a certain seam of formative, mid ‘80s Belgian brilliance that has become a staple of the darkwave and body music make-up. Deriving from chance meeting with Front 242’s Daniel B and Patrick Codenys in ’82, the brothers Pauly would seed some of EBM and coldwave synth-pop’s most infectious hooks and program the muscle memory for decades to come, making many of their B-sides just as valuable as the lead trax of others.
‘The Hidden Side’ reveals the charms of 12”s that had slipped into obscurity for one reason or another - price, scarcity, whatever - hailing the sort of new wave pop melodrama comparable to Eyeless in Gaza on ‘Riddle in the Stained Window’ and ‘When the Fever Stops’, from their debut 7” of 1983, or icy man-machine jags that split the difference between New Order and Dopplereffekt in the likes of ‘This Luxury’ and ’The Net’ from 1984’s ‘Man in a Trance’ 12”.
Aside the sharp-elbowed reminders of their off-peak aces, the set also hustles two exclusive aces, namely the noisy freakout ‘Looking Througg Keyholes’ that pushes their fangs deep into the red with killer bassline and venomous distortion, and the angular perks of ‘Marble Mind’, a strong showcase of Jean-Marc’s expressive voice for the ages.