The Black Dog go back to basics on 'The Grey Album', casting their minds back to a simpler time when Cabaret Voltaire and Human League were drawing eyes towards Sheffield.
While writing 'The Grey Album', Ken Downie, Martin Dust and Richard Dust tried to remember the era's limitations - working with just one synth each and limiting the use of computers. The process led to some of their most impressive productions for ages, focused bleep odysseys that replace overcomplicated rhythms and layered synths with sparse, sci-fi drones and spacious beatbox pulses. And while their bolshiest dancefloor moments - like the minimal banger 'Harder Times' the pounding, euphoric 'Empire Statement Humanoid' - might draw most praise, it's the dubby, downtempo tracks like '98 Russell Street' that have our full attention.
View more
The Black Dog go back to basics on 'The Grey Album', casting their minds back to a simpler time when Cabaret Voltaire and Human League were drawing eyes towards Sheffield.
While writing 'The Grey Album', Ken Downie, Martin Dust and Richard Dust tried to remember the era's limitations - working with just one synth each and limiting the use of computers. The process led to some of their most impressive productions for ages, focused bleep odysseys that replace overcomplicated rhythms and layered synths with sparse, sci-fi drones and spacious beatbox pulses. And while their bolshiest dancefloor moments - like the minimal banger 'Harder Times' the pounding, euphoric 'Empire Statement Humanoid' - might draw most praise, it's the dubby, downtempo tracks like '98 Russell Street' that have our full attention.
The Black Dog go back to basics on 'The Grey Album', casting their minds back to a simpler time when Cabaret Voltaire and Human League were drawing eyes towards Sheffield.
While writing 'The Grey Album', Ken Downie, Martin Dust and Richard Dust tried to remember the era's limitations - working with just one synth each and limiting the use of computers. The process led to some of their most impressive productions for ages, focused bleep odysseys that replace overcomplicated rhythms and layered synths with sparse, sci-fi drones and spacious beatbox pulses. And while their bolshiest dancefloor moments - like the minimal banger 'Harder Times' the pounding, euphoric 'Empire Statement Humanoid' - might draw most praise, it's the dubby, downtempo tracks like '98 Russell Street' that have our full attention.
The Black Dog go back to basics on 'The Grey Album', casting their minds back to a simpler time when Cabaret Voltaire and Human League were drawing eyes towards Sheffield.
While writing 'The Grey Album', Ken Downie, Martin Dust and Richard Dust tried to remember the era's limitations - working with just one synth each and limiting the use of computers. The process led to some of their most impressive productions for ages, focused bleep odysseys that replace overcomplicated rhythms and layered synths with sparse, sci-fi drones and spacious beatbox pulses. And while their bolshiest dancefloor moments - like the minimal banger 'Harder Times' the pounding, euphoric 'Empire Statement Humanoid' - might draw most praise, it's the dubby, downtempo tracks like '98 Russell Street' that have our full attention.