The Garden
The modern duchess of lo-fi dirge pop presents a sort of partner piece to her widely adored debut LP, You Know What It’s Like with four wistful songs distilling the spirits of post-punk and eerie chamber music.
We’ll cut to the chase, it’s pretty much all about the title track, The Garden, which operates shades away from the much cleaner output of CS + Kreme, but shares much in common with their dusky beauty, and of course distinguished by her sylvan vocals, phosphorescing from a lapping haze of tape noise and distant, quietly breathing synth figures that could happily loop off for twice the length.
The rest is lovely, too but we strongly recommend starting at the back and working your way in.
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The modern duchess of lo-fi dirge pop presents a sort of partner piece to her widely adored debut LP, You Know What It’s Like with four wistful songs distilling the spirits of post-punk and eerie chamber music.
We’ll cut to the chase, it’s pretty much all about the title track, The Garden, which operates shades away from the much cleaner output of CS + Kreme, but shares much in common with their dusky beauty, and of course distinguished by her sylvan vocals, phosphorescing from a lapping haze of tape noise and distant, quietly breathing synth figures that could happily loop off for twice the length.
The rest is lovely, too but we strongly recommend starting at the back and working your way in.
The modern duchess of lo-fi dirge pop presents a sort of partner piece to her widely adored debut LP, You Know What It’s Like with four wistful songs distilling the spirits of post-punk and eerie chamber music.
We’ll cut to the chase, it’s pretty much all about the title track, The Garden, which operates shades away from the much cleaner output of CS + Kreme, but shares much in common with their dusky beauty, and of course distinguished by her sylvan vocals, phosphorescing from a lapping haze of tape noise and distant, quietly breathing synth figures that could happily loop off for twice the length.
The rest is lovely, too but we strongly recommend starting at the back and working your way in.
The modern duchess of lo-fi dirge pop presents a sort of partner piece to her widely adored debut LP, You Know What It’s Like with four wistful songs distilling the spirits of post-punk and eerie chamber music.
We’ll cut to the chase, it’s pretty much all about the title track, The Garden, which operates shades away from the much cleaner output of CS + Kreme, but shares much in common with their dusky beauty, and of course distinguished by her sylvan vocals, phosphorescing from a lapping haze of tape noise and distant, quietly breathing synth figures that could happily loop off for twice the length.
The rest is lovely, too but we strongly recommend starting at the back and working your way in.
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The modern duchess of lo-fi dirge pop presents a sort of partner piece to her widely adored debut LP, You Know What It’s Like with four wistful songs distilling the spirits of post-punk and eerie chamber music.
We’ll cut to the chase, it’s pretty much all about the title track, The Garden, which operates shades away from the much cleaner output of CS + Kreme, but shares much in common with their dusky beauty, and of course distinguished by her sylvan vocals, phosphorescing from a lapping haze of tape noise and distant, quietly breathing synth figures that could happily loop off for twice the length.
The rest is lovely, too but we strongly recommend starting at the back and working your way in.