For their first solo outing since 2015, Rrose plumbs the depths of the technosphere in three parts for the Eaux label.
We can think of few other artist so persistently, intently pushing the prism of modern techno as Rrose does right here, firstly exploring the body boneless with the jellyfish form of The Smallest Footprints and then with the chokingly immersive brownian dynamics of The Ends of Weather, before slicing into the ‘floor proper with the martial whirrs and plasmic propulsion system of Nest Of Queens across the B-side.
This one’s strong. No messing.
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For their first solo outing since 2015, Rrose plumbs the depths of the technosphere in three parts for the Eaux label.
We can think of few other artist so persistently, intently pushing the prism of modern techno as Rrose does right here, firstly exploring the body boneless with the jellyfish form of The Smallest Footprints and then with the chokingly immersive brownian dynamics of The Ends of Weather, before slicing into the ‘floor proper with the martial whirrs and plasmic propulsion system of Nest Of Queens across the B-side.
This one’s strong. No messing.
For their first solo outing since 2015, Rrose plumbs the depths of the technosphere in three parts for the Eaux label.
We can think of few other artist so persistently, intently pushing the prism of modern techno as Rrose does right here, firstly exploring the body boneless with the jellyfish form of The Smallest Footprints and then with the chokingly immersive brownian dynamics of The Ends of Weather, before slicing into the ‘floor proper with the martial whirrs and plasmic propulsion system of Nest Of Queens across the B-side.
This one’s strong. No messing.
For their first solo outing since 2015, Rrose plumbs the depths of the technosphere in three parts for the Eaux label.
We can think of few other artist so persistently, intently pushing the prism of modern techno as Rrose does right here, firstly exploring the body boneless with the jellyfish form of The Smallest Footprints and then with the chokingly immersive brownian dynamics of The Ends of Weather, before slicing into the ‘floor proper with the martial whirrs and plasmic propulsion system of Nest Of Queens across the B-side.
This one’s strong. No messing.
Black vinyl repress.
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For their first solo outing since 2015, Rrose plumbs the depths of the technosphere in three parts for the Eaux label.
We can think of few other artist so persistently, intently pushing the prism of modern techno as Rrose does right here, firstly exploring the body boneless with the jellyfish form of The Smallest Footprints and then with the chokingly immersive brownian dynamics of The Ends of Weather, before slicing into the ‘floor proper with the martial whirrs and plasmic propulsion system of Nest Of Queens across the B-side.
This one’s strong. No messing.