Cult synthesist Pye Corner Audio returns to spiritual home Ghost Box with a 5th album of increasingly soundtrack-like themes that betrays a carried-over influence of his work on scores for Adam Curtis’ HyperNormalisation and TV dramas for Netflix and Sky
A longtime fave for his ability to evince a fine spectra of emotions from his arsenal of analogue circuits, Martin Jenkins music has irrevocably coloured many listening lives since his self-released 2010 debut and a split with The Advisory Circle that led to his classic ’Superstitious century’ for our Boomkat Editions a decade ago. Back on the house of hauntology Ghost Box with ‘The Endless Echo’, PCA works to a deeply furtive, noirish brief that plays out like a personal commission to score the movie in his imagination.
A tense opening shriek of synth strings escalate and calve away to his signature, sleazy kerb-crawl momentum and spine-freezing synth wow-and-flutter in ‘Decision Point’ , setting up a satisfying hour-long episode that takes in the weightless romance of ‘Lacunae’, a sumptuous slow mo pearl ‘On the Clock’ and purring deep disco drive in ‘Chronos’. As ever with his gear, the textured synthesis and evocative wooze of ‘Written in water; is surely comparable with BoC, and but we also find him at grips with more robust club forms in the effortless Detroit-esque gait of ‘Deeptime’, before spiralling off into backlit mists on ‘Unremembered’.
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Cult synthesist Pye Corner Audio returns to spiritual home Ghost Box with a 5th album of increasingly soundtrack-like themes that betrays a carried-over influence of his work on scores for Adam Curtis’ HyperNormalisation and TV dramas for Netflix and Sky
A longtime fave for his ability to evince a fine spectra of emotions from his arsenal of analogue circuits, Martin Jenkins music has irrevocably coloured many listening lives since his self-released 2010 debut and a split with The Advisory Circle that led to his classic ’Superstitious century’ for our Boomkat Editions a decade ago. Back on the house of hauntology Ghost Box with ‘The Endless Echo’, PCA works to a deeply furtive, noirish brief that plays out like a personal commission to score the movie in his imagination.
A tense opening shriek of synth strings escalate and calve away to his signature, sleazy kerb-crawl momentum and spine-freezing synth wow-and-flutter in ‘Decision Point’ , setting up a satisfying hour-long episode that takes in the weightless romance of ‘Lacunae’, a sumptuous slow mo pearl ‘On the Clock’ and purring deep disco drive in ‘Chronos’. As ever with his gear, the textured synthesis and evocative wooze of ‘Written in water; is surely comparable with BoC, and but we also find him at grips with more robust club forms in the effortless Detroit-esque gait of ‘Deeptime’, before spiralling off into backlit mists on ‘Unremembered’.
Cult synthesist Pye Corner Audio returns to spiritual home Ghost Box with a 5th album of increasingly soundtrack-like themes that betrays a carried-over influence of his work on scores for Adam Curtis’ HyperNormalisation and TV dramas for Netflix and Sky
A longtime fave for his ability to evince a fine spectra of emotions from his arsenal of analogue circuits, Martin Jenkins music has irrevocably coloured many listening lives since his self-released 2010 debut and a split with The Advisory Circle that led to his classic ’Superstitious century’ for our Boomkat Editions a decade ago. Back on the house of hauntology Ghost Box with ‘The Endless Echo’, PCA works to a deeply furtive, noirish brief that plays out like a personal commission to score the movie in his imagination.
A tense opening shriek of synth strings escalate and calve away to his signature, sleazy kerb-crawl momentum and spine-freezing synth wow-and-flutter in ‘Decision Point’ , setting up a satisfying hour-long episode that takes in the weightless romance of ‘Lacunae’, a sumptuous slow mo pearl ‘On the Clock’ and purring deep disco drive in ‘Chronos’. As ever with his gear, the textured synthesis and evocative wooze of ‘Written in water; is surely comparable with BoC, and but we also find him at grips with more robust club forms in the effortless Detroit-esque gait of ‘Deeptime’, before spiralling off into backlit mists on ‘Unremembered’.
Cult synthesist Pye Corner Audio returns to spiritual home Ghost Box with a 5th album of increasingly soundtrack-like themes that betrays a carried-over influence of his work on scores for Adam Curtis’ HyperNormalisation and TV dramas for Netflix and Sky
A longtime fave for his ability to evince a fine spectra of emotions from his arsenal of analogue circuits, Martin Jenkins music has irrevocably coloured many listening lives since his self-released 2010 debut and a split with The Advisory Circle that led to his classic ’Superstitious century’ for our Boomkat Editions a decade ago. Back on the house of hauntology Ghost Box with ‘The Endless Echo’, PCA works to a deeply furtive, noirish brief that plays out like a personal commission to score the movie in his imagination.
A tense opening shriek of synth strings escalate and calve away to his signature, sleazy kerb-crawl momentum and spine-freezing synth wow-and-flutter in ‘Decision Point’ , setting up a satisfying hour-long episode that takes in the weightless romance of ‘Lacunae’, a sumptuous slow mo pearl ‘On the Clock’ and purring deep disco drive in ‘Chronos’. As ever with his gear, the textured synthesis and evocative wooze of ‘Written in water; is surely comparable with BoC, and but we also find him at grips with more robust club forms in the effortless Detroit-esque gait of ‘Deeptime’, before spiralling off into backlit mists on ‘Unremembered’.
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Cult synthesist Pye Corner Audio returns to spiritual home Ghost Box with a 5th album of increasingly soundtrack-like themes that betrays a carried-over influence of his work on scores for Adam Curtis’ HyperNormalisation and TV dramas for Netflix and Sky
A longtime fave for his ability to evince a fine spectra of emotions from his arsenal of analogue circuits, Martin Jenkins music has irrevocably coloured many listening lives since his self-released 2010 debut and a split with The Advisory Circle that led to his classic ’Superstitious century’ for our Boomkat Editions a decade ago. Back on the house of hauntology Ghost Box with ‘The Endless Echo’, PCA works to a deeply furtive, noirish brief that plays out like a personal commission to score the movie in his imagination.
A tense opening shriek of synth strings escalate and calve away to his signature, sleazy kerb-crawl momentum and spine-freezing synth wow-and-flutter in ‘Decision Point’ , setting up a satisfying hour-long episode that takes in the weightless romance of ‘Lacunae’, a sumptuous slow mo pearl ‘On the Clock’ and purring deep disco drive in ‘Chronos’. As ever with his gear, the textured synthesis and evocative wooze of ‘Written in water; is surely comparable with BoC, and but we also find him at grips with more robust club forms in the effortless Detroit-esque gait of ‘Deeptime’, before spiralling off into backlit mists on ‘Unremembered’.
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Cult synthesist Pye Corner Audio returns to spiritual home Ghost Box with a 5th album of increasingly soundtrack-like themes that betrays a carried-over influence of his work on scores for Adam Curtis’ HyperNormalisation and TV dramas for Netflix and Sky
A longtime fave for his ability to evince a fine spectra of emotions from his arsenal of analogue circuits, Martin Jenkins music has irrevocably coloured many listening lives since his self-released 2010 debut and a split with The Advisory Circle that led to his classic ’Superstitious century’ for our Boomkat Editions a decade ago. Back on the house of hauntology Ghost Box with ‘The Endless Echo’, PCA works to a deeply furtive, noirish brief that plays out like a personal commission to score the movie in his imagination.
A tense opening shriek of synth strings escalate and calve away to his signature, sleazy kerb-crawl momentum and spine-freezing synth wow-and-flutter in ‘Decision Point’ , setting up a satisfying hour-long episode that takes in the weightless romance of ‘Lacunae’, a sumptuous slow mo pearl ‘On the Clock’ and purring deep disco drive in ‘Chronos’. As ever with his gear, the textured synthesis and evocative wooze of ‘Written in water; is surely comparable with BoC, and but we also find him at grips with more robust club forms in the effortless Detroit-esque gait of ‘Deeptime’, before spiralling off into backlit mists on ‘Unremembered’.