The Endless Change Of Colour
**Glacial and iridescent, microtonal drone work for fans of Stephan Mathieu from the wonderful Marsen Jules, delivering his first full-length for 12k** "Marsen Jules’ latest work is a generative music piece upon a single phrase of an old jazz record split into three audio streams. These streams are transformed into loops which break the original instrumentation down into sound resembling pure waves, harmonics and overtones.These loops play to different time signatures to create phasing patterns that continuously move and dance around each other in a constantly-evolving lattice of sound. Despite it being based on a very strict and limited set of rules the music could, in theory, be endless and ever-changing. Here, the listener’s discovery is a quiet and engaged one. Ripples and pulses set within a field of color that sometimes feels like water, sometimes like air and sometimes like glass. Electronic tones hum with warmth and the softness of slumber. The patterns are there, familiar to our modern ears, but they’re not always what they seem. The wandering mind steers this one along more than the generative grid on which it was based and The Endless Change Of Colour becomes exactly as its title suggests."
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**Glacial and iridescent, microtonal drone work for fans of Stephan Mathieu from the wonderful Marsen Jules, delivering his first full-length for 12k** "Marsen Jules’ latest work is a generative music piece upon a single phrase of an old jazz record split into three audio streams. These streams are transformed into loops which break the original instrumentation down into sound resembling pure waves, harmonics and overtones.These loops play to different time signatures to create phasing patterns that continuously move and dance around each other in a constantly-evolving lattice of sound. Despite it being based on a very strict and limited set of rules the music could, in theory, be endless and ever-changing. Here, the listener’s discovery is a quiet and engaged one. Ripples and pulses set within a field of color that sometimes feels like water, sometimes like air and sometimes like glass. Electronic tones hum with warmth and the softness of slumber. The patterns are there, familiar to our modern ears, but they’re not always what they seem. The wandering mind steers this one along more than the generative grid on which it was based and The Endless Change Of Colour becomes exactly as its title suggests."
**Glacial and iridescent, microtonal drone work for fans of Stephan Mathieu from the wonderful Marsen Jules, delivering his first full-length for 12k** "Marsen Jules’ latest work is a generative music piece upon a single phrase of an old jazz record split into three audio streams. These streams are transformed into loops which break the original instrumentation down into sound resembling pure waves, harmonics and overtones.These loops play to different time signatures to create phasing patterns that continuously move and dance around each other in a constantly-evolving lattice of sound. Despite it being based on a very strict and limited set of rules the music could, in theory, be endless and ever-changing. Here, the listener’s discovery is a quiet and engaged one. Ripples and pulses set within a field of color that sometimes feels like water, sometimes like air and sometimes like glass. Electronic tones hum with warmth and the softness of slumber. The patterns are there, familiar to our modern ears, but they’re not always what they seem. The wandering mind steers this one along more than the generative grid on which it was based and The Endless Change Of Colour becomes exactly as its title suggests."
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**Glacial and iridescent, microtonal drone work for fans of Stephan Mathieu from the wonderful Marsen Jules, delivering his first full-length for 12k** "Marsen Jules’ latest work is a generative music piece upon a single phrase of an old jazz record split into three audio streams. These streams are transformed into loops which break the original instrumentation down into sound resembling pure waves, harmonics and overtones.These loops play to different time signatures to create phasing patterns that continuously move and dance around each other in a constantly-evolving lattice of sound. Despite it being based on a very strict and limited set of rules the music could, in theory, be endless and ever-changing. Here, the listener’s discovery is a quiet and engaged one. Ripples and pulses set within a field of color that sometimes feels like water, sometimes like air and sometimes like glass. Electronic tones hum with warmth and the softness of slumber. The patterns are there, familiar to our modern ears, but they’re not always what they seem. The wandering mind steers this one along more than the generative grid on which it was based and The Endless Change Of Colour becomes exactly as its title suggests."