The Departing of a Dream, Vol. V
Blues guitar maverick Loren Mazzacane Connors invokes a pinch-yourself waking dream sequence on the fifth volume of a precious series he started in 2002
Originally issued in 2016, and back in ’23 on its much-needed re-press, ‘The Departing of a Dream, Vol. V’ is a hallucinatory masterclass in blues guitar animism. Loosely based on Miles Davis’ ‘He Loved Him Madly’ - itself a tribute to Miles’ departed peer and major influence Duke Ellington - Connors draws on that work’s achingly elegiac qualities in a haunting spectral play of melody and entropic amplifier noise, where he mutes and manipulates his electric guitar to uncannily resemble the anguish expressed in Miles’ trumpet tekkerz.
It’s the sort of timeless music that makes you aware of your own breathing with an effect approaching conscious Buddhist meditation. The palpable pain of Miles’ work guides Connors from beyond in a cautious procession of blues strokes turned to searching, smoky tendrils by his judicious, in-the-moment use of FX envelopes, where quietly intense rumination gives way to rapturous pangs of no wave blues and and swept out again into distressed oblivion.
Bravo maestro every time.
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Blues guitar maverick Loren Mazzacane Connors invokes a pinch-yourself waking dream sequence on the fifth volume of a precious series he started in 2002
Originally issued in 2016, and back in ’23 on its much-needed re-press, ‘The Departing of a Dream, Vol. V’ is a hallucinatory masterclass in blues guitar animism. Loosely based on Miles Davis’ ‘He Loved Him Madly’ - itself a tribute to Miles’ departed peer and major influence Duke Ellington - Connors draws on that work’s achingly elegiac qualities in a haunting spectral play of melody and entropic amplifier noise, where he mutes and manipulates his electric guitar to uncannily resemble the anguish expressed in Miles’ trumpet tekkerz.
It’s the sort of timeless music that makes you aware of your own breathing with an effect approaching conscious Buddhist meditation. The palpable pain of Miles’ work guides Connors from beyond in a cautious procession of blues strokes turned to searching, smoky tendrils by his judicious, in-the-moment use of FX envelopes, where quietly intense rumination gives way to rapturous pangs of no wave blues and and swept out again into distressed oblivion.
Bravo maestro every time.
Blues guitar maverick Loren Mazzacane Connors invokes a pinch-yourself waking dream sequence on the fifth volume of a precious series he started in 2002
Originally issued in 2016, and back in ’23 on its much-needed re-press, ‘The Departing of a Dream, Vol. V’ is a hallucinatory masterclass in blues guitar animism. Loosely based on Miles Davis’ ‘He Loved Him Madly’ - itself a tribute to Miles’ departed peer and major influence Duke Ellington - Connors draws on that work’s achingly elegiac qualities in a haunting spectral play of melody and entropic amplifier noise, where he mutes and manipulates his electric guitar to uncannily resemble the anguish expressed in Miles’ trumpet tekkerz.
It’s the sort of timeless music that makes you aware of your own breathing with an effect approaching conscious Buddhist meditation. The palpable pain of Miles’ work guides Connors from beyond in a cautious procession of blues strokes turned to searching, smoky tendrils by his judicious, in-the-moment use of FX envelopes, where quietly intense rumination gives way to rapturous pangs of no wave blues and and swept out again into distressed oblivion.
Bravo maestro every time.
Blues guitar maverick Loren Mazzacane Connors invokes a pinch-yourself waking dream sequence on the fifth volume of a precious series he started in 2002
Originally issued in 2016, and back in ’23 on its much-needed re-press, ‘The Departing of a Dream, Vol. V’ is a hallucinatory masterclass in blues guitar animism. Loosely based on Miles Davis’ ‘He Loved Him Madly’ - itself a tribute to Miles’ departed peer and major influence Duke Ellington - Connors draws on that work’s achingly elegiac qualities in a haunting spectral play of melody and entropic amplifier noise, where he mutes and manipulates his electric guitar to uncannily resemble the anguish expressed in Miles’ trumpet tekkerz.
It’s the sort of timeless music that makes you aware of your own breathing with an effect approaching conscious Buddhist meditation. The palpable pain of Miles’ work guides Connors from beyond in a cautious procession of blues strokes turned to searching, smoky tendrils by his judicious, in-the-moment use of FX envelopes, where quietly intense rumination gives way to rapturous pangs of no wave blues and and swept out again into distressed oblivion.
Bravo maestro every time.
2023 Re-press.
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Blues guitar maverick Loren Mazzacane Connors invokes a pinch-yourself waking dream sequence on the fifth volume of a precious series he started in 2002
Originally issued in 2016, and back in ’23 on its much-needed re-press, ‘The Departing of a Dream, Vol. V’ is a hallucinatory masterclass in blues guitar animism. Loosely based on Miles Davis’ ‘He Loved Him Madly’ - itself a tribute to Miles’ departed peer and major influence Duke Ellington - Connors draws on that work’s achingly elegiac qualities in a haunting spectral play of melody and entropic amplifier noise, where he mutes and manipulates his electric guitar to uncannily resemble the anguish expressed in Miles’ trumpet tekkerz.
It’s the sort of timeless music that makes you aware of your own breathing with an effect approaching conscious Buddhist meditation. The palpable pain of Miles’ work guides Connors from beyond in a cautious procession of blues strokes turned to searching, smoky tendrils by his judicious, in-the-moment use of FX envelopes, where quietly intense rumination gives way to rapturous pangs of no wave blues and and swept out again into distressed oblivion.
Bravo maestro every time.