Boomkat Product Review:
Robin The Fog’s Howlround project takes a noisier, visceral direction in ‘The Debatable Lands’, his spikily psychoactive debut for Touch
Under a title referring to the historic tracts of land between northern England and southern Scotland, which includes his hometown of Carlisle, where the LP was recorded on his parents’ kitchen table, ‘The Debatable Lands’ also acts a metaphor for the abstract no-mans-land of noise he conjures with two 1/4” tape recorders and a microphone.
Allowing the tape recorders as much agency as possible, Robin acts as an improvising conduit or medium in the mode of a gonzo Tony Conrad or Eliane Radigue, with a modicum of Yvette Fielding and The Hafler Trio. He presents four durational pieces ranging from tremulous, plasmic immersion in ‘Threip’, to something like a pummelling, underwater Masami Akita workout in the rhythmic noise of ‘The Black Path’, while ‘Talking Tarn’ invokes imagery of animist pagans worshipping lone, lofty bodies of freezing water, and ‘Moat’ resembles some kind of EVP interception, perhaps from Roman times, or maybe the ancient spirits of Mu, located in the stone circle-littered realms to the north of Carlisle.