Lawrence leaves the ‘floor for dust in a free-floating suite of ambient jazz following the lead of his ‘Birds On The Playground’ LP and Sky Walking release
Extinguishing the flickering drums and purring basslines of his signature deep minimal house style, Hamburg’s Lawrence beautifully explores his ambient side again on ‘The City Of Tomorrow,’ snuggling into a warm and user friendly space between ambient, new age, and jazz that feels right for the times and echoes vibes from Ana Roxanne to Ulla and the neo-ambient cohort.
‘Dawn’ breaks with glowing, cottony organ chords that set the pace and feel of the EP, which sashays from the twinkling carillon of its ‘Interlude’ and shimmering ‘Mermaids’ vignettes into deliciously sloshing domestic percussion recalling a melted take on Move D’s ‘Kunststoff’ album in ‘Sloth,’ and gems to rest on the bed of levitating static and curling choral pads in ‘Aalto.’
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Lawrence leaves the ‘floor for dust in a free-floating suite of ambient jazz following the lead of his ‘Birds On The Playground’ LP and Sky Walking release
Extinguishing the flickering drums and purring basslines of his signature deep minimal house style, Hamburg’s Lawrence beautifully explores his ambient side again on ‘The City Of Tomorrow,’ snuggling into a warm and user friendly space between ambient, new age, and jazz that feels right for the times and echoes vibes from Ana Roxanne to Ulla and the neo-ambient cohort.
‘Dawn’ breaks with glowing, cottony organ chords that set the pace and feel of the EP, which sashays from the twinkling carillon of its ‘Interlude’ and shimmering ‘Mermaids’ vignettes into deliciously sloshing domestic percussion recalling a melted take on Move D’s ‘Kunststoff’ album in ‘Sloth,’ and gems to rest on the bed of levitating static and curling choral pads in ‘Aalto.’
Lawrence leaves the ‘floor for dust in a free-floating suite of ambient jazz following the lead of his ‘Birds On The Playground’ LP and Sky Walking release
Extinguishing the flickering drums and purring basslines of his signature deep minimal house style, Hamburg’s Lawrence beautifully explores his ambient side again on ‘The City Of Tomorrow,’ snuggling into a warm and user friendly space between ambient, new age, and jazz that feels right for the times and echoes vibes from Ana Roxanne to Ulla and the neo-ambient cohort.
‘Dawn’ breaks with glowing, cottony organ chords that set the pace and feel of the EP, which sashays from the twinkling carillon of its ‘Interlude’ and shimmering ‘Mermaids’ vignettes into deliciously sloshing domestic percussion recalling a melted take on Move D’s ‘Kunststoff’ album in ‘Sloth,’ and gems to rest on the bed of levitating static and curling choral pads in ‘Aalto.’
Lawrence leaves the ‘floor for dust in a free-floating suite of ambient jazz following the lead of his ‘Birds On The Playground’ LP and Sky Walking release
Extinguishing the flickering drums and purring basslines of his signature deep minimal house style, Hamburg’s Lawrence beautifully explores his ambient side again on ‘The City Of Tomorrow,’ snuggling into a warm and user friendly space between ambient, new age, and jazz that feels right for the times and echoes vibes from Ana Roxanne to Ulla and the neo-ambient cohort.
‘Dawn’ breaks with glowing, cottony organ chords that set the pace and feel of the EP, which sashays from the twinkling carillon of its ‘Interlude’ and shimmering ‘Mermaids’ vignettes into deliciously sloshing domestic percussion recalling a melted take on Move D’s ‘Kunststoff’ album in ‘Sloth,’ and gems to rest on the bed of levitating static and curling choral pads in ‘Aalto.’