Pop-not-slop producer Bullion wreaths Avalon Emerson in sublime synths and sun-kissed grooves on an unexpectedly excellent debut album for her new label minted with AD 93’s Nic Tasker, Another Dove
After a decade of penning and playing soft touch club music, Avalon Emerson ideally indulges her song-writing ambitions alongside studio genius Nathan Jenkins aka Bullion with ‘& The Charm’. Echoes of classic late ‘80s and ’90s pop by everyone from Paul Simon to Suzanne Vega, Prefab Sprout and The Cranberries brim from nine filigree songs that arc from downbeat bliss to more uptempo dance music familiar to followers of her works on Ad 93. The combo of Avalon’s glistening vocal thizz and Bullion’s ohrwurming hooks is timeless and certain to seduce attentions of anyone who’s followed his work, from his early versions of The Beach Boys in the style of J Dilla, thru his gems with Laura Groves to recent turns for Carly Rae Jepsen.
From the Balearic folk-pop lilt of ‘Sandrail Silhouette’ channelling The Cranberries, to the synth-pop shivers of ‘Karaoke Song’, we’re totally here for it. There’s pure magic in the gossamer touch pads and Belinda Carlile breeziness of ‘Entombed In Ice’, a certain Swedish wink to elegance of ‘Astrology Poisoning’, and a spine-strumming symphonic ballad ‘The Stone’ at the core of it all, while the 2nd half lifts up to soft focus dance-pop with something like Kylie-via-Kompakt in ‘Dreamliner’, and Avalon’s touch apparent in the 2-step sway of ‘Hot Evening’.
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Pop-not-slop producer Bullion wreaths Avalon Emerson in sublime synths and sun-kissed grooves on an unexpectedly excellent debut album for her new label minted with AD 93’s Nic Tasker, Another Dove
After a decade of penning and playing soft touch club music, Avalon Emerson ideally indulges her song-writing ambitions alongside studio genius Nathan Jenkins aka Bullion with ‘& The Charm’. Echoes of classic late ‘80s and ’90s pop by everyone from Paul Simon to Suzanne Vega, Prefab Sprout and The Cranberries brim from nine filigree songs that arc from downbeat bliss to more uptempo dance music familiar to followers of her works on Ad 93. The combo of Avalon’s glistening vocal thizz and Bullion’s ohrwurming hooks is timeless and certain to seduce attentions of anyone who’s followed his work, from his early versions of The Beach Boys in the style of J Dilla, thru his gems with Laura Groves to recent turns for Carly Rae Jepsen.
From the Balearic folk-pop lilt of ‘Sandrail Silhouette’ channelling The Cranberries, to the synth-pop shivers of ‘Karaoke Song’, we’re totally here for it. There’s pure magic in the gossamer touch pads and Belinda Carlile breeziness of ‘Entombed In Ice’, a certain Swedish wink to elegance of ‘Astrology Poisoning’, and a spine-strumming symphonic ballad ‘The Stone’ at the core of it all, while the 2nd half lifts up to soft focus dance-pop with something like Kylie-via-Kompakt in ‘Dreamliner’, and Avalon’s touch apparent in the 2-step sway of ‘Hot Evening’.
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Pop-not-slop producer Bullion wreaths Avalon Emerson in sublime synths and sun-kissed grooves on an unexpectedly excellent debut album for her new label minted with AD 93’s Nic Tasker, Another Dove
After a decade of penning and playing soft touch club music, Avalon Emerson ideally indulges her song-writing ambitions alongside studio genius Nathan Jenkins aka Bullion with ‘& The Charm’. Echoes of classic late ‘80s and ’90s pop by everyone from Paul Simon to Suzanne Vega, Prefab Sprout and The Cranberries brim from nine filigree songs that arc from downbeat bliss to more uptempo dance music familiar to followers of her works on Ad 93. The combo of Avalon’s glistening vocal thizz and Bullion’s ohrwurming hooks is timeless and certain to seduce attentions of anyone who’s followed his work, from his early versions of The Beach Boys in the style of J Dilla, thru his gems with Laura Groves to recent turns for Carly Rae Jepsen.
From the Balearic folk-pop lilt of ‘Sandrail Silhouette’ channelling The Cranberries, to the synth-pop shivers of ‘Karaoke Song’, we’re totally here for it. There’s pure magic in the gossamer touch pads and Belinda Carlile breeziness of ‘Entombed In Ice’, a certain Swedish wink to elegance of ‘Astrology Poisoning’, and a spine-strumming symphonic ballad ‘The Stone’ at the core of it all, while the 2nd half lifts up to soft focus dance-pop with something like Kylie-via-Kompakt in ‘Dreamliner’, and Avalon’s touch apparent in the 2-step sway of ‘Hot Evening’.