Dusty-heeled, 1989 gothic country rock by Simon Bonney’s cult refuge for Post-Birthday party members and industrial pioneers such as Chrislo Haas (the CH of CHBB, DAF) and Alexander Hacke (P1/E, Einstürzende Neubauten)
Formed in Australia, but really coming into their own during mid-late ‘80s stints in UK and Berlin - where ‘The Bride Ship’ was recorded - Crime & The City Solution were crucial to the ‘80s alt.rock landscape. 1989’s ‘The Bride Ship’ was their penultimate studio LP before going on extended hiatus in the early ‘90s, and forms one for heir most melodramatic and captivating group portraits, including a crack squad of players such as Mick Harvey (Nick cave & The Bad Seeds, The Birthday Party) and recent Daniel Miller collaborator and longtime Mute engineer Gareth Jones chiming into a ravishing album that takes the sea as metaphor for freedom, and a diving board into tempestuous songs gassed on a sort of punkish country folk-rock at times recalling The Pogues as much as Nick Cave, and at others spoiling for a bar brawl.
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Dusty-heeled, 1989 gothic country rock by Simon Bonney’s cult refuge for Post-Birthday party members and industrial pioneers such as Chrislo Haas (the CH of CHBB, DAF) and Alexander Hacke (P1/E, Einstürzende Neubauten)
Formed in Australia, but really coming into their own during mid-late ‘80s stints in UK and Berlin - where ‘The Bride Ship’ was recorded - Crime & The City Solution were crucial to the ‘80s alt.rock landscape. 1989’s ‘The Bride Ship’ was their penultimate studio LP before going on extended hiatus in the early ‘90s, and forms one for heir most melodramatic and captivating group portraits, including a crack squad of players such as Mick Harvey (Nick cave & The Bad Seeds, The Birthday Party) and recent Daniel Miller collaborator and longtime Mute engineer Gareth Jones chiming into a ravishing album that takes the sea as metaphor for freedom, and a diving board into tempestuous songs gassed on a sort of punkish country folk-rock at times recalling The Pogues as much as Nick Cave, and at others spoiling for a bar brawl.
Dusty-heeled, 1989 gothic country rock by Simon Bonney’s cult refuge for Post-Birthday party members and industrial pioneers such as Chrislo Haas (the CH of CHBB, DAF) and Alexander Hacke (P1/E, Einstürzende Neubauten)
Formed in Australia, but really coming into their own during mid-late ‘80s stints in UK and Berlin - where ‘The Bride Ship’ was recorded - Crime & The City Solution were crucial to the ‘80s alt.rock landscape. 1989’s ‘The Bride Ship’ was their penultimate studio LP before going on extended hiatus in the early ‘90s, and forms one for heir most melodramatic and captivating group portraits, including a crack squad of players such as Mick Harvey (Nick cave & The Bad Seeds, The Birthday Party) and recent Daniel Miller collaborator and longtime Mute engineer Gareth Jones chiming into a ravishing album that takes the sea as metaphor for freedom, and a diving board into tempestuous songs gassed on a sort of punkish country folk-rock at times recalling The Pogues as much as Nick Cave, and at others spoiling for a bar brawl.
Dusty-heeled, 1989 gothic country rock by Simon Bonney’s cult refuge for Post-Birthday party members and industrial pioneers such as Chrislo Haas (the CH of CHBB, DAF) and Alexander Hacke (P1/E, Einstürzende Neubauten)
Formed in Australia, but really coming into their own during mid-late ‘80s stints in UK and Berlin - where ‘The Bride Ship’ was recorded - Crime & The City Solution were crucial to the ‘80s alt.rock landscape. 1989’s ‘The Bride Ship’ was their penultimate studio LP before going on extended hiatus in the early ‘90s, and forms one for heir most melodramatic and captivating group portraits, including a crack squad of players such as Mick Harvey (Nick cave & The Bad Seeds, The Birthday Party) and recent Daniel Miller collaborator and longtime Mute engineer Gareth Jones chiming into a ravishing album that takes the sea as metaphor for freedom, and a diving board into tempestuous songs gassed on a sort of punkish country folk-rock at times recalling The Pogues as much as Nick Cave, and at others spoiling for a bar brawl.
2023 Re-issue. First time on vinyl since 1994. Limited edition white coloured vinyl.
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Dusty-heeled, 1989 gothic country rock by Simon Bonney’s cult refuge for Post-Birthday party members and industrial pioneers such as Chrislo Haas (the CH of CHBB, DAF) and Alexander Hacke (P1/E, Einstürzende Neubauten)
Formed in Australia, but really coming into their own during mid-late ‘80s stints in UK and Berlin - where ‘The Bride Ship’ was recorded - Crime & The City Solution were crucial to the ‘80s alt.rock landscape. 1989’s ‘The Bride Ship’ was their penultimate studio LP before going on extended hiatus in the early ‘90s, and forms one for heir most melodramatic and captivating group portraits, including a crack squad of players such as Mick Harvey (Nick cave & The Bad Seeds, The Birthday Party) and recent Daniel Miller collaborator and longtime Mute engineer Gareth Jones chiming into a ravishing album that takes the sea as metaphor for freedom, and a diving board into tempestuous songs gassed on a sort of punkish country folk-rock at times recalling The Pogues as much as Nick Cave, and at others spoiling for a bar brawl.