The Black Sun Transmissions
melding of acousmatic field recordings, electro-acoustic processing and layered instrumentation inhabits barely detectable shapes and shadowy forms in five parts, threaded with an esoteric but tangibly doom-laced narrative. We enter scene one, 'Signals Through Wood & Dirt' to muffled scrapes, creaking movements and drones, something like Giuseppe Ielasi's tactile Bellows sound embellished with a more Gothic drone aesthetic. This subsides to radar bleeps before 'Weight Of Days' conjures more symphonic scenery with a harmonised heart swell of rustic folk strings, and the melancholy is sustained through richly layered drones rising to a majestic post-rock style peak on 'All I Could Ever Be'. Ultimately, this is all setting the mood for the masterful arrangement of 'Shores', scanning 20 minutes of ear-craning acousmatic textures, tingling bells, and pitch black, blooming noises enveloped by the most æthereal, blood-draining atmospheres. RIYL Kreng, The Haxan Cloak, Demdike Stare, Bellows.
View more
melding of acousmatic field recordings, electro-acoustic processing and layered instrumentation inhabits barely detectable shapes and shadowy forms in five parts, threaded with an esoteric but tangibly doom-laced narrative. We enter scene one, 'Signals Through Wood & Dirt' to muffled scrapes, creaking movements and drones, something like Giuseppe Ielasi's tactile Bellows sound embellished with a more Gothic drone aesthetic. This subsides to radar bleeps before 'Weight Of Days' conjures more symphonic scenery with a harmonised heart swell of rustic folk strings, and the melancholy is sustained through richly layered drones rising to a majestic post-rock style peak on 'All I Could Ever Be'. Ultimately, this is all setting the mood for the masterful arrangement of 'Shores', scanning 20 minutes of ear-craning acousmatic textures, tingling bells, and pitch black, blooming noises enveloped by the most æthereal, blood-draining atmospheres. RIYL Kreng, The Haxan Cloak, Demdike Stare, Bellows.
melding of acousmatic field recordings, electro-acoustic processing and layered instrumentation inhabits barely detectable shapes and shadowy forms in five parts, threaded with an esoteric but tangibly doom-laced narrative. We enter scene one, 'Signals Through Wood & Dirt' to muffled scrapes, creaking movements and drones, something like Giuseppe Ielasi's tactile Bellows sound embellished with a more Gothic drone aesthetic. This subsides to radar bleeps before 'Weight Of Days' conjures more symphonic scenery with a harmonised heart swell of rustic folk strings, and the melancholy is sustained through richly layered drones rising to a majestic post-rock style peak on 'All I Could Ever Be'. Ultimately, this is all setting the mood for the masterful arrangement of 'Shores', scanning 20 minutes of ear-craning acousmatic textures, tingling bells, and pitch black, blooming noises enveloped by the most æthereal, blood-draining atmospheres. RIYL Kreng, The Haxan Cloak, Demdike Stare, Bellows.
melding of acousmatic field recordings, electro-acoustic processing and layered instrumentation inhabits barely detectable shapes and shadowy forms in five parts, threaded with an esoteric but tangibly doom-laced narrative. We enter scene one, 'Signals Through Wood & Dirt' to muffled scrapes, creaking movements and drones, something like Giuseppe Ielasi's tactile Bellows sound embellished with a more Gothic drone aesthetic. This subsides to radar bleeps before 'Weight Of Days' conjures more symphonic scenery with a harmonised heart swell of rustic folk strings, and the melancholy is sustained through richly layered drones rising to a majestic post-rock style peak on 'All I Could Ever Be'. Ultimately, this is all setting the mood for the masterful arrangement of 'Shores', scanning 20 minutes of ear-craning acousmatic textures, tingling bells, and pitch black, blooming noises enveloped by the most æthereal, blood-draining atmospheres. RIYL Kreng, The Haxan Cloak, Demdike Stare, Bellows.
Out of Stock
melding of acousmatic field recordings, electro-acoustic processing and layered instrumentation inhabits barely detectable shapes and shadowy forms in five parts, threaded with an esoteric but tangibly doom-laced narrative. We enter scene one, 'Signals Through Wood & Dirt' to muffled scrapes, creaking movements and drones, something like Giuseppe Ielasi's tactile Bellows sound embellished with a more Gothic drone aesthetic. This subsides to radar bleeps before 'Weight Of Days' conjures more symphonic scenery with a harmonised heart swell of rustic folk strings, and the melancholy is sustained through richly layered drones rising to a majestic post-rock style peak on 'All I Could Ever Be'. Ultimately, this is all setting the mood for the masterful arrangement of 'Shores', scanning 20 minutes of ear-craning acousmatic textures, tingling bells, and pitch black, blooming noises enveloped by the most æthereal, blood-draining atmospheres. RIYL Kreng, The Haxan Cloak, Demdike Stare, Bellows.