Boomkat Product Review:
Cult industrial concerns, Bernd Kastner & Siegfried Michail Syniuga a.k.a. Strafe Für Rebellion, unveil their first new material since 2013 with The Bird Is Stolen, written and recorded at STRAFE Studio, Düsseldorf, Germany for their longterm supporters at Touch.
Joined by vocals from Caterina De Re, Strafe F.R. sustain their pursuit of the unheimlich and phantasmagoric into their 4th decade of operations, and still with the timelessly primordial, experimental vitality of their early work; which is maybe best described as if Chris Watson made music with Laszlo Hortobagyi and Xao Seffcheque while he was in flux between field recordings and playing in Cabaret Voltaire.
In classic but completely up-to-date fashion, the soundd of The Bird Was Stolen is remarkably striking, full of unique resonances, acousmata and complex timbres that keep ear highly entertained and trained across their sound field of Ddisembodied, centre-less, and uneasy dynamics. Thus its fair to hear Strafe F.R.’s sound as in essence a form of industrial dub music that shares as much in common with contemporaneous avatars NWW and Dome as aspects of Jay Glass Dubs or even Raime in the modern sphere.
References aside, though, The Bird Was Stolen firmly holds it own, working on such a level of tough-edged psychedelic abstraction and crisp clangour that shows their experience in spades and proves they were never some half-arsed dilettantes, but the real, cranky thing who can’t help but best express themselves this way. Basically this is one industrial revival that’s worth checking out. Shame we couldn’t say that more often.