Basic Rhythm
The Basics
Boomkat Product Review:
Totally Killer 2nd album from Anthony J Hart (Imaginary Forces) as Basic Rhythm for Type, decimating and distilling jungle, grime and garage into their common and most affective dancefloor denominators...
Back with that spice for Type, Anthony J Hart gets down to UK rave fundamentals on a killer 2nd LP under his Basic Rhythm pseudonym. Where his more prolific Imaginary Forces output is all about the push ’n pull of power noise and post-rave techno dynamics, Basic Rhythm fixes a steely focus on the physics of the UK’s hardcore continuum; decimating and distilling jungle, grime and garage into their common and most affective dancefloor denominators.
Basic Rhythm offers Hart up as a sort Leyden Jar battery or vessel storing decades of absorbed and condensed pirate radio transmissions, and The Basics can be heard as his disciplined attempt to parse those muscle memories and sensations into something tangibly, rudely physical but, most crucially, leaving aside those bits he considers unnecessary in a defragging process of mental sonic décollage - breaking down outmoded values and replacing at a distance from the original medium.
What remains forms a kind of refreshingly eviscerated halcyontology, recollecting and rinsing out the good times spending his p’s on new shells at legendary shops such as Music Power (Ilford) and Boogie Times; listening to Rude FM 88.2, Unity 88.4, Pulse 90.6, Weekend Rush 92.3, Kool FM 94.5; cutting dubs at Music House; and swanging his jaw at legendary venues and club nights like Stratford Rex, Temple, Labrynth, Telepathy, Slammin’ Vinyl and One Nation.
In reducing those aspects to a pointillist vocabulary of sawn-off drums, harness-straining subs and tessellating, tussling stabs of flava, he leaves a spare air prompting ambiguous reading of ‘dread’ and ‘ecstasy’, depending on the listener’s own reception/perception. It’s a dichotomy at the core of E18’s postcode-warring sublow shift, explored in the crevices between rap and grime in Fake Thugs, or the way Silent Listener (Adore) is intended to illuminate dank bedrooms, whilst the ructions of Cool Breeze (Summer In Woodford Green) and the fractiously mapped road rave styles of Blood Klaat Kore lend an overlapping sense of deep topographical study to the mix.
View more
Boomkat Product Review:
Totally Killer 2nd album from Anthony J Hart (Imaginary Forces) as Basic Rhythm for Type, decimating and distilling jungle, grime and garage into their common and most affective dancefloor denominators...
Back with that spice for Type, Anthony J Hart gets down to UK rave fundamentals on a killer 2nd LP under his Basic Rhythm pseudonym. Where his more prolific Imaginary Forces output is all about the push ’n pull of power noise and post-rave techno dynamics, Basic Rhythm fixes a steely focus on the physics of the UK’s hardcore continuum; decimating and distilling jungle, grime and garage into their common and most affective dancefloor denominators.
Basic Rhythm offers Hart up as a sort Leyden Jar battery or vessel storing decades of absorbed and condensed pirate radio transmissions, and The Basics can be heard as his disciplined attempt to parse those muscle memories and sensations into something tangibly, rudely physical but, most crucially, leaving aside those bits he considers unnecessary in a defragging process of mental sonic décollage - breaking down outmoded values and replacing at a distance from the original medium.
What remains forms a kind of refreshingly eviscerated halcyontology, recollecting and rinsing out the good times spending his p’s on new shells at legendary shops such as Music Power (Ilford) and Boogie Times; listening to Rude FM 88.2, Unity 88.4, Pulse 90.6, Weekend Rush 92.3, Kool FM 94.5; cutting dubs at Music House; and swanging his jaw at legendary venues and club nights like Stratford Rex, Temple, Labrynth, Telepathy, Slammin’ Vinyl and One Nation.
In reducing those aspects to a pointillist vocabulary of sawn-off drums, harness-straining subs and tessellating, tussling stabs of flava, he leaves a spare air prompting ambiguous reading of ‘dread’ and ‘ecstasy’, depending on the listener’s own reception/perception. It’s a dichotomy at the core of E18’s postcode-warring sublow shift, explored in the crevices between rap and grime in Fake Thugs, or the way Silent Listener (Adore) is intended to illuminate dank bedrooms, whilst the ructions of Cool Breeze (Summer In Woodford Green) and the fractiously mapped road rave styles of Blood Klaat Kore lend an overlapping sense of deep topographical study to the mix.
Boomkat Product Review:
Totally Killer 2nd album from Anthony J Hart (Imaginary Forces) as Basic Rhythm for Type, decimating and distilling jungle, grime and garage into their common and most affective dancefloor denominators...
Back with that spice for Type, Anthony J Hart gets down to UK rave fundamentals on a killer 2nd LP under his Basic Rhythm pseudonym. Where his more prolific Imaginary Forces output is all about the push ’n pull of power noise and post-rave techno dynamics, Basic Rhythm fixes a steely focus on the physics of the UK’s hardcore continuum; decimating and distilling jungle, grime and garage into their common and most affective dancefloor denominators.
Basic Rhythm offers Hart up as a sort Leyden Jar battery or vessel storing decades of absorbed and condensed pirate radio transmissions, and The Basics can be heard as his disciplined attempt to parse those muscle memories and sensations into something tangibly, rudely physical but, most crucially, leaving aside those bits he considers unnecessary in a defragging process of mental sonic décollage - breaking down outmoded values and replacing at a distance from the original medium.
What remains forms a kind of refreshingly eviscerated halcyontology, recollecting and rinsing out the good times spending his p’s on new shells at legendary shops such as Music Power (Ilford) and Boogie Times; listening to Rude FM 88.2, Unity 88.4, Pulse 90.6, Weekend Rush 92.3, Kool FM 94.5; cutting dubs at Music House; and swanging his jaw at legendary venues and club nights like Stratford Rex, Temple, Labrynth, Telepathy, Slammin’ Vinyl and One Nation.
In reducing those aspects to a pointillist vocabulary of sawn-off drums, harness-straining subs and tessellating, tussling stabs of flava, he leaves a spare air prompting ambiguous reading of ‘dread’ and ‘ecstasy’, depending on the listener’s own reception/perception. It’s a dichotomy at the core of E18’s postcode-warring sublow shift, explored in the crevices between rap and grime in Fake Thugs, or the way Silent Listener (Adore) is intended to illuminate dank bedrooms, whilst the ructions of Cool Breeze (Summer In Woodford Green) and the fractiously mapped road rave styles of Blood Klaat Kore lend an overlapping sense of deep topographical study to the mix.
Boomkat Product Review:
Totally Killer 2nd album from Anthony J Hart (Imaginary Forces) as Basic Rhythm for Type, decimating and distilling jungle, grime and garage into their common and most affective dancefloor denominators...
Back with that spice for Type, Anthony J Hart gets down to UK rave fundamentals on a killer 2nd LP under his Basic Rhythm pseudonym. Where his more prolific Imaginary Forces output is all about the push ’n pull of power noise and post-rave techno dynamics, Basic Rhythm fixes a steely focus on the physics of the UK’s hardcore continuum; decimating and distilling jungle, grime and garage into their common and most affective dancefloor denominators.
Basic Rhythm offers Hart up as a sort Leyden Jar battery or vessel storing decades of absorbed and condensed pirate radio transmissions, and The Basics can be heard as his disciplined attempt to parse those muscle memories and sensations into something tangibly, rudely physical but, most crucially, leaving aside those bits he considers unnecessary in a defragging process of mental sonic décollage - breaking down outmoded values and replacing at a distance from the original medium.
What remains forms a kind of refreshingly eviscerated halcyontology, recollecting and rinsing out the good times spending his p’s on new shells at legendary shops such as Music Power (Ilford) and Boogie Times; listening to Rude FM 88.2, Unity 88.4, Pulse 90.6, Weekend Rush 92.3, Kool FM 94.5; cutting dubs at Music House; and swanging his jaw at legendary venues and club nights like Stratford Rex, Temple, Labrynth, Telepathy, Slammin’ Vinyl and One Nation.
In reducing those aspects to a pointillist vocabulary of sawn-off drums, harness-straining subs and tessellating, tussling stabs of flava, he leaves a spare air prompting ambiguous reading of ‘dread’ and ‘ecstasy’, depending on the listener’s own reception/perception. It’s a dichotomy at the core of E18’s postcode-warring sublow shift, explored in the crevices between rap and grime in Fake Thugs, or the way Silent Listener (Adore) is intended to illuminate dank bedrooms, whilst the ructions of Cool Breeze (Summer In Woodford Green) and the fractiously mapped road rave styles of Blood Klaat Kore lend an overlapping sense of deep topographical study to the mix.
Mastered & Cut by Matt Colton at Alchemy, Edition of 500 copies
Out of Stock
Boomkat Product Review:
Totally Killer 2nd album from Anthony J Hart (Imaginary Forces) as Basic Rhythm for Type, decimating and distilling jungle, grime and garage into their common and most affective dancefloor denominators...
Back with that spice for Type, Anthony J Hart gets down to UK rave fundamentals on a killer 2nd LP under his Basic Rhythm pseudonym. Where his more prolific Imaginary Forces output is all about the push ’n pull of power noise and post-rave techno dynamics, Basic Rhythm fixes a steely focus on the physics of the UK’s hardcore continuum; decimating and distilling jungle, grime and garage into their common and most affective dancefloor denominators.
Basic Rhythm offers Hart up as a sort Leyden Jar battery or vessel storing decades of absorbed and condensed pirate radio transmissions, and The Basics can be heard as his disciplined attempt to parse those muscle memories and sensations into something tangibly, rudely physical but, most crucially, leaving aside those bits he considers unnecessary in a defragging process of mental sonic décollage - breaking down outmoded values and replacing at a distance from the original medium.
What remains forms a kind of refreshingly eviscerated halcyontology, recollecting and rinsing out the good times spending his p’s on new shells at legendary shops such as Music Power (Ilford) and Boogie Times; listening to Rude FM 88.2, Unity 88.4, Pulse 90.6, Weekend Rush 92.3, Kool FM 94.5; cutting dubs at Music House; and swanging his jaw at legendary venues and club nights like Stratford Rex, Temple, Labrynth, Telepathy, Slammin’ Vinyl and One Nation.
In reducing those aspects to a pointillist vocabulary of sawn-off drums, harness-straining subs and tessellating, tussling stabs of flava, he leaves a spare air prompting ambiguous reading of ‘dread’ and ‘ecstasy’, depending on the listener’s own reception/perception. It’s a dichotomy at the core of E18’s postcode-warring sublow shift, explored in the crevices between rap and grime in Fake Thugs, or the way Silent Listener (Adore) is intended to illuminate dank bedrooms, whilst the ructions of Cool Breeze (Summer In Woodford Green) and the fractiously mapped road rave styles of Blood Klaat Kore lend an overlapping sense of deep topographical study to the mix.
More from Basic Rhythm:
-
Basic Rhythm Blood Of The Gods Musique Nocturne Jungle / Footwork- MP3
- FLAC
- WAV
-
Basic Rhythm Same Old Same Old Musique Nocturne Jungle / Footwork
- MP3
- FLAC
- WAV
-
Basic Rhythm After London Musique Nocturne Jungle / Footwork
- MP3
- FLAC
- WAV
-
Basic Rhythm The Gorgon / The End Musique Nocturne Jungle / Footwork
- MP3
- FLAC
- WAV
-
Basic Rhythm Midnight / Fire Musique Nocturne Jungle / Footwork
- MP3
- FLAC
- WAV
More from Type Recordings:
-
Khonnor Burning Palace Type Recordings Electronic
- 7"
-
FREE MP3 WITH VINYLON x Fennesz Something That Has Form And Something That Does Not Type Recordings Modern Classical / Ambient
- MP3
- FLAC
- Colour LP
-
FREE MP3 WITH VINYLPETE SWANSON Pro Style Type Recordings Electronic
- MP3
- FLAC
- LP (Black Vinyl)
-
FREE MP3 WITH VINYLDeaf Center Pale Ravine Type Recordings / Miasmah Recordings Modern Classical / Ambient
- MP3
- FLAC
- WAV
- 2LP (Black Vinyl)
-
FREE MP3 WITH VINYLRobert Aiki Aubrey Lowe Timon Irnok Manta Type Recordings Electronic
- MP3
- FLAC
People who bought this also bought:
-
BELLOWS Rustl Boomkat Editions Electronic
- MP3
- FLAC
-
Head High / WK7 Home. House. Hardcore. POWER HOUSE Techno / House
- MP3
- FLAC
- CD
-
GHOLD Of Ruin Ritual Productions Dark Ambient / Drone / Metal
- MP3
- FLAC
- WAV
-
Billow Observatory Billow Observatory felte Modern Classical / Ambient
- MP3
- FLAC
-
A.C. Marias One Of Our Girls Mute Indie / Alternative
- MP3
- FLAC
- WAV
-
Deux Filles Double Happiness LTM Recordings Electronic
- MP3
- FLAC
-
Eternal Tapestry & Sun Araw Night Gallery Thrill Jockey Electronic
- MP3
- FLAC
- CD
-
Colin Newman Commercial Suicide Crammed Discs Industrial / Wave / Electro
- MP3
- FLAC
-
Grass Widow Milo Minute HLR Indie / Alternative
- MP3
- FLAC
-
Ben Vida Music For A Soft Epic Root Strata Electronic
- MP3
- FLAC