The Academy In Peril
Decked in cover art from Andy Warhol and boasting some of Cale's most vital avant-classical compositions, 'The Academy in Peril' is one of his most misunderstood excursions - and one of his best. This latest reissue has been newly remastered under the guidance of Cale himself.
Seemingly escaping from his frustrating brush with pop on his debut album 'Vintage Violence', Cale cleansed his palate two years later with his second album, looking back to his early classical training, and his tenure playing in La Monte Young's Theatre of Eternal Music. Playing viola, piano, guitar and bass, Cale muddles skeletal, oddball prog moments with solo workouts, roping in The Royal Philharmonic Orchestra to help out with the most generous tracks, '3 Orchestral Pieces' and 'John Milton'. And even by Cale's standards, it's an unusual fusion of ideas; opener 'The Philosopher' is a strain of madheaded blues rock (Rolling Stones' Ron Wood plays slide guitar) reworked for viola and angular, orchestra pit percussion, while 'Legs Larry at Television Centre' sounds like a lost Peter Greenaway cue, with minimal, Nyman-esque strings and a dry, studio-lampooning vocal take.
The album has aged remarkably well, particularly when you realize how it failed to connect with critics expecting different material at the time. And listened in context with the rest of his catalogue, including his forays into avant-minimalism and his work with Nico, it completes a complicated picture of one of the 20th century's boldest rock innovators.
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Decked in cover art from Andy Warhol and boasting some of Cale's most vital avant-classical compositions, 'The Academy in Peril' is one of his most misunderstood excursions - and one of his best. This latest reissue has been newly remastered under the guidance of Cale himself.
Seemingly escaping from his frustrating brush with pop on his debut album 'Vintage Violence', Cale cleansed his palate two years later with his second album, looking back to his early classical training, and his tenure playing in La Monte Young's Theatre of Eternal Music. Playing viola, piano, guitar and bass, Cale muddles skeletal, oddball prog moments with solo workouts, roping in The Royal Philharmonic Orchestra to help out with the most generous tracks, '3 Orchestral Pieces' and 'John Milton'. And even by Cale's standards, it's an unusual fusion of ideas; opener 'The Philosopher' is a strain of madheaded blues rock (Rolling Stones' Ron Wood plays slide guitar) reworked for viola and angular, orchestra pit percussion, while 'Legs Larry at Television Centre' sounds like a lost Peter Greenaway cue, with minimal, Nyman-esque strings and a dry, studio-lampooning vocal take.
The album has aged remarkably well, particularly when you realize how it failed to connect with critics expecting different material at the time. And listened in context with the rest of his catalogue, including his forays into avant-minimalism and his work with Nico, it completes a complicated picture of one of the 20th century's boldest rock innovators.
Decked in cover art from Andy Warhol and boasting some of Cale's most vital avant-classical compositions, 'The Academy in Peril' is one of his most misunderstood excursions - and one of his best. This latest reissue has been newly remastered under the guidance of Cale himself.
Seemingly escaping from his frustrating brush with pop on his debut album 'Vintage Violence', Cale cleansed his palate two years later with his second album, looking back to his early classical training, and his tenure playing in La Monte Young's Theatre of Eternal Music. Playing viola, piano, guitar and bass, Cale muddles skeletal, oddball prog moments with solo workouts, roping in The Royal Philharmonic Orchestra to help out with the most generous tracks, '3 Orchestral Pieces' and 'John Milton'. And even by Cale's standards, it's an unusual fusion of ideas; opener 'The Philosopher' is a strain of madheaded blues rock (Rolling Stones' Ron Wood plays slide guitar) reworked for viola and angular, orchestra pit percussion, while 'Legs Larry at Television Centre' sounds like a lost Peter Greenaway cue, with minimal, Nyman-esque strings and a dry, studio-lampooning vocal take.
The album has aged remarkably well, particularly when you realize how it failed to connect with critics expecting different material at the time. And listened in context with the rest of his catalogue, including his forays into avant-minimalism and his work with Nico, it completes a complicated picture of one of the 20th century's boldest rock innovators.
Decked in cover art from Andy Warhol and boasting some of Cale's most vital avant-classical compositions, 'The Academy in Peril' is one of his most misunderstood excursions - and one of his best. This latest reissue has been newly remastered under the guidance of Cale himself.
Seemingly escaping from his frustrating brush with pop on his debut album 'Vintage Violence', Cale cleansed his palate two years later with his second album, looking back to his early classical training, and his tenure playing in La Monte Young's Theatre of Eternal Music. Playing viola, piano, guitar and bass, Cale muddles skeletal, oddball prog moments with solo workouts, roping in The Royal Philharmonic Orchestra to help out with the most generous tracks, '3 Orchestral Pieces' and 'John Milton'. And even by Cale's standards, it's an unusual fusion of ideas; opener 'The Philosopher' is a strain of madheaded blues rock (Rolling Stones' Ron Wood plays slide guitar) reworked for viola and angular, orchestra pit percussion, while 'Legs Larry at Television Centre' sounds like a lost Peter Greenaway cue, with minimal, Nyman-esque strings and a dry, studio-lampooning vocal take.
The album has aged remarkably well, particularly when you realize how it failed to connect with critics expecting different material at the time. And listened in context with the rest of his catalogue, including his forays into avant-minimalism and his work with Nico, it completes a complicated picture of one of the 20th century's boldest rock innovators.
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This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Decked in cover art from Andy Warhol and boasting some of Cale's most vital avant-classical compositions, 'The Academy in Peril' is one of his most misunderstood excursions - and one of his best. This latest reissue has been newly remastered under the guidance of Cale himself.
Seemingly escaping from his frustrating brush with pop on his debut album 'Vintage Violence', Cale cleansed his palate two years later with his second album, looking back to his early classical training, and his tenure playing in La Monte Young's Theatre of Eternal Music. Playing viola, piano, guitar and bass, Cale muddles skeletal, oddball prog moments with solo workouts, roping in The Royal Philharmonic Orchestra to help out with the most generous tracks, '3 Orchestral Pieces' and 'John Milton'. And even by Cale's standards, it's an unusual fusion of ideas; opener 'The Philosopher' is a strain of madheaded blues rock (Rolling Stones' Ron Wood plays slide guitar) reworked for viola and angular, orchestra pit percussion, while 'Legs Larry at Television Centre' sounds like a lost Peter Greenaway cue, with minimal, Nyman-esque strings and a dry, studio-lampooning vocal take.
The album has aged remarkably well, particularly when you realize how it failed to connect with critics expecting different material at the time. And listened in context with the rest of his catalogue, including his forays into avant-minimalism and his work with Nico, it completes a complicated picture of one of the 20th century's boldest rock innovators.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Decked in cover art from Andy Warhol and boasting some of Cale's most vital avant-classical compositions, 'The Academy in Peril' is one of his most misunderstood excursions - and one of his best. This latest reissue has been newly remastered under the guidance of Cale himself.
Seemingly escaping from his frustrating brush with pop on his debut album 'Vintage Violence', Cale cleansed his palate two years later with his second album, looking back to his early classical training, and his tenure playing in La Monte Young's Theatre of Eternal Music. Playing viola, piano, guitar and bass, Cale muddles skeletal, oddball prog moments with solo workouts, roping in The Royal Philharmonic Orchestra to help out with the most generous tracks, '3 Orchestral Pieces' and 'John Milton'. And even by Cale's standards, it's an unusual fusion of ideas; opener 'The Philosopher' is a strain of madheaded blues rock (Rolling Stones' Ron Wood plays slide guitar) reworked for viola and angular, orchestra pit percussion, while 'Legs Larry at Television Centre' sounds like a lost Peter Greenaway cue, with minimal, Nyman-esque strings and a dry, studio-lampooning vocal take.
The album has aged remarkably well, particularly when you realize how it failed to connect with critics expecting different material at the time. And listened in context with the rest of his catalogue, including his forays into avant-minimalism and his work with Nico, it completes a complicated picture of one of the 20th century's boldest rock innovators.