Boomkat Product Review:
Leith newcomer Joshua Sabin moulds the sounds of transit into something quite unique on this killer debut album for Subtext.
Few other labels right now are close to Subtext when it comes to genuinely engaging, rewarding exercises in concept and sound design, and their dominance continues with this rather special album from Joshua Sabin.
Terminus Drift explores how the digital age is impacting on our relationship with our surroundings, and presents Sabin as an intrepid sound explorer with field recorder by his side. A series of trips through Kyoto, Tokyo and Berlin as well as some electromagnetic fields closer to home were inspiration for Sabin, amassing field recordings of ‘sirens reverberating through station tunnels, fluctuating harmonics of subway engines, echoing tannoy systems.
It's the manner in which Sabin manipulates these sounds exclusively and moulds them into a body of work that smacks you in the face with its other dimensional qualities which particularly impresses on Terminus Drift. The ghostly remnants of a tannoy are just about discernible on the opening title track, but the shrill, crystalline dub techno fractures of U12 will have you scratching your head and wondering how he made it.
A rather neat push and pull from moments of calm and foreboding danger is present throughout - perhaps best encapsulated on the mind melting Vivo Wish - and the album suggests Sabin is quite the talent.
RIYL Emptyset, Sa Pa, Sam Kidel, Klara Lewis, WANDA GROUP.